Halloween Playlists.


Halloween has the coolest music. I have made some playlists on various platforms over the years, Amazon & Spotify being the most recent. I thought I’d not only put them all in once place, but also share. I’m always adding to them and changing. I’m listening to the 1st list now.

So what are your go-to’s? What would you add? What would you leave off? Share your playlists!

Streaming related bands automatically?


This stated as a Twitter post/thread, and is ending up here.

Am I weird for thinking this?

Streaming services like Spotify and Amazon Music need a feature that adds in related bands. I can tell Alexa to play Rancid, but I also wouldn’t mind Lars Frederiksen and the Bastards being in there, or Transplants, or Tim’s solo stuff.  Or even Rancid covers.

Streaming needs to get smarter already.  The Spotify “super grouper” feature picks the absolute worst songs from each selected artist.

Of course, I could just make a playlist.  But, with a band like Blink-182 in the news, I wanted to dig into Angels & Airwaves, Boxcar Racer, & +44.  I don’t know which songs to add to a playlist.

Also, if I want to listen to ALL, I could want to listen to the Descendents too.  What about Guns N’ Roses, Velvet Revolver, Izzy Stradlin and the Ju Ju Hounds, Loaded, Neurotic Boy Outsiders, Slash, Slash’s Snakepit, Miles Kennedy & The Conspirators, all of it.

Snuff, Duncan Redmonds, Dogpiss, Guns ‘n’ Wankers would be another example.  As would Misfits, Danzig, Samhain, Son of Sam, etc.

Saying one phrase or typing one into a searchboith to be able to bring them all up.

Is that bandtoband.com still a thing?  That could be a reference for connected bands.

Teenage Bottlerocket & the Lillingtons.  Screeching Weasel & The Riverdales.  Ann Beretta, Foundation, Rob Huddleston, & Sixer.  Metallica & Megadeth.  Green Day, Foxboro Hot Tubs, The Network, & 300 other bands.

Even unrelated bands.  Can I just say “Alexa play songs by Flogging Molly and The Dropkick Murphys” and not confuse the shit out of it?

I have an Ozzy/Black Sabbath playlist on Spotify with a ton of great stuff, including a plethora of killer covers.  It took time to curate.  I have similar ones for Metallica, Misfits, Guns N’ Roses, & Rancid. I need to transition them all to Amazon Music… we have the family account there since we’re using the firestick. I like Spotify’s suggestions better… but I can listen to Amazon sans commercials. I refuse to subscribe to another service, sorry Spotify. Oddly, most of those transfer services have a paywall once you surpass an unreasonably low amount of songs. I don’t even my remember my Pandora logins.

I would think AI could have probably pretty quickly picked up what I was putting down & fleshed it out.

I wouldn’t expect it to go this deep, but it could link Flogging Molly to Fastway.

With Hip Hop too… say all the solo projects of the members of N.W.A.?  All that in one would be awesome.

Does something like this exist and I’m just not aware of it? I miss WinAmp.

I need to rip all kinds of older, local, & obscure stuff and put it on my own damn streaming server. I understand Google Music would let you do that before it collapsed? There is really a lot of stuff out there that you can’t stream, and some of my favorites don’t have their entire catalogs available to stream.

Help me out, audiofiles, music nerds, and techno geeks!

Spotify Pie & Iceburgify for AiXeLsyD13
AiXeLsyD13 Spotify Listening Habits

August is Falling :(


If you don’t know about Pat Finnerty, you should. He has a YouTube channel and he does a series of videos titled What Makes This Song Stink? among others (Now there’s a podcast too!). He has some witty observations, harsh truths, and is just lampooning guitar guy videos on YouTube. The pedal mobile is a thing of genius and pure hilarious delight. He says what a lot of us are thinking. He catches some wild connections or callbacks. He takes a joke way too far, which has always been something I am a fan of. It’s defiant. It’s hilarious.

As someone who has made art for it to mostly serve as a creative outlet that happens to have a very small circle of people who may have enjoyed it to varying degrees… It’s nice to see this guy get traction.

Writing, recording, and performing your own stuff lends itself to a certain level of judgement of others’ art. There’s probably some narcissism in there, but not at an unhealthy level. It’s not necessarily mean spirited, but it can be. I remain humble and understand that my creative output is not for the masses. I cater to a very small crowd with very similar tastes and no hang-ups about production quality. You have to wonder though… on some stuff… Why is this objectively certifiable crap popular? It’s hard to pin. It’s hard to point out.

