The story of the Dewey Decibel FlipOut guitar.


Bert - a.k.a. ERiC AiXeLsyD - rocking the Dewey Decibel FlipOut Lit Cigarette model.
Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.

OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.

A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)

I thought it would be fun to try and track down Dewey Decibel (a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!

After some emails exchanged, here’s the story from the man himself!

Line of FlipOut guitars & BottomOut basses from the Dewey Decibel website.

Hi Eric,

I’m awfully sorry there was a delay on getting back to you.  I honestly have had my hands full this year, and it slipped my mind.  Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point.  And thanks for asking.

I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole.  Just a thing I did – never mentioned it on stage.  Played electric guitar, with synth sequencers for backing, plus voice. 

One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind.  I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars.  I love him because he didn’t even blink, just said “sure, I can do that”.  I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller.  We did good work.  I always played the original FlipOut, which started its life as a Fernandes brand Strat.  I always had the IV drip by my side.

Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!
Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!

We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.

Here is what exists online, though there are 3+ albums and an EP somewhere:

https://deweydecibel.bandcamp.com/

Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Guitar & Vocals) ● John Howard (Bass)
Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)

At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band.  In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer.  There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please.  I ordered some prototypes during that year, and tweaked things.  Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived.  That first NAMM show was funny funny stupid funny. 

Dewey Decibel - FlipOut & BottomOut
Art from the Dewey Decibel website.

The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM  launch that I was in breach of their trademarks.  This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.

I was living in a warehouse with boxes of these guitars and my drum set.  It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines.  The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One.  I did care about the feel of the neck and the pickups.  It’s self evident I think when you handle one.

I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely.  Even took orders.  The problem was that the whole business had me working in too many directions, and exhausted.  I’d gone to Europe, and did a bunch of sales, there and in Australia too.  I was overworking, and getting wiped out.  This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy.   But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer.  I was too much of a lone wolf for them.  So I went back to graphic design and animation.  I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.

The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with.  Austin really had cabs colored like the guitar.

I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff.  Just joking – I guess it was inevitable someone would cash in.

Hey thanks for your interest.  Hoping it fills in some detail. 

Thanks

joe

For the Raging Guitar Houdini in you!

(ddB)™

What led Dewey Decibel, Brooklyn's recording enigma, to do what he did to his guitar that night? Frustration. His friends had snubbed him, his car had been totaled, but worst of all, his reading comprehension was way down, and he could feel the stares when he entered a room. That fateful night, Dewey did grab for his guitar, slamming his bedroom door, not to emerge for countless weeks (though he did leave once to go to a class on "Appalachian Fingertip Dancing"). It was during these weeks, through a period of painstaking research, made even more difficult by an ill-fitting lab coat, Dewey did travel to the edge of insanity. But once there, decided he'd rather be at the brink of madness, so he quickly switched when no one was looking. And when at last he did emerge, witnesses reported he held in his hand something resembling a guitar on muscle relaxant. Dewey Decibel's FlipOut™ was in their midst. And now, it is in yours.

www.flipoutguitar.com Write to us at flipout@deweydecibel.com

The guitar design configuration of Dewey Decbel's Flip Out™ is a trademark owned by Joe Gerardi of Dewey Decibel Inc. Any replication of this trademark is prohibited by law.

Dewey Decibel
Until now, this is pretty much all that was out there on the FlipOut!
Dewy Decibel FlipOut models | Invisible, Lit Cigarette, Barry Levelthal, Austin City Cab, Scandalicious, Shameless.
FlipOut models & colors

How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.

The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.

Check out the Facebook fan page if you’re a fan, would like to share photos of yours or you with it in action, have one for sale, or are looking for one: Facebook | Dewey Decibel FlipOut

I would also, of course, love to hear from you in the comments!

If you want to see me and my FlipOut in action, check out the stuff below this list of links.

Also, check out these links if you’re looking for more:

Ernie and the Berts “Toybox”:

Ernie and the Berts – “Everybody Poops”:

Ernie and the Berts – “Kate Winslett” (A poor cover of The Silver Brazilians):

Ernie and the Berts – “Ikea”:

Me just rocking this one in the basement in 2016:

New pickups for the Annihilator!


