So, I’ve written about Metallica before (twice). I can see all this shenanigans about the new single. Honestly, I like it. Hating on Metallica has become low hanging fruit at best to edgelording or gatekeeping at worst, As fans, we all poke fun at our favorite stuff. I’m looking at you, Star Wars and Danzig people.
Lux Æterna
I found the new one to be a banger. It feels thrashy like KIll ‘Em All, with pop sensibilities like the black album.
I recently posted a reply to a comment of my posting of the video on Facebook, but the original comment was deleted by the author and my subsequent reply has been lost to the 1’s & 0’s I guess.
The gist of what I was getting at was as follows…
To say metallica has lost or hasn’t been good for decades? I get it, and it’s certainly a valid opinion. People have been saying they “sold out” since Ride the Lightning.
Metallica didn’t hit my radrar until …And Justice for All came out. I hadn’t listened to anything much beyond Top 40 radio or oldies at that point. I worked backwards and was caught up in the magic of Kill ‘Em All and Master of Puppets. I wasn’t aware of the punk scene in 1977 when I was born, but I wouldn’t call myself less of a Misfits fan because I wasn’t around? You could probably assume with great certainty that each Metallica album brought in new fans upon it’s release.
I could also argue that Metallic’s output is quantifiably better than most when compared to their peers or contemporaries.
Say in sheer influence in heavy music, Black Sabbath comes the closest. (OK, maybe Led Zeppelin too, but I’ll go with Sabbath here as Zeppelin ended.) You could say that there drop-offs in interest post-Ozzy & again post-Dio. Does that mean that Iommi and Geezer are any less lauded in the riff lord category? I don’t think so. Their early output is so epic and influential, they could release an album of pip farting on a snare drum and it shouldn’t detract from their legacy. James still writes killer riffs. Kirk is still a master of stringing together wah-fueled madness. Lars is a great arranger and cunning businessman. I wish they hadn’t done Newsted dirty, but Rob seems like a great fit.
In 1991/1992, Metallica and Guns N’ Roses where arguably the most lucrative and widely known hard rock acts on the planet. They were two of my favorites at the time and I still have fond memories of that epic show at Three Rivers Stadium. Look at what both bands have put out since then. Sure, Metallica dropped a Lulu turd in the sandbox, but you can scoop that out and keep playing. Guns N’ Roses pissed into the swimming pool with Chinese Democracy and everyone had to get out of the pool. This is coming from a guy that liked The Spaghetti Incident?. I liked Death Magnetic & Hardwired to Self-Destruct. Even St. (B)Anger got better with time. James, Lars, Kirk, & Rob seem on top of their game. Maybe the rhythmic chugs are more of a gallop these days. Slash has improved so much over time, Duff got sober. Axl’s voice went out the window with his grasp of reality & last vestiges of sanity. I couldn’t even tell you who else was in the band, to the end that I actually just miss Velvet Revolver at this point.
Megadeth? Sure, Dave Mustaine can arguably play guitar better than James or Kirk… may be better at writing or arranging songs… has definitely put out more albums in the same timespan… But who has heard them? There have been a revolving cast of players, each successively thrown under the bus, probably the same Greyhound that drove Dave from NYC home to San Francisco. Seriously, the only press that they have received in the last decade that wasn’t Dave commenting on Metallica has been Dave Ellefson’s whacking it on webcam. This led Dave M. to discount all of the former’s contributions over the years.
AC/DC can make the same album over & over again for decades and it can be great… but not everyone can get away with that.
I’m anxious to hear your thoughts in the comments. What do you think? I’m looking forward to the new album. Will I still poke fun at Metallica? You bet I will. Will I enjoy the rest their new stuff? I sure hope so.
Check out my Metallica related playlists. I had a good one on Spotify that I am in the process of rebuilding for Amazon Music.
Halloween has the coolest music. I have made some playlists on various platforms over the years, Amazon & Spotify being the most recent. I thought I’d not only put them all in once place, but also share. I’m always adding to them and changing. I’m listening to the 1st list now.
So, remember the SPAMP+? It was a ton of fun. I wrote to ask the SpampMAN if I could get a ¼” stere-to-mono adapter for the headphone jack to make the headphone jack essentially an “out” for a guitar amp so I could use the Spamp+ as an effect or pre-amp.
