Tag Archives: Les Paul

01.25.13
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If I ever buy another guitar…


I certainly don’t need another guitar.  I’m always looking at them though.  There are just so many different kinds out there, and I can appreciate almost all of them.  Some I actually sort of drool over, & eventually I end up with one.  I don’t think 13 Guitars in 2013 will ever become a reality.  I can always add cool guitars to my Pinterest board, right?

These are some that I’m always thinking about…

Epiphone USA Map Guitar

Epiphone USA Map Guitar

Goofy Map

Like this…

The Epiphone USA Map Guitar – It has to be ridiculously cumbersome to play, but no more than my Galveston B.B. Stone.  The brown finish is neat, but I’d love it to look like an old-school pastel textbook map of the USA.  They pop up on ebay every once in a while, but none are ever priced low enough that I feel it’s a “must buy” because I’ll never see the same deal again.  There are other companies that make them too.  I’m not picky, I just like the shape & the idea.  It would certainly be a fun one on stage.

Fernandes Ravelle

Fernandes Ravelle

Fernandes Ravelle Deluxe

Deluxe

The Fernandes Ravelle – I’d like any of them really, but the green Dave Kushner model is awesome.  I dig the green color, and the sweet pick guard with holes in it.  I love how it takes the classic Les Paul shape, and makes it a little Alien.  The curves are awesome.  I dig the sound too, on the Velvet Revolver albums & live show.  I’ve seen a few in action at shows around here, but I’ve only seen one for sale at Guitar Center in Robinson.  I almost dropped more money than I could afford on it… it was only around $500 which seemed reasonable.   Sadly, I made a sound financial decision that day.

Fretlight Guitar

Fretlight Guitar

Fretlight® Guitar – It seems like it would just be really fun to play with one.  I might even learn a scale other than the pentatonic with one.  I like the old school one with the knobs & switches.  I don’t know if I’d even gig out with it, unless you could program it to make a cool light show or spell out the name of your band or something tasteless & offensive on the fretboard.  Maybe even the word “POOP” because, well, that’s always funny.

Hallmark Guitars Wing-Bat

Hallmark Guitars Wing-Bat

Hallmark Guitars Wing-Bat – Or the George Barris Batman guitar.  I’ll probably never have enough money to own this thing, but it sure is cool.  No Batmobile beats the 60′s Batmobile… and this thing looks like it was in the trunk all along.  If anyone has one that needs a good home, let me know.  I’ll play it & take care of it quite well.  I’d gig out with it too.  It’s a shame when these collector guitars hit a shelf somewhere never to be played again.

DIPinto Mach IV

DIPinto Mach IV

DiPinto Mach IV – One of my favorite guitars playersplays one of these sweet-looking axes. It’s very eye-catching.  It’s almost like a Mosrite, but not quite.  Gel from The Eyeliners is one hell of a guitar player, & the reason I want one.  I’m generally not a fan of red guitars, but with this… I’d like a red one.

Annihilator

Annihilator

Annihilator copy by Oktober Guitars – I’m not nearly as cool as Doyle, but I’d love to play one… being a Misfits Fiend for all these years.  I’m not sure I’ll ever have $600 lying around for a guitar that I wouldn’t play all the time.

I do also want a bunch of other stuff that’s not so specific.   I’d love to have a hollowbody, something like an Ibanez Artstar/Artcore or Epiphone Flamekat.  I’d love a custom Millennium Falcon guitar.  I’d love one of Tom Bingham’s creations like the Record guitar or suitcase guitar.  I like weird stuff, like the Bigfoot Guitar or the Electric Ant Farm guitar.

I’d like a translucent guitar.  I did want one of those lime green BC Rich models that were out a while back.  They had them in Warlock, Bich or Mockingbird styles, but I’m not sure I could pull that off.  I’d also like a see-through Galveston (or any “off “brand) Les Paul or Telecaster.  A translucent guitar with LED’s in it would be incredibly fun.

I would like a Fender Toronado or Gibson Firebrand too.  Maybe any sort of double-neck or even a 6-string banjo.  I’m sure there are other guitars out there that I want that I just don’t know about.

Check out my Guitars Board on Pinterest for an ever-evolving list.

What’s on your wish-list?

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08.08.12
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Changing Pickups – How-to’s I found interesting and helpful:


Tone Fiend (Joe Gore) rules.

I need to get back to work on my NY Pro.

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06.18.12
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Everything Changes but Guitars? I disagree.


I saw this graphic online through Guitar Fail the other day, & again through Guitar Squid:

Stratocaster Evolution / Everything Changes but Guitars (I wish I knew the original source.)

Stratocaster Evolution / Everything Changes but Guitars (I wish I knew the original source.)

At first, it made me laugh and think “humph, yeah…” in agreement.  The more I thought about it though… it’s wrong. How is it wrong?