This is a copy of the Annihilator guitar developed by Doyle Wolfgang Von Frankenstein and his brother Jerry Only of the legendary horror punk band, the Misfits.

Annihilator copy from AliExpress - A copy of the infamous guitars of Doyle Wolfgang Von Frankenstein.

I ordered it from AliExpress. It seems to be a copy of the Oktober version. I think Jerry & Doyle originally worked with Rand to build the guitars… then Oktober made a run but Doyle has publicly and often decried their quality. Word on the street is that Dean will be making a production model. Doyle’s have been made from wood, graphite, and metal… with bolt-on sides since he can be a bit rough on them.

I had my go-to guitar guru (the inimitable Aaron Hutzel of Empire Music) recently do a setup and drop-in some Dragonfire Crusaders humbuckers. It sounds glorious through my Orange Micro Terror & a Laney 2×12 cab.

Here is a video of me playing it:

Here’s a short version of the video with annoying filters and stickers on TikTok:

I love it. I know its not “real.” I know it’s ridiculous. It’s fun. I’m too punk rock and too old to care what anyone thinks of the look, legitimacy, or irony of it all. Ha ha.

You can read about my first impressions here: My Guitars | The Annihilator Guitar

You can get one here if you have mad patience and expectations that match the sub-$200 price point: $189.0 US | Factory custom unusual shape Bat body Electric Guitar with Rosewood Fretboard, Bat inlay, Black Hardware, offer customized

Check out Empire Music if you want to see some really nice high-end Fender, Gibson, Martin, Taylor, & more guitars. Check out some of Aaron’s work on his Instagram, he gets to see some beautiful axes! If you’re in or around Pittsburgh, I highly recommend him for all your guitar repair, revision, and setup needs.

Check out a bunch of my weird guitars here on the blog and here on my playlist:

I may eventually set up a website just to catalog/showcase my collection. I have it, I just need to populate it. Would anyone be interested in that, or just me?

My Guitars | The Annihilator Guitar


Well, I did it. I bought a copy of Doyle’s Annihilator off of AliExpress. Hey, it was on the list. Twice. I have knocked others off the other list. Are you really all that surprised?

If 1999 me had been able to get a hold of this, I may have went down an entirely different path. I would have surely journeyed down some sort of horror punk and goth rabbit hole.

ERiC AiXeLsyD & DOyle Wolfgang Von Frankenstein (outside Metropol some time in the late 90's or early 00's.)
ERiC AiXeLsyD & Doyle Wolfgang Von Frankenstein
(Outside Metropol in Pittsburgh PA some time in the late 90’s or early 00’s.)

I have been a fan of the Misfits ever since a buddy of mine played a Collection I CD for me. I think we heard of them through Metallica and backwards from Danzig. When I started to play the guitar, I just gravitated towards the “Well, I could do this!” vibe of the stuff. The melodies. The campy lyrics. It takes itself way too seriously. I love it though. Doyle has been a huge influence on my in style and even stage presence. (Although my friend An-Die once remarked that when I stood next to Jerry Only & sang “I Turned Into a Martian” with my recently broken nose still in a cast… I had stage presence, and Jerry had stage presence, but they did not mix together well. I guess I will never know what that means unless video of that day at the Crowbar in Penn State surfaces!)

I dug the OG stuff, and I was a fan of the Misfits ’95 era stuff too. Those were some of the most memorable and entertaining live shows I have been to, and I saw a lot of them. AiXeLsyD & Gasoline Dion regularly covered “Dig Up Her Bones” and “I Turned Into a Martian” among others. I was even part of 2 different Misfits cover sets, the latter being captured on video in 2004.