Dude is solid, and sent me one! He may include it as an option with future builds! The grilled, chilled, & fried all work as you would expect and sound gorgeous coming through my Blues Jr.
Here I used my New York Pro StarGazer (with GFS Lil’ Killer Rails) into the SPAMP, then my Fender Blues Jr. The tones are still awesome! the volume differences are there, but if you pick one & go that rally shouldn’t be a problem. This is totally cool as a pre-amp effect! There’s no on-off, but I do have an A/B/Y switch that I could maybe use to put it in & out of the loop. At any rate, this is still super fun, and that’s what it’s all about!
I dimed the SPICE and HEAT knobs, but left TASTE at 12:00. Why? I always dime all the knobs. I like gain and dirt and punk rock. I ran each guitar through the CHILLED, FRIED, and GRILLED settings.
I like FRIED and GRILLED, but there was a noticeable volume drop with Grilled with all the guitars/pickups. This is a super fun little amp. I may get the normal one to use as a distortion pedal… as I don’t think this headphone out is suitable to run to an amp.
I will eventually get to using a 9V & rocking the headphones. This was plugged into a 9v power supply for the video.
I did test a 9V in it, and it had the same volume drop to GRILLED. Of course I used the oil can guitar in the Spam can amp first.
You can see what kinds of pickups they have and if not just ask me in the comments. You get single coils, humbucker/single split, lipstick, humbuckers, hot rails, and P-90-ish ones. I think the SPAMP+ sounds absolutely killer with the P90’s.
I try not to ruin my guitar/gear videos with talking.
Should I explain things for the 3 of you that watch? Lemme know what you think. Do I need the one that acts as a pedal?
Send me a pedal and I will demo it with all the knobs or almost all the knobs dimed.
So, we all know I have a thing for guitars. I like ’em weird and I like ’em cheap. Anyone who plays & reads about guitars on the internet knows about the reality of G.A.S. and all its warning signs.
Rude Tech Falcondrive
I only have a few pedals. I mean, I could always use more. Right? I think the Falcondrive sparked this most recent attack. Eaglebones Falconhawk is the renowned stringman and Fender aficionado of the insanely fun band, The Aquabats!
It’s overdrive and distortion all in one… and I like all kinds of noise. I like high gain, overdrive, distortion, chorus, fuzz… all of it.
Eaglebones sounds great, and he’s a killer player… this takes two of his older beloved modified pedals and combines them all into one package. What’s not to dig about it?
Yeah. That got my interest piqued. Then between AliExpress and Amazon, I ended up in a cheap-ass pedal deep dive. I love cheap gear. But not garbage. We’ll say inexpensive gear.
How do the algorithms know? They’re listening.They’re reading.They’re watching.They’re pressuring.
I have sort of always been looking at an EHX B9 or the Earthquaker Organizer(or the EHX C9, Bass9, Key9. or Synth9 really). Honestly though, let’s face it; Most of my guitars cost as much as or less than these inarguably awesome quality pedals.
I found a super cheap and entirely crappy sounding sort of competitor online, then I found a slightly less crappy but seemingly more useful competitor online… still also pretty damn cheap.
That though, somehow led me to this, which does not sound super terrible: The Mooer E7 Synth. It is not quite as expensive as the big boys, but also doesn’t sound like a dying sound card from a Commodore 64. (Arguably, even that could be a valid fun sound to chase… but if you’re not going for that, then you probably don’t want it by accident.)
Why do I want a synth pedal? Because, for years when playing out in bands, one of the songs I always dug covering was “Cool Kids” by Screeching Weasel. It has two super short keyboard parts that I always just played on the guitar. I would be immensely amused by the 3½ seconds of satisfaction that would provide.
That’s how G.A.S. works, right?
That led me to the Mooer Pitch Box. I don’t even need a pitch box, but is sure sounds cool. And it’s cheap. Damnit. That just led me to the even cheaper VSN Harmonizer. And a drummer pedal! The struggle is real. The pedals have gained sentience and are conspiring.
Then, I found the Flamma FS01 Drum Loop, which looks like ridiculous amounts of fun.
