Tag Archives: music scene

A reply to an anti-band rant from a venue…


They sadly had a lot of good points overshadowed by ignorance and arrogance:

I sort of blogged on Facebook itself.  First you have to read the original rant, I’d guess. Here’s what I said:

At first I found this amusing, but the more I read, the more the author seemed like an arrogant prick. Sadly, I agree with a bunch of the points on bad band behavior and have had similar rants as the person trying to organize a show or simply having to put up with the antics of another band.

#21. It shouldn’t hurt to ask.

#22. I think you meant “you’re.”

#23. You’re too cool to have a conversation with someone who may just be bored that they’re there with their kid’s band and they’ve heard all the songs 8004 times?

#35. If you use the R-word, you’re an A-hole. If you use the R-word twice, you’re a double A-hole, and you must shit in stereo.

#36. “Load-In Time.” If it’s a local band and they have a 6:30 load-in time, chances are they’re not going to get there on time. Unfortunately a lot of local musicians have day jobs that have a quitting time of 5:00 or later. Getting to the gig by then may be impossible.

To reply to an overall arc of the list… In general I understand clubs need to have people come to shows or they don’t make money or can’t pay the bands. I understand that a band needs to promote its ass off via word of mouth, flyers, classified and event pages in local rags, social media, and any other way it can… but clubs can do some of that too. I can’t get my head around being a draw. I’ve been in a handful of bands over the years that are generally and sometimes wildly well-received when put in front of a crowd… but have found it difficult to predict a draw or to become a steady one. Sometimes I have brought a crowd, sometimes I couldn’t draw if I had a bucket full of crayons and a stack of paper. How does one gain a steady and loyal following, oh great bringers of so much musical knowledge?

I have played many shows with no pay. I have been paid more than what came in the door at shows. I have bought T-shirts and CD’s from bands who were on tour knowing that was probably the only way they’d eat before they get to the next stop.

Things you missed:

  • Setup/Breakdown – Set your drums up before you get on stage. Take them off, then break them down. Don’t take longer to set up your amp and pedal board than it takes to play your terrible set.
  • Tune silently.
  • Watch the other bands, asshat. Also, don’t play first then take your crowd with you. Hang out, buy drinks, catch another act. Don’t hang out in the parking lot while the other bands are playing then swoop in like a rock star when it’s time for you to play.
  • Don’t complain about the monitor mix after every song, or blame equipment for your epic lack of awesome.

Also:

I should have blogged this, but didn’t think I’d rant that long. Ha ha.

Related reading:

Super old music scene rant… Unprofessionalism [2005]


I just mentioned this in a blog, and then I found it.  I think this was on my MySpace blog, but I can’t find it there.  It’s an old rant from 2005 that I emailed to myself for some reason.  I don’t know if I ever posted it anywhere?  Maybe I did then deleted it?  It’s incredibly whiny and laced with profanity.  I sound like a little crybaby.  That’s what happens when you go on the internet & rant, I guess.

Русский: Jim Dunlop - Original Crybaby (GCB-95)

Wrong kind of crybaby...

I felt like posting it since I did reference it.  It wasn’t exactly on the same topic, but it is a guy in a band whining about stupid show-related problems.  When it all comes down to it, I just have fun jamming.  None of this trivial BS outweighs that.  I can’t express that enough.  I’m glad to have a current band that rocks & is a continuance of such fun.

Maybe I made this private or didn’t post it because I named names.  None of the band names or venues exist, or are at all relevant any more, which I guess says a lot.  Maximum effort, minimal results.

-✍-

Unprofessionalism

Is that even a word? Well, now it is. Everyone’s always complaining about the Pittsburgh “scene”, and stating what the problems are or what-not… Okay… not everyone… just people involved in it who like to complain I guess. Well, I have another complaint to add to this mysterious master list that bites my ass… and I don’t know how to put a tag on it other than “Unprofessionalism”. Really, before you pick the term apart… I realize that most bands on the local level & most bands that we deal with aren’t doing this “professionally” per se… they’re not making a living at it, they’re doing it more as a hobby or fun activity. Well, good for you… I do it because I love it too. Sometimes, some people (musicians & booking people) make it hard to love.

People, unintentionally or not… can be assholes. Now, I’m a very laid back kinda guy (ask anyone). Although, I guess I get uptight at certain things… like when I can’t get straight answers… and when things that my name (or my bands’ name as an extension of that) are attached to go otherwise than according to plan.

Two ball-breakers hit for this weekend’s double header.

First one, not so big of a deal, but annoying as all hell in my eyes. We’re put on a last minute show. Okay. No biggie. No notice? Someone pulled out? Okay. All I ask is that I get the details, as I guess I’m the self-appointed show-pimper(-nazi). When I mean details… I mean time, cost, address, website and/or phone # of venue, name of venue, name(s) of band(s) playing, and said bands’ website url’s. Not particularly toilsome information to provide, right? Well, apparently this is the most difficult task to ever assign anyone who calls themselves a musician, booking agent, or club owner. No one ever knows the ☠⚡☣☢ing answer to anything. The ‘confirm the date and I’ll get back to you’ shit is stupid… they get back to you the week before hand, and expect you to have a place packed with your fans and friends. People need to know what the hell is going on before they commit to something. People (me) need to know what the hell is going on before the show… a month before… so they can advertise, flyer, talk about it, get the word out.