I have played with some awesome musicians that “get it.” I have encountered many who do not. We are not on the same page. You’re not wrong in your opinions, but then again… you are. Pat gets it. Pat & I would probably disagree on a lot of things…. but we’d both have arguments to back it up. I appreciate his overall music nerdiness.

August is Falling started as a joke, and took off. I am in awe and a bit jealous. I bought a T-shirt and downloaded the EP though. This “joke” output is quality stuff.

Do yourself a favor and dive in.

SPAMP+ :|. ¼” Stereo to Mono Adapter Cable!


So, remember the SPAMP+? It was a ton of fun. I wrote to ask the SpampMAN if I could get a ¼” stere-to-mono adapter for the headphone jack to make the headphone jack essentially an “out” for a guitar amp so I could use the Spamp+ as an effect or pre-amp.

Dude is solid, and sent me one! He may include it as an option with future builds! The grilled, chilled, & fried all work as you would expect and sound gorgeous coming through my Blues Jr.

Here I used my New York Pro StarGazer (with GFS Lil’ Killer Rails) into the SPAMP, then my Fender Blues Jr. The tones are still awesome! the volume differences are there, but if you pick one & go that rally shouldn’t be a problem. This is totally cool as a pre-amp effect! There’s no on-off, but I do have an A/B/Y switch that I could maybe use to put it in & out of the loop. At any rate, this is still super fun, and that’s what it’s all about!

I would say this cable is a resounding success!

Check out the Spamp page and Spamp Etsy Shop!

Jamming with the Spamp+ right out of the box.


I always forget to post YouTube videos here. Here I am, reminded, and on a New Gear Day!

Got a new fun little toy, and ran it through some paces.

I ran a few of my guitars into the Spamp+ to see what’s up. Check them out: https://spamp.com & https://www.etsy.com/shop/SpampMusic

I dimed the SPICE and HEAT knobs, but left TASTE at 12:00. Why? I always dime all the knobs. I like gain and dirt and punk rock. I ran each guitar through the CHILLED, FRIED, and GRILLED settings.

I like FRIED and GRILLED, but there was a noticeable volume drop with Grilled with all the guitars/pickups. This is a super fun little amp. I may get the normal one to use as a distortion pedal… as I don’t think this headphone out is suitable to run to an amp.

I will eventually get to using a 9V & rocking the headphones. This was plugged into a 9v power supply for the video.

I did test a 9V in it, and it had the same volume drop to GRILLED. Of course I used the oil can guitar in the Spam can amp first.

The guitars…

❶ Bohemian Moonshine 🎸 https://www.instagram.com/p/B_gCZ35Dz4_/

❷ New York Pro Stargazer 🎸 https://wp.me/pwqzc-1qP 🤘 https://www.instagram.com/p/B_OMXvwjDxa/

❸ Indy Custom FlyCaster 🎸 https://wp.me/pwqzc-2z4

❹ No Name LP Copy 🎸 https://www.instagram.com/p/B_Vs6BtDLFv/

❺ Russ Lorenz Shitar 🎸 https://wp.me/pwqzc-2AJ

❻ BC Rich Dagger 🎸 https://www.instagram.com/p/B_QfM3TDnZm/

You can see what kinds of pickups they have and if not just ask me in the comments. You get single coils, humbucker/single split, lipstick, humbuckers, hot rails, and P-90-ish ones. I think the SPAMP+ sounds absolutely killer with the P90’s.

I try not to ruin my guitar/gear videos with talking.

Should I explain things for the 3 of you that watch? Lemme know what you think. Do I need the one that acts as a pedal?

Send me a pedal and I will demo it with all the knobs or almost all the knobs dimed.

Spamp+ Mini Practice/Headphone guitar amplifier.
Spamp+

@ me on teh social medias:

The Pedal Itch.


So, we all know I have a thing for guitars. I like ’em weird and I like ’em cheap. Anyone who plays & reads about guitars on the internet knows about the reality of G.A.S. and all its warning signs.

The Falcondrive guitar pedal from Rude Tech & Eaglebones Falconhawk (Ian Fowles) of The Aquabats!
Rude Tech Falcondrive

I only have a few pedals. I mean, I could always use more. Right? I think the Falcondrive sparked this most recent attack. Eaglebones Falconhawk is the renowned stringman and Fender aficionado of the insanely fun band, The Aquabats!

It’s overdrive and distortion all in one… and I like all kinds of noise. I like high gain, overdrive, distortion, chorus, fuzz… all of it.