An-Die Dyslexic, Jerry Only, & ERiC AiXeLsyD
An-Die Dyslexic, Jerry Only, & ERiC AiXeLsyD

Doyle has one of the coolest guitars that fits him perfectly. I look like a doofus with it no doubt. It elicits pure joy when I play it though. Doyle’s originals are one-of-a-kind. They have gone through several incarnations over the years. From graphite, wood, to bolt-on metal wings so they aren’t so easily destroyed. One of the original Rand Annihilator guitars was put back together with something that you’d find in a hardware store. There are many legends about the real thing that Jerry & Doyle crafted at Pro Edge. He has a unique rig for sure. BC Rich was going to make one I think? Ed Roman has one listed on their page, but only as a reference to the weird stuff they can make. Oktober Guitars did make some, but Doyle has stated publicly several times that he was not impressed with their quality and craftsmanship so they’re no longer a thing. It’s an open secret these days that Dean is next on the list to make a production model.

Doyle & his current Annihilator
Doyle & his current Annihilator

Weirdly, I think this AliExpress guitar is a copy of those Oktober guitars, but different enough that they can be spotted as not authentic easily. There must be fans out there, because their is a Facebook page for the Annihilator, and an Annihilator & Devastator owner’s group.

I knew I was getting a potential turd. I just wanted the shape. Luckily, I know a guy who has polished many of my proverbial turds (guiturds?) with great success, and he’s now at Empire Music. I feel a visit coming after I get some new pickups and maybe pots & other hardware.

I had issues with ordering in October of 2020, not getting it & cancelling by December. They kept sending photos of an unpainted guitar saying it was almost ready. I asked them to reach out when it was complete so I could reorder. They did in February 2021, and I had it in my hands by mid March,

All I know is I think I am too stupid and impatient to use a Floyd Rose system (even a crappy imitation).

Here are my first & second impressions:

I did it. Thanks, @aliexpress.

This is probably the most ridiculous #guitar I own at this point, and I have one made out of a toilet seat.

Initial reactions: About the quality I expected for the price paid, albeit smaller and lighter than expected. The real thing is much more intimidating.

There is something jingling around inside.🤦‍♂️

The pickups are definitely not Seymour Duncan Invaders (or even imitations) at first scan, and I may want something else in there anyway. I have some quad rails that need to go into something.

I broke the A & D strings trying to tune it (to a half step flat).

The allen wrench that came with does not fit the locking tuners. 🤣

I need to open it up and see what’s inside and try some new strings when I have time to mess with it.

@ironhead_guitar_works, I may be bringing it in to you soon at Empire!

What songs should I play first?

#NotQuiteAnnihilator#FiendClub#Misfits#AllMyAxes

Pardon the terrible video, but I was in a rush to get to playing it:

My comments when posting on FB:

Well, then. This thing is FUN to play. Needs a lot of work! Luckily, I know a guy.


☠🎸☠


The (terrible) video;


https://youtu.be/RRKH9P2vt_c


I bought an AliExpress copy of Doyle’s Annihilator guitar.

These pickups are terrible.


The neck feels great. The guitars hangs perfectly. It could stand to have more heft, but a lot of people out there like light guitars.
The action is HIGH.


I can hear it going out of tune as I play, but that may be my own ineptitude at the Floyd Rose system.
Played through a Positive Grid Spark on the “Metal” setting with the bass all the way down and the treble cranked.


(Played a regular axe right after to make sure the amp wasn’t shitting out. 🤣 Also put it into the Orange Micro Terror and the sound did not jive. 🤣)

☠🎸☠


I have a quad-rail bought cheap online that I was itching to have dropped into something… but I feel like I need some real metal-y pickups in here. Do I get real Seymour Duncans? Who besides GFS does quality affordable pickups? Maybe I will just go with GFS. 🤷‍♂️

So, what kind of pickups should I have dropped into it?

Do you have an Annihilator? Do you want one? What’s next on your guitar list? What’s an axe that an influential player to you uses that you would also like to have? Is it crazy, or normal? Share in the comments!

Weird Guitar Videos?


For me, posting on YouTube is sort of like blogging. It’s more of a creative outlet than anything. I like to play the guitar, and I like weird guitars (Exhibit A & Exhibit B), so why not show off my weird guitars?

Made a playlist for that:

Which ones do you wanna hear?