Why are the other bands important? Well… people are more likely to go out to a show if there’s 3 bands they like vs. just one. Which brings me back to the point where I think I was going before I got to a rant inside of a rant inside of a rant…

The early show at the Spider Lounge… we were given a list of bands that’re playing. I start promoting on last minute notice that there’s a show going on, we’re playing, & this is who else is playing… The Abbitoir Murders see said advertising… and they’re like… “Hey, we’re not on that…” Apparently, one guy is even going to be out of town, so there’s no way they could. Turns out they were asked the vague ‘wanna play a show’ question, never heard anything as far as details, and assumed it went kaput. Now, this is not their fault. It’s the fault of whoever set up the show. Who did set up the show? I dunno. I thought we had set up a central booking guy in order to keep all of the shit in line… so all details & info could go through him and he could ask the right questions… but apparently no one passes show info to him other than me. There was a reason for my madness that apparently no one else sees here. The way I see it though, I’ll play anywhere… so I go along with this, even though I have no idea what the ☠⚡☣☢ is going on. Don’t blame me if we can’t bring any people out because I can’t answer any detailed questions. One thing I hate more than other people being dumb, is looking dumb myself. I get word out on everything I know… then everything changes, and I look like an idiot that doesn’t know his ass from a hole in the ground.

In with this gripe goes websites… I ask for band or venue urls.., and I’m surprised at how many have none or incredibly out-dated information. It’s 2005. Everyone knows someone with the internet. There are free sites out there, like this one, that can get information about your place up & out. Message me if you want help with this. I’ll do it gladly. That way… when people are like “I don’t know”, we can go to the website to check out times, directions, schedules, lists of bands, etc… but even at that, the shit changes so often because bands are pulling out, or people are saying the so-and-so band is gonna be there when what they meant is that they were thinking about asking that band to maybe play… so what’s the f’n use I guess? Then I get the band’s “too new” to have a website. Well, if you’re too new to have a website, you’re too new to play a show. Get the word out there before you play. Start some hype. Tell people about yourself.

In with all the above is what I call the AMC/Club Angel’s Phenomenon. This includes some strange practices indeed… the AMC part is where you book three bands after telling the club you’ll take care of it… then you get there and 3 more bands have been added to the show, yet it’s set to start at the same time as previously advertised… and somehow, the bands that were added go on 1st, take way too long to set up, play for 45 min., and the bands you’ve booked & your bands get ☠⚡☣☢ed into short sets and playing after PA’s teen-driving curfew time so no one’s left to watch you anyway… not even the fans that were pissed that they came out too see you & had to leave before you went on, or face the possible wrath of a bored state trooper, or irate parent. The Club Angel’s side is where they call you and put you on a show… tell you the names of 2 other bands that’re playing… so you advertise those bands… get there, and find there’s five other bands on the show… none of which are the two you’ve been advertising.

Wow… all of that ranting and confusion from one little show?

The next show… we’ve had planned for how long? I dunno… a long time. Us, Moment of Tragedy, & the Have Nots. This show? Jason booked it so we have all the bands set, all the details set, things were confirmed, flyers were made & put up, and all is good to go. No problem, right?

Well, today… (the day before the show) We’re informed that the Have Nots are no longer a band. Okay. The Have Nots are a great band. They’ve put us on shows before. I love to watch them play. They all seem like nice guys. But, seriously… WHAT THE ☠⚡☣☢? I know, shit happens. You might not get along anymore. You might not have practiced a lot lately. All things that don’t happen overnight… so this falls under “Things that should have been brought to our attention prior to yesterday” (to paraphrase Robbie the wedding singer). And… again… this show has been planned for a while. Is there no such thing as being honor-bound to play, or finding someone to take your place? We still haven’t gotten “official” word. Were they just gonna be a no-show tomorrow had Mike not talked to Ed?

I’ve only ever backed out of a show one time… that’s when Boner & Ben quit AiXeLsyD the morning of a video shoot that we were to have at Angry Johnny’s for “Stand Up” in order to appear on Pittsburgh cable show The Venue. There was a whole lot of chaos going on that day, so it was understandable IMO. Other than that, any time shit arose… we either played w/o a band member, got someone to replace a band member & learn a set within weeks (Thanks Jake, now of the Last Hope, for helping form the Fismits and opening for the Undead when AiXeLsyD couldn’t do it!), and An-Die and I have even played acoustic sets when a drummer bailed. The Rally Ally loved that shit. Even that day we cancelled… I called around like a mother-☠⚡☣☢er trying to get someone out who knew our drum parts… and then, eventually called everyone putting the show together and told them we couldn’t make it. I’d never just bail & not pass the word on.