Then there are the other pedals that I can’t forget. I love my Orange Micro Terror. Apparently they make it as a pedal now, The Terror Stamp. I use an A/B/Y sometimes to play through both the Micro Terror and the Fender Blues Jr. at once. It would be fun to Orange-up the Blues Jr., or to play the Terror Stamp into the Micro Terror to make the Orange even more Orange.
That got me to seeing about the recent Acorn Amps Solid State pedal made to emulate an old Peavy Decade amp made famous by Josh Homme. That made me nostalgic for my first amp, the Gorilla TC-35. It had a “Tube Crunch” knob, but no tubes. After I got a larger amp to be in a band setting… we used to use it as a PA at AiXeLsyD practice, and I think even at some living room and basement shows.
Is it possible to make into a pedal? I don’t have the skills. I have a soldering iron, but I am no good with it. I used to do drafting in high school, but I am lost on the schematics for electronics. It looks like at least two people have made the combo into a head(…OK, one was for bass). A schematic exists online. Someone even has a circuit board which emulates the circuits for the amp, but is small enough to fit in a pedal. Why make a $200 pedal for a $50 amp? Yes. Why? Also, why not?
I wrote all of that, and still don’t know the point. To relieve G.A.S.? I would guess it should only serve to exacerbate it.
YesFX
I mean, I do have a few pedals. They’re not even on a board. I had them on the cut-off bottom of a milk crate, but then I wanted to remove one. They are fun, and they do indeed do things.
This, hive mind, is where I need your help. Do I want more pedals? Yes. Do I need more pedals? Also, yes. They are sure to spark creativity. Use your wisdom to teach me. Can anyone build me a TC-35 pedal? I can get my wife to Cricut the logo in vinyl! Ha ha. Which pedals should I go for? What would you go for? I’m looking for those people experienced with these cheap pedals all over the internet. Send me your thoughts, reviews, & opinions!
I tried to pick the most odd & attention grabbing of my herd. Do you think I missed the boat by not including some of my other notable oddballs? He didn’t even mention the amps or pedals. Ha ha.
Shout-out to my peeps at Actual Ugly Guitars! It’s a Facebook group focused on looking for guitars ranging from the weirdest of the weird to just pure abominations with strings and sometimes even frets. If you’re gonna join, answer the questions or you won’t get in.
Here’s a rundown of what’s pictured if you’re interested:
Click the links on the guitar names to go to my Instagram posts where I posted all my axes at the beginning of the Covid shutdowns. You can check out most of them (& more) at Posting #AllMyAxes. 🎸 (Part 1) & Posting #AllMyAxes. 🎸 (Part 2) too. I posted all of them individually and some fun group shots & extras under the #AllMyAxes hashtag on Instagram.
If not rocking the Spark for practice or jamming along to YouTube or the built-in drummers, I like to rock a guitar through the tuner then into the A/B/Y into both the Blues Jr. and the Micro Terror through the Laney. Sometimes I put the wah up front, or sometimes on just one amp. I had a Dunlop CryBaby for years, then once I heard the “tone-suck” even when it was off, I couldn’t un-hear it. Same with the Dirt & Ernie… sometimes I just use it as a boost. It will come in handy if I ever get back to live stuff. My “sound” is pretty much gain on 10 master volume on 2 through both amps because I love the sound of the overdriven amps, so I don’t really need to add much dirt. If I set up the Trio, I run the “band” out to the PA so drums & bass come out of that nice & clean instead of one of (or both of) my amps. I am terrible with the POCK LOOP looper. The Lil’ Smokey is also a ton of fun, and I have used to to drive a 4×12. I think I need simpler one or more patience. Maybe both.
So, that’s my setup. Yes, I do play these guitars. Yes, they’re all playable. (I have a go-to guitar guy that is like a guitar-whisperer.) Yes, I have gigged & even recorded with some of them and would gig with all of them.
Which ones do you dig or hate the most? Got any oddballs you want to share? Hit me up with some comments!
I posted not too long ago about Christmas playlists on various platforms. Ultimately most of them are frustrating because you can’t just pick a song order without signing up for a “premium” account. I’m already subscribed to enough stuff.
I have other YouTube lists (Naughty & Nice), but I decided to pull some of my favorites and put them all on one:
What great ones am I missing? Drop them in the comments below!