#AllMyAxes 2020

Finally set up a place to rock.


I finally got a permanent place set up to rock. All my guitars, ukes, amps, pedals, and even an electric kazoo are easy to quickly access and just start rocking when inspiration hits.

AiXeLsyD13's Guitar Room
Axetopia? CBGB’s (Carroll’s Big Guitar Bunker)? The Guitarmory?

I have talked about it, or even blogged about it for years.

It still needs a name. I haven’t officially decided. I have been calling it “the music room” or “the guitar room.” Both of those seem boring. Maybe this? I find it amusing but clunky.

I may make some videos of guitar shenanigans as a creative outlet. Not sure what direction they’ll take. I’m not a particularly good or technical player, but I can demo some gear or do some fun silly stuff. I do already have a YouTube playlist started for my guitar-related videos.

The Postitive Grid Spark amp & app have really made jamming quick and fun… they have a cool in-app video feature, but it’s not much different than recording straight-up with the phone’s camera.

I have been having a blast playing along to stuff on YouTube… from stuff from my old bands, to Black Sabbath, to Snuff, to the Ramones, and my new favorite song to play along to; “Bigger than Kiss” by Teenage Bottlerocket.

More setup inspires more setup. I need a way to store my physical media (mostly CD’s) so it’s easily accessible. I have a lot. Too many probably. I need to build some shelves and the stuff I’m finding online seems painfully expensive and not quite a fit. And I’d like to dump that all on a personal media server. I have a lot of stuff not available on Amazon or Spotify.

The next itch I can already feel will need scratching is some kind of recording setup. I’d like to layer stuff I can hear in my head, without the aid of a looper. I miss the days of a Tascam 4-track with a cassette tape. Maybe I’ll delve into a nice simple digital version of that.

The kids have guitars, ukes, and a keyboard too… and now we almost need drums and a bass or too, right?

At any rate… it’s important to have a creative outlet. Live isn’t conducive to me jamming regularly with a band right now. I only seem to do mazes when the inspiration hits, and I blog pretty randomly. Music is one more option for expression, creativity, and constant learning/exploring. I hope to foster the kids’ musical expression and drive home how important it is to remain creative themselves and appreciative of art in general.

Keep watching the blog, social media, and YouTube if you’re interested in the musical stuff.

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Train your miscreants young.

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Making progress.

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Gonna need more walls.

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👽

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Green LED's! #AllMyAxes

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'MURICA. 🇺🇸🎸🤘 #SparkAmp

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So, I’ll take your suggestions in the comments!

  • What should I officially call the axe-cave?
  • Where can I get cheap media shelves for over 1500 CD’s & other assorted media?
  • What do you want to see in guitar videos?
  • What’s a good cheap recording solution?

Share your space to create in the comments too!

The Shitar 💩🚽🎸


Builder Russ Lorenz did me a solid. Look at this thing! I need to update my collage.

Here’s a poorly played demo, and it sounds glorious:

Here’s a playlist to honor the theme:

Check out the whole playlist!

An Interview With the Mad Mastermind Behind the Indy Custom FlyCaster


The Indy Custom FlyCaster

My Indy Custom FlyCaster

If you’re a regular reader, you know I recently posted all my guitars.  You would then also know that I like weird guitars.  You may have even seen me in a guitar-related Facebook group defending this beauty of an axe.  What is not to love?  The thing is fantastic.  It is a sight to behold.  It probably shouldn’t even exist, but it does an I needed to have it.

Mine is serial number 059.  I have even connected with a few other owners out there via a Facebook Fan Page.  I had expected to swap out pickups and drop in some rails… but, man this thing sounds beautiful.  The neck feels great.  It hangs well when standing.  It is just a great damn guitar.

I would say it is probably in my trifecta of ire along with the Dewey Decibel FlipOut and the Galveston B.B. Stone.  I have had people at shows come up just to tell me that they hate them!  Ha ha.  It amazes me that a music genre predicated on the idea of just pissing off the previous generation has so many purists who must adhere to some sort of imaginary rules of guitar design. and tired traditions.  It would be a fascinating sociological study to see exactly how that can be.  It’s OK to enjoy the classics and get a little wild sometimes.