Is there no code of honor among musicians? No common bond? No feeling of being on the same team or striving for the same goal? Get some convictions, people.

The whole booking thing before… I could get involved in our whole deal with Shadrag’s Entertainment, but I digress… and we’ll save that story for another day.

So… in conclusion (you were following that I was making a point here, right?) maybe all the Pittsburgh scene needs is for all of us to get our shit together. We need to plan, organize, and follow through. It’s not that hard. Well, I know it’s hard for artists of any type to do anything so regimented… but if you stay regimented in this facet, maybe it will push you to be even more free on the artistic side. Who knows? Try it, you might like it. If we all got our facts straight before we answered questions, if we all advertised the same shit for the same day & time, if we all stuck to our commitments, and if we all communicated better… we’d have a hell of a lot more fun in a less stressful environment.

The night view of Pittsburgh skyline from Moun...

Yinzburgh

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The Clarks; “Producing ire” or “to admire”?


Nothing can polarize a random group of yinzers like discussing the Clarks.  A lot of people love them, a lot of people hate them.  There’s probably even more people that could really care less about the whole issue.  The reason I’m blogging about this is, well, it blew up when I mentioned my distaste for them on Facebook.  Everybody & their mother (literally in my case) has an opinion about the Clarks:

That Clarks commercial makes my butthole pucker...

That Clarks commercial makes my butthole pucker...

English: Gary Busey in Almaty, Kazakhstan in O...

"Wahooooo!"

Have you seen the Clarks’ Toyota commercial, or any of the Gary Busey Kia commercials?  Gary Busey is bat-shit-nuts, and I’d rather buy an inferior car endorsed by him.  OK, I’d really rather buy neither… but the Gary Busey commercials don’t make me want to change the channel, and they don’t make my butthole pucker.

I present to you some video evidence for your review:

Then, I posted a status linking to the first status, asking for help building my list.  It turned into chaos.  Don’t believe Joel below.  He’s a bit mischievous.  Tiffany certainly seems adamant about her love for the Clarks.

Help make a list...

Help make a list...

So, what’s the big deal?  Personally, I find their songs trite, corny, tonally bland, and their vocalist quite annoying.  My general line is that his vocals are the aural equivalent to taking a cheese-grater to my eardrum.  When I hear them on the radio I involuntarily sigh or roll my eyes.  Yet, I know some of their songs because (thanks to local radio) I have heard them ad nauseam.

The Clarks (album)

There's a penny on the floor from our last album sale residuals...

I understand that music preferences are an opinion, and that others are entitled to theirs.  I’m just stating mine.  There’s no need to get your panties in a bunch just because I don’t like the Clarks and you do.  I’ll try hard not to consider you hopelessly tonally-challenged if you happen to like the Clarks.

I get a feeling that a lot of people like the Clarks simply because they’re from the area and mention Fayette County in their songs.  Yinzers seem to like them because they’re on the radio, or because they’ve been in a bar when they played.  They appear to appeal to the lowest common denominator,  I don’t know how many people like the Clarks because they actually like the Clarks’ music.  When I ask someone why they like the Clarks, I get answers like “I saw them at so & so’s bar” or “They’re from here” or something about allegiance to IUP.  It’s never “I really like [name of song here]” or “I really like their song writing/guitar playing/etc.”. Again, this is my opinion.

Also my opinion…  This car has more musical ability than the Clarks:

It’s been told to me repeatedly that people in bands around Pittsburgh simply don’t like the Clarks out of jealousy of their success.  I don’t believe I’m jealous of the Clarks for myself, but I guess I am a hater on certain levels.  I hate that they’re representative of Pittsburgh music.  I hate that people with no grasp of the local music scene ask me if I know/like them when they find out I’m in a band.  I hate that so many other bands around here that deserve wider recognition go unnoticed and go without radio play.  At the same time, a lot of musicians that I know just don’t like the Clarks because they write & perform bad songs.  This undoubtedly fuels the ire.  Perhaps it’s “bandwagon” to hate on the Clarks?  Maybe it’s the “cool” thing to do?  Maybe we’re all just not tone deaf.

A box grater with multiple grating surfaces.

Scott Blasey

So, please, I’d like a discussion on the comments below, not on the Facebook post about this blog.  You can comment using your name/e-mail address/url, your Facebook login, your Twitter login, or your WordPress login.

If you like the Clarks, please tell me why.  If you don’t like the Clarks, please tell me why.  If you don’t care about the Clarks, you can let us know that too.  Let’s not resort to name-calling or devaluing anyone’s opinions.  We’re (mostly) all adults here.

Perhaps I’ll make another blog post soon trying to make a list of Pittsburgh local bands that deserve more attention & a wider audience.

Again…

  • If you like the Clarks, please tell me why.
  • If you don’t like the Clarks, please tell me why.
  • If you don’t care about the Clarks, you can let us know that too.
  • Let’s not resort to name-calling or devaluing anyone’s opinions.