Eaglebones sounds great, and he’s a killer player… this takes two of his older beloved modified pedals and combines them all into one package. What’s not to dig about it?

Yeah. That got my interest piqued. Then between AliExpress and Amazon, I ended up in a cheap-ass pedal deep dive. I love cheap gear. But not garbage. We’ll say inexpensive gear.

Mooer E7 | Mooer Pitch Box
RudeTech Falcondrive | Flamma FC01 Drum Loop

How do the algorithms know? They’re listening. They’re reading. They’re watching. They’re pressuring.

I have sort of always been looking at an EHX B9 or the Earthquaker Organizer (or the EHX C9, Bass9, Key9. or Synth9 really). Honestly though, let’s face it; Most of my guitars cost as much as or less than these inarguably awesome quality pedals.

I found a super cheap and entirely crappy sounding sort of competitor online, then I found a slightly less crappy but seemingly more useful competitor online… still also pretty damn cheap.

Obi Wan, doing the thing.  👋
“You want to buy the pedals.”

Behold the Aural Dream Organ Synthesis B & Organ Synthesis A. They sound like hot buttered ass.

That though, somehow led me to this, which does not sound super terrible: The Mooer E7 Synth. It is not quite as expensive as the big boys, but also doesn’t sound like a dying sound card from a Commodore 64. (Arguably, even that could be a valid fun sound to chase… but if you’re not going for that, then you probably don’t want it by accident.)

Why do I want a synth pedal? Because, for years when playing out in bands, one of the songs I always dug covering was “Cool Kids” by Screeching Weasel. It has two super short keyboard parts that I always just played on the guitar. I would be immensely amused by the 3½ seconds of satisfaction that would provide.

That’s how G.A.S. works, right?

That led me to the Mooer Pitch Box. I don’t even need a pitch box, but is sure sounds cool. And it’s cheap. Damnit. That just led me to the even cheaper VSN Harmonizer. And a drummer pedal! The struggle is real. The pedals have gained sentience and are conspiring.

Then, I found the Flamma FS01 Drum Loop, which looks like ridiculous amounts of fun.

Then there are the other pedals that I can’t forget. I love my Orange Micro Terror. Apparently they make it as a pedal now, The Terror Stamp. I use an A/B/Y sometimes to play through both the Micro Terror and the Fender Blues Jr. at once. It would be fun to Orange-up the Blues Jr., or to play the Terror Stamp into the Micro Terror to make the Orange even more Orange.

Gorilla TC-35 Tube Crunch guitar amplifier.

That got me to seeing about the recent Acorn Amps Solid State pedal made to emulate an old Peavy Decade amp made famous by Josh Homme. That made me nostalgic for my first amp, the Gorilla TC-35. It had a “Tube Crunch” knob, but no tubes. After I got a larger amp to be in a band setting… we used to use it as a PA at AiXeLsyD practice, and I think even at some living room and basement shows.

Gorilla Amps Logo

Is it possible to make into a pedal? I don’t have the skills. I have a soldering iron, but I am no good with it. I used to do drafting in high school, but I am lost on the schematics for electronics. It looks like at least two people have made the combo into a head (…OK, one was for bass). A schematic exists online. Someone even has a circuit board which emulates the circuits for the amp, but is small enough to fit in a pedal. Why make a $200 pedal for a $50 amp? Yes. Why? Also, why not?

I wrote all of that, and still don’t know the point. To relieve G.A.S.? I would guess it should only serve to exacerbate it.

My current guitar effects pedals:

Quinnamp Dirt & Ernie
DigiTech Trio
DigiTech FX3X
Planet Waves PW-CT-04
Ammoon Pock Loop
LiveWire Solutions ABY Box
Ernie Ball Wah
YesFX

I mean, I do have a few pedals. They’re not even on a board. I had them on the cut-off bottom of a milk crate, but then I wanted to remove one. They are fun, and they do indeed do things.

This, hive mind, is where I need your help. Do I want more pedals? Yes. Do I need more pedals? Also, yes. They are sure to spark creativity. Use your wisdom to teach me. Can anyone build me a TC-35 pedal? I can get my wife to Cricut the logo in vinyl! Ha ha. Which pedals should I go for? What would you go for? I’m looking for those people experienced with these cheap pedals all over the internet. Send me your thoughts, reviews, & opinions!

The story of the Dewey Decibel FlipOut guitar.


Bert - a.k.a. ERiC AiXeLsyD - rocking the Dewey Decibel FlipOut Lit Cigarette model.
Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.

OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.