Of course, many people get the joke and love them too.

In with posting All My Axes (did you see parts 1 & 2?), I really got to wanting to dive deep into the story behind each of these if I could.  The creator of the FLyCaster, Jimmie Bruhn was easy to find online, and seems like a great guy.  I would even say he found me in an “ugly guitars” group or two.  Check out my questions for him and his fantastic answers below my embedded Instagram Post of the FlyCaster.  The interview was conducted via the highly professional Facebook Messenger.

 

🤘

AiXeLsyD13: Who is Indiana Custom Guitars?

Jimmie Bruhn: There was no Indiana Custom Guitars. Indy Custom was that particular brand. Its actually a much bigger thing… SHS International was the parent company. It was an international music wholesale company that distributed products to music stores. Its where music stores nationwide (and globally) got a lot of their stuff. We designed, imported and sold products. Here are some of the following brands of SHS International (this is not the full list but the highlights)

Morgan Monroe Bluegrass Instruments
Eddy Finn Ukulele Company
Indiana Guitar Company
Indy Custom Guitars
ModTone Guitar Effects
Bean Blossom Instruments
Tune Tech Tuners
SHS Audio
Devlin Guitars
College Guitar Company
Sundown Amplifiers

I worked as a media producer for the company for close to 30 years and my fingerprints were on most everything from every brand. I wore many many different hats and guitar design was a tiny part of it. Fun but it wasn’t the bulk of what I did. That’s a whole other story. Suffice to say, anything you saw from any of those brands, I had a major role in bringing to life.

In addition I’ve played professionally for a long long time. I’m a writer, singer and I play a lot of different instruments. Guitar is one part of it but probably the biggest part as I am a lifelong collector and nerd. The collection is out of hand but I simply can’t help myself. I still have my first guitar. I never get rid of anything! You can hear and see my work on YouTube. Oh…one other thing…if you ever see Indy Custom Relic guitars, that was me. A one man side business I started where I produced over 400 hand relic’ed guitars. In that time I still played all the time, traveled and played all over.

Ⓐ⑬: Do they have a website?

JB: Not any more.

Ⓐ⑬: Do you have a website you’d like me to link to?

JB: https://www.youtube.com/channel/UC36We-7C4ghOW5tlsG0G-tQ (Jimmie Bruhn’s Jam TV!) This is a place for my various artistic ideas. A little of this, a little of that…you never know what you’re going to get.

Ⓐ⑬: How did you come to be a guitar designer? Have you designed any other guitars?

JB: I’ve been collecting guitars for over 40 years. It was natural that my need to build and tinker with stuff would spill over into my professional day gig.
Yes, I designed many guitars and would then send my renderings to the factory for prototypes and then on to a bigger run of them. When I say “designed” I in no way want to make it seem that I am some schooled luthier or anything of the sort. I just came up with designs and through trial and error, we would arrive at something unique but I wasn’t in a workshop running a saw!

Ⓐ⑬: How was the Indy Custom label to be different?

JB: By trying to get the best things we all liked about particular models into an affordable recreation that was a Big Bang for the buck. There were some really cool models that came out. I can’t say exactly how many but there were lots of designs over the life of that line.

Ⓐ⑬: I know you were in part inspired by the Zakk Wylde guitars with an SG top & a V bottom… did anything else go into it?

JB: Yes, comedy. It just made me laugh. Another thing that REALLY inspired it were people around the company who were genuinely disgusted by it. That made me want to get them produced even more. Yes, it was stupid, yes it was hideous but I knew it could get a lot of attention for the rest of the line. The powers that be couldn’t see the value in that but here we are all these years later still talking about it. ZERO advertising dollars spent. I wasn’t wrong!

Ⓐ⑬: Was it a hard sell getting in into production? (Convincing everyone else at the company/factory to go with it?)

JB: Some understood. Some did not. The ones that didn’t inspired me to push that much harder. The point was, good or bad…it was getting a major reaction. The only bad press is no press.