Well as far as concept cars go, it’s a whole different world from everyday-use practical cars.  Nothing has gone all that far from 4 wheels, 2 headlights, gasoline powered.  (Yes, there are hybrids and flex-fuel all over the market… but arguably people don’t like them unless they look like “normal” cars.)  But, this blog isn’t about cars.  I’m sure you knew I was going to talk guitars, because that’s what I do.

There are a ridiculous amounts of varying styles of guitars & guitar innovations out there.  Some of them may not be “reinventing the wheel” exactly, but there is always some great stuff happening, and there has been since the inception of the stringed instrument.  How do you think we got so many varieties?

Krank Amplification | Evolution Of The Electric Guitar

Krank Amplification | Evolution Of The Electric Guitar

I agree that too many axe-slingers fall into the Stratocaster or Les Paul shape trap.  For years I held a disdain for both shapes… but I come back to them.  Why?  Perhaps they’re good designs.  Perhaps they’re iconic.  Perhaps they sound incredible.  Perhaps they work.  There are many other options out there.  If you find yourself chuckling to and agreeing with this graphic, I challenge you to help me to add to my list of innovative guitars.

Any fans of the Guitarz Blog, Tone Fiend, Guitar WTF?, or gUitarREN should be into this.  (Any cool guitar blogs I’m missing?)

Let’s talk about how the guitar is ever-evolving… Shape, materials, string count, innovation, & general insanity.

Indy Custom - Flycaster (Tele-V) Telecaster Flying V Hybrid

Indy Custom Flycaster (or Tele-V?)

There are lots of shapes out there past the Stratocaster or Les Paul, whether it’s somewhat normal or custom insanity.  There’s the SG, the Telecaster, V’s (Flying, Jackson & more), hollowbodies like the Artcore or Gretsch models, the Explorer, the Ravelle, all the crazy B.C. Rich shapes, the Airline, even the Flycaster.  Are there really not enough guitar design shapes out there to satisfy you?  The Stratocaster doesn’t need to change shape, because there are plenty of other options out there!  I’m barely hitting the tip of the iceberg here.  I didn’t even touch on my B.B. Stone, FlipOut, or Batman axes.  How many distinct guitar shapes can you name in the comments?  (Actual produced shapes, not one-offs!)  Bonus for posting or linking to photos.

There’s also material.  Certainly guitars are mostly made of all types of wood, but there’s also plastic, graphite, Res-O-Glass (fiberglass), the Lucite / plexiglass / acrylic transparent guitars, aluminum necks, and so much more.

Once we get past the plethora of guitar makes, models, & shapes available… there are so many other innovations.  Some are great, some not-so great.  Just off the top of my head I can think of:  Synthesizer & MIDI Guitars, Fretlights, 7/8/12 strings, double neck guitars, the chord buddy, the Coral Sitar, built-in-wireless, the robot guitar, 3D printed guitars, Evertune… but none of them have really busted the mold (yet).  They’re all niche stuff.  This doesn’t even get into the many styles of bridges, tuners, tremolos, locks, and other parts that have been refined… or wiring.  You can get CRAZY with wiring.

World's Largest Playable Guitar being set up at the Carnegie Science Center (Pittsburgh, PA)

World’s Largest Playable Guitar being set up at the Carnegie Science Center – Pittsburgh, PA (Photo Credit: Kara / @ohidontthinkso)

The traveling guitar exhibit is at the Carnegie Science Center in Pittsburgh right now.  I can’t wait to check it out.  It’s got the world’s largest playable guitar.  I was lucky enough to get a preview the other day via Twitter.  Tell me that’s not an innovation?  It will no doubt inspire many to pick up the guitar, or dust off the one they already have.  The entire exhibit displays guitars, how they work, their history, & all kinds of fun interaction.

So, next time you think that the guitar has become stagnant, I ask you to go get your hands one one of the many non Strat options above… or even a non-standard Strat option… like a Fat Strat, hot-rodded wiring, or a backwards one.  There are plenty of different, innovative, and goofy guitars out there.  Rock out on something original!

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04.28.12
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Balance ⊖⊘⊖


I used to think I wasn’t picky when it came to my guitar sound or tone.  I thought I wanted a Les Paul through any old amp as long as it was cranked as loud as possible.  I liked a switch to turn the dirt off or on.  Maybe I thought it was cool or “punk rock” to not care about my sound.

Lately, I care about my tone.  It doesn’t have to sound exactly the same all the time… but I have learned to roll the dials in the directions that make me happy.

My Dunlop Cry Baby.

Dunlop Cry Baby. (Photo credit: Wikipedia)

I actually just sold a Jim Dunlop Cry-Baby on ebay because I didn’t like how it messed with the signal even when it was off.  I may pick up some kind of wah that has a true bypass… but even at that I doubt I’ll use it much.

Any more, I don’t even use a foot-switch for going clean.  I play dirty all the time.  If I need to clean it up, I roll back one of those volume knobs, or use a switch on the guitar.  I generally always play bridge pickup & that’s it.