A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)

I thought it would be fun to try and track down Dewey Decibel (a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!

After some emails exchanged, here’s the story from the man himself!

Line of FlipOut guitars & BottomOut basses from the Dewey Decibel website.

Hi Eric,

I’m awfully sorry there was a delay on getting back to you.  I honestly have had my hands full this year, and it slipped my mind.  Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point.  And thanks for asking.

I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole.  Just a thing I did – never mentioned it on stage.  Played electric guitar, with synth sequencers for backing, plus voice. 

One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind.  I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars.  I love him because he didn’t even blink, just said “sure, I can do that”.  I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller.  We did good work.  I always played the original FlipOut, which started its life as a Fernandes brand Strat.  I always had the IV drip by my side.

Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!
Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!

We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.

Here is what exists online, though there are 3+ albums and an EP somewhere:

https://deweydecibel.bandcamp.com/

Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Guitar & Vocals) ● John Howard (Bass)
Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)

At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band.  In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer.  There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please.  I ordered some prototypes during that year, and tweaked things.  Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived.  That first NAMM show was funny funny stupid funny. 

Dewey Decibel - FlipOut & BottomOut
Art from the Dewey Decibel website.

The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM  launch that I was in breach of their trademarks.  This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.

I was living in a warehouse with boxes of these guitars and my drum set.  It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines.  The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One.  I did care about the feel of the neck and the pickups.  It’s self evident I think when you handle one.

I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely.  Even took orders.  The problem was that the whole business had me working in too many directions, and exhausted.  I’d gone to Europe, and did a bunch of sales, there and in Australia too.  I was overworking, and getting wiped out.  This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy.   But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer.  I was too much of a lone wolf for them.  So I went back to graphic design and animation.  I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.

The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with.  Austin really had cabs colored like the guitar.

I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff.  Just joking – I guess it was inevitable someone would cash in.

Hey thanks for your interest.  Hoping it fills in some detail. 

Thanks

joe

For the Raging Guitar Houdini in you!

(ddB)™

What led Dewey Decibel, Brooklyn's recording enigma, to do what he did to his guitar that night? Frustration. His friends had snubbed him, his car had been totaled, but worst of all, his reading comprehension was way down, and he could feel the stares when he entered a room. That fateful night, Dewey did grab for his guitar, slamming his bedroom door, not to emerge for countless weeks (though he did leave once to go to a class on "Appalachian Fingertip Dancing"). It was during these weeks, through a period of painstaking research, made even more difficult by an ill-fitting lab coat, Dewey did travel to the edge of insanity. But once there, decided he'd rather be at the brink of madness, so he quickly switched when no one was looking. And when at last he did emerge, witnesses reported he held in his hand something resembling a guitar on muscle relaxant. Dewey Decibel's FlipOut™ was in their midst. And now, it is in yours.

www.flipoutguitar.com Write to us at flipout@deweydecibel.com

The guitar design configuration of Dewey Decbel's Flip Out™ is a trademark owned by Joe Gerardi of Dewey Decibel Inc. Any replication of this trademark is prohibited by law.

Dewey Decibel
Until now, this is pretty much all that was out there on the FlipOut!
Dewy Decibel FlipOut models | Invisible, Lit Cigarette, Barry Levelthal, Austin City Cab, Scandalicious, Shameless.
FlipOut models & colors

How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.

The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.

Check out the Facebook fan page if you’re a fan, would like to share photos of yours or you with it in action, have one for sale, or are looking for one: Facebook | Dewey Decibel FlipOut

I would also, of course, love to hear from you in the comments!

If you want to see me and my FlipOut in action, check out the stuff below this list of links.

Also, check out these links if you’re looking for more:

Ernie and the Berts “Toybox”:

Ernie and the Berts – “Everybody Poops”:

Ernie and the Berts – “Kate Winslett” (A poor cover of The Silver Brazilians):

Ernie and the Berts – “Ikea”:

Me just rocking this one in the basement in 2016:

Smokin’ Spare Ribs 🍖 (3·2·1 Style)


So, recently I got a smoker attachment for my Char-Griller grill as a gift for Father’s Day. I tried it out today and the results we fantastic. I hit up the Google machine and some non-BBQ-ing Facebook groups for advice, tips, & tricks. (I imagine that they are as intense as guitar groups and I am just not ready yet.) I kept getting advice on the 3-2-1 method of smoking ribs. There are many variations of that technique. I think it went well. I tracked my progress with the #AiXeLsyDBBQ hashtag. Maybe I’ll do some more next time.