Ⓐ⑬: Where was it manufactured?

JB: These were all manufactured in China once final prototypes were approved.

Ⓐ⑬: Were there any issues with manufacturing? (Seems like a big body to be on a manufacturing line.)

JB: There are always issues in manufacturing especially trying to do it from thousands of miles away. Visiting the factories can keep quality control in check but ultimately once production starts things can go wrong. Not always, but that potential is there. Overall, there were no problems in the Flycaster. Even my Chinese contact remarked that the guys on the factory floor thought it was “a weird guitar” which meant even a cultural and language barrier cannot deny that The Flycaster is globally offensive!

Ⓐ⑬: Why “FlyCaster?” Everyone who sees it calls it a TV or a Tele-V. Ha ha. Was that by design?

JB: Because it needed a name, an identity. Plus it had some weird fishing connection so…

Ⓐ⑬: Why 100? Why not 200 or 50? Were they all sold?

JB: The idea was that we would only do limited runs of guitars for the Indy Custom line which we did on other models besides The Flycaster. I think they may have even commissioned a second small batch to fill an order. The dealers that understood the value liked them and they helped bring attention to the other models. Limiting them to 100 kept it fresh and helped if a particular model completely tanked. That way you aren’t stuck with so many. If it’s a hit? Make more! Yes, they were all sold.

Ⓐ⑬: I love mine. I love that it just seems to enrage purists, and it just “outs” so many people as not having any sense of humor or whimsy. Was any if this in your original intent?

JB: This was absolutely the intent from the beginning. I love music, I love comedy and this thing was both. It was just so incredibly stupid that one has to laugh or at least, I did! The ones that were truly offended because they had such a death grip on tradition well, as previously stated, that just fueled my fire!

Ⓐ⑬: Why are so many guitarists stuck in traditional designs and setups, when rock n’ roll at its core is about rebellion?

JB: Because they are either afraid or don’t have the slightest concept of being original. They are too worried what other people think.

Double FlyCasters!

Image Provided by Jimmie Bruhn, from his digital book.

Ⓐ⑬: I know one burst prototype exists. Do you ever play it?

JB: I play it occasionally but I see it every day as its hanging on the wall of my studio.

Ⓐ⑬: Did you ever have any other color schemes in mind? I would love one with an antigua finish!

JB: I wanted it to get to that point but those in control saw otherwise.

Ⓐ⑬: Do you have a guitar collection? What are your non-FlyCaster favorites?

JB: Yes. I have a pretty big collection. It’s fairly insane. I have everything from top shelf vintage stuff to weird a wacky. Lots of stuff I built in the shop, some wonderful mutts and some serious collector stuff too. As I said, I never get rid of anything. I come from a musical family.

Ⓐ⑬: Have you seen any other weird guitars out there & thought “I wish I came up with that!”?

JB: All the time! That’s the great thing for me about the world of guitars, its constantly evolving. There are some absolutely great things being produced and it seems people aren’t so brand conscious as they used to be.

Ⓐ⑬: Anything else you would like to add?

JB: Just a thank you for taking the time to even ask me this stuff. It was an honor!

Ⓐ⑬: Thank you for your time and information!

JB: Of course!

 

🎸

 

This is a pretty great article/review too:  Premier Guitar | 2011 Indy Fly-Caster in TV Yellow

 

Check out Jimmie Bruhn’s Jam TV YouTube Channel here.  Here’s a video, too:

 

Here’s my creepy basement demo:

Here’s a random one that I found by Googling:

 

Posting #AllMyAxes. 🎸 (Part 2)


Did you see part one?  I felt like posting all my guitars online simply for something else to look at, and I thought others might enjoy.

I still plan to blog about some of the more interesting ones.  Hopefully you guys enjoy the content.  Thanks for the likes on social media.  I don’t think anyone else started to use the #AllMyAxes hashtag.  Oh well.  Ha ha.

Show me some of yours in the comments, tag me on social media, or use your own hashtag!

 

The Family Ukuleles & Mandolin

The Kids' Guitars