ERiC AiXeLsyD

I like tube amps.  I have a Crate Power Block that sounds pretty good live, but like razorblades were taken to the speaker cones when recorded or miked in any way.  I wince when I hear bands playing through solid state amps… especially when there are 2 guitars through the same kind of amp.

So, I generally go through this tiny Egnater Tweaker from my friend Dave that sounds huge, or Erin’s Blues Junior which gets incredibly dirty at reasonable volumes.

The biggest thing I’ve learned is to just listen.  If I like the sound, others will too.  What I think I want might not be exactly what I want. I’ve learned to trust my ears.

What’s your balance?  What’s your sound?

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04.12.12
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Dear Mr. Rose,


Dear Mr. Rose,

Thanks for pissing on the remaining shreds of hope that I had that there could ever be an Appetite-era lineup reunion of the infamous Guns N’ Roses.  I wasn’t hoping for a world tour or anything.  Just a 1-time set at the Rock & Roll Hall of Fame would have been gracious and exciting.

I watched as the band burned bright, then fell apart.  Illusions I & II are the sound of a band imploding, and Spaghetti Incident is the sound of a band phoning it in.  Chinese Democracy is the unsettling ranting of a lunatic.

I have read the biographies, and I have made a public plea for a reunion.  Appetite for Destruction floored me when I was a teenager.  The guitars were blaring and dancing around each other perfectly.  The drums made my heat beat faster.  The bass managed to weave it all together.  The vocals made me want to scream and yell.  Lies was absolutely brilliant.  The raw aggression of the earlier “live” tracks were the Guns, & the stripped down yet edgy acoustic tracks were the Roses.

You could have been a grown-ass-man, and set aside your ego, your demons, and whatever else is plaguing you.  You could have probably even gotten away with not showing up for rehearsal, sound check or even acknowledging the existence of the other guys off stage.  Everyone knows you’re supposedly some sort of “temperamental genius” by now, and would have let it slide.  I mean, you really never got much more than a monetary slap on the wrist for inciting multiple riots.  If you can get away with that, you can pretty much get away with anything.

It seems that you fear reuniting with the old lineup would invalidate the existence of the current lineup of Guns N’ Roses.  The only thing that invalidates the current lineup is one W. Axl Rose.  You have made it unequivocally clear that the founding members of the band who wrote the songs that you’re surely playing on tour & developed the sound that you try so hard to get away from are nothing but hired guns (pun intended) to your apparently infallible and virtually unreachable artistic vision.  Why should we put any stock in the revolving door of members that has been present since the departure of core members Duff & Slash?  Perhaps Izzy was the most intelligent of the bunch, getting out shortly after Adler was ousted.  Gilby Clarke sure was never given status as a full band member.  Even Buckethead was called out for his apparent inabilities to record or tour when he left the band.  It’s always someone else’s fault, isn’t it?  Does Dizzy Reed know any other words than “Yes, Axl”?  (Surely even you have to notice how terrible the piano sounds on live versions of “Patience” and “Paradise City“.)

By all accounts it’s Axl who was always late to the stage, Axl who left everyone hanging in Chicago, Axl & some guy that wasn’t even in the band that included a hidden Charles Manson cover on an album despite the rest of the band’s wishes, Axl who called in Paul Tobias without asking anyone else, Axl who demanded legal ownership of the band name at a time when it was impossible for the others to refuse (all aiming to keep the fans happy), Axl who put out no albums while former bands mates cranked out multiple albums from multiple projects, and Axl who consistently points out the shortcomings of his peers and former friends through some self-created veil of paranoia while never taking the time to analyze or even admit to his own self-destructive actions.

Thank you for destroying my favorite band.

I guess I do have to thank you for making sure that the last memory of my favorite lineup won’t be some half-hearted attempt at recapturing some inspirational spark or any multitude of possibly disappointing outcomes.

Former Fan,
-ERiC AiXeLsyD

Appetite for Destruction

Appetite for Destruction (Photo credit: Wikipedia)

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11.17.11
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Guitar stereotypes are always fun:


So, where do my favorite toys fall on this amusing scale from Gearpipe?

GearPipe.com | Trustworthiness of Guitars Scale

GearPipe.com | Trustworthiness of Guitars Scale

I do have to say…  I don’t get why the Prince guitar is for repugnant individuals.  I guess if you’re not Prince, it is a goofy axe to sling.  I am glad that the boring Washburn/Jackson/Ibanez shape is all the way on the left though.  I just can’t get behind them.  I’m not sure why the oh-so-common Les Paul and Stratocaster shapes convey any level of trustworthiness of the player.  Perhaps I’m over-thinking.  This is quite amusing nonetheless.

Seriously though, I can’t find any of these…

Dewey Decibel FlipOut

Dewey Decibel FlipOut

Galveston - B.B. Stone

Galveston - B.B. Stone

Six Flags Batman Guitar

Six Flags Batman Guitar

If you’re quick and lucky, you can win a copy of this poster from Guitar Noize.

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