The quick and dirty of this method is…

  1. Get your coals to 225°-ish. (I used a chimney to avoid lighter fluid and it was awesome.) I added some wood chunks in the chimney, and on top once I spread on the coals. I did not soak the wood, but I may next time. Control the temp with your vents. Open a bit warms it up, closed cools it off… all because of airflow.
  2. Remove the silverskin, and put a nice rub on the ribs. I used one from the section of Walmart by all the grilling stuff.
  3. Put the ribs in the grill part if you have an attachment, or not on the heat for 3 hours.
  4. Pull the ribs out, wrap in heavy duty grilling foil, add some apple cider, apple juice, vinegar, pop, or whatever. I added some Straub. Unfortunately I made 2 racks and used the whole bottle, so I drank one myself.
  5. Put them in for 2 hours, smoking really isn’t necessary at this point if your wanna save your chunks or chips.
  6. Pull them out and unwrap them. I should have saved the drippings for the barbecue sauce on the side, but I did not. Shame on me. Do that.
  7. Sauce those ribs up. Liberally. Like, and obscene amount.
  8. Put them back on for 1 hour. (3-2-1… get it? Guys! They said the thing!)
  9. Always check with a thermometer for done-ness. They should be pretty damn done at this point, arguably overdone.
  10. EAT.

I know fall-off-the-bone isn’t competition style. A bone did pull right out of one rack, but the meat was in tact, not falling completely apart. I know the foil wrapping bit is then steaming not smoking… but, rules are made to be broken and a healthy dose of anarchy warms my little punk rock heart.

I would definitely do the ribs like this again. I may try a homemade sauce. This was pretty basic store-brand stuff from Shop ‘n Save with some dry mustard, brown sugar, garlic powder, onion powder, and black pepper, and Straub American Amber Lager. I may try different chips, or a smoker box, or to soak the wood. I even read some people eschew charcoal in favor of all wood once the fire is going.

I also threw on some baked potatoes, turkey legs, grilled veggies, and sauce on the attached burner.

Can’t wait to try out a turkey, pork loin, brisket, and whatever else I haven’t thought of. Mac n’ cheese? Jalapeño poppers? Meatloaf? Bacon?

What do you do in the smoker? What are your go to foods? Got any tips & tricks worth sharing? Do you click the tongs twice or three times? Before, during, or after?

Any excuse to drink beer and play with fire all day is a good excuse to me. Plus, the family was awed by my hereto unknown skills with smoked meats.

What music are you playing while you’re grilling or smoking?

This is the full adventure as told via Instagram:

New pickups for the Annihilator!


This is a copy of the Annihilator guitar developed by Doyle Wolfgang Von Frankenstein and his brother Jerry Only of the legendary horror punk band, the Misfits.

Annihilator copy from AliExpress - A copy of the infamous guitars of Doyle Wolfgang Von Frankenstein.

I ordered it from AliExpress. It seems to be a copy of the Oktober version. I think Jerry & Doyle originally worked with Rand to build the guitars… then Oktober made a run but Doyle has publicly and often decried their quality. Word on the street is that Dean will be making a production model. Doyle’s have been made from wood, graphite, and metal… with bolt-on sides since he can be a bit rough on them.

I had my go-to guitar guru (the inimitable Aaron Hutzel of Empire Music) recently do a setup and drop-in some Dragonfire Crusaders humbuckers. It sounds glorious through my Orange Micro Terror & a Laney 2×12 cab.

Here is a video of me playing it:

Here’s a short version of the video with annoying filters and stickers on TikTok:

I love it. I know its not “real.” I know it’s ridiculous. It’s fun. I’m too punk rock and too old to care what anyone thinks of the look, legitimacy, or irony of it all. Ha ha.

You can read about my first impressions here: My Guitars | The Annihilator Guitar

You can get one here if you have mad patience and expectations that match the sub-$200 price point: $189.0 US | Factory custom unusual shape Bat body Electric Guitar with Rosewood Fretboard, Bat inlay, Black Hardware, offer customized

Check out Empire Music if you want to see some really nice high-end Fender, Gibson, Martin, Taylor, & more guitars. Check out some of Aaron’s work on his Instagram, he gets to see some beautiful axes! If you’re in or around Pittsburgh, I highly recommend him for all your guitar repair, revision, and setup needs.

Check out a bunch of my weird guitars here on the blog and here on my playlist:

I may eventually set up a website just to catalog/showcase my collection. I have it, I just need to populate it. Would anyone be interested in that, or just me?