While you’re on my YouTube Channel, don’t forget to watch, give a like, and drop a comment for “Jingle Bells” by the Christmas Carrolls! We have over 400 views already, it would be cool to hit 500 by Christmas! Please share it on your social media platform of choice.
Back in the day, I used to go to websites, message boards, chat rooms, or forums, & blogs. Now it’s mostly Facebook groups.
I’m a simple man. When not enjoying real-life things like family time, noodling poorly on the guitar, drawing mazes, or watching some funny or sci-fi-ish stuff on the TV, I enjoy reading things on the internet. This would include subjects like guitars, gear, guitars, music, Star Wars, guitars, guitars, and surprisingly enough …Guitars.
Picking up a theme? I’m in some guitar groups of varying purpose, from celebrating the instrument in general, to celebrating ugly ones, celebrating cheap ones, celebrating unique ones, alternating between building camaraderie or trolling between fellow guitarists, and making fun off bass players & drummers. I may have G.A.S. – It’s gotta be a real thing.
After a while, you start to notice a repetitive pattern of seemingly-canned responses.
At first, I thought of a drinking game. But, I’m too old for that, and I’m currently on antibiotics. Ha ha.
It may seem light a slight, but it’s not. I’m in there. I have said the thigs. I have typed the things. I have read the things. I have heard the things. We all have a common interest. This is a celebration of you, & us. 🍻
How quickly could you get a line, or even fill up the card?
What responses have I missed?
Please, elaborate in the comments.
GUITAR BINGO!
What would go on your Bingo card or cause you to take a drink?
What do I need to add to my pin boards?
I would love to hear what you have to add.
What are your favorite places to discuss and ogle guitars on Facebook or online in general? You can even share some of your favorite guitar photos or memes in the comments.
You may want to take a look at the Guitars & My Guitars categories here at the blog.
I am signed up for too many free streaming accounts. I like raucous punk and metal Christmas music in addition to some of the more straightforward poppy and traditional stuff. I wish that all of these songs were available across all platforms. I have some stuff from the wild west days of mp3 downloading that I can’t seem to find on any platforms.
I do need to work on refining the lists I have. The YouTubes ones are all over the place. I hardly use Pandora enough to thumbs up or down to get it where every song is a smash. Spotify and Amazon are the ones that are easy to use… but I wish I could add more content.
I do have the free accounts for all mentioned. I don’t feel like playing for a streaming service unless it can be complete. I heard Google Music was pretty awesome, until it just became the YouTube Music thing. I need to get my personal stuff all digitized someday too. Man, I miss just running WinAmp on a giant desktop.
What do you use to listen to Christmas music? What are your favorite songs, traditional, wild, overplayed, or obscure?
If you’re a regular reader, you know I recently posted all my guitars. You would then also know that I like weird guitars. You may have even seen me in a guitar-related Facebook group defending this beauty of an axe. What is not to love? The thing is fantastic. It is a sight to behold. It probably shouldn’t even exist, but it does an I needed to have it.
Mine is serial number 059. I have even connected with a few other owners out there via a Facebook Fan Page. I had expected to swap out pickups and drop in some rails… but, man this thing sounds beautiful. The neck feels great. It hangs well when standing. It is just a great damn guitar.
I would say it is probably in my trifecta of ire along with the Dewey Decibel FlipOut and the Galveston B.B. Stone. I have had people at shows come up just to tell me that they hate them! Ha ha. It amazes me that a music genre predicated on the idea of just pissing off the previous generation has so many purists who must adhere to some sort of imaginary rules of guitar design. and tired traditions. It would be a fascinating sociological study to see exactly how that can be. It’s OK to enjoy the classics and get a little wild sometimes.
Of course, many people get the joke and love them too.
In with posting All My Axes(did you see parts 1 & 2?), I really got to wanting to dive deep into the story behind each of these if I could. The creator of the FLyCaster, Jimmie Bruhn was easy to find online, and seems like a great guy. I would even say he found me in an “ugly guitars” group or two. Check out my questions for him and his fantastic answers below my embedded Instagram Post of the FlyCaster. The interview was conducted via the highly professional Facebook Messenger.
Jimmie Bruhn:There was no Indiana Custom Guitars. Indy Custom was that particular brand. Its actually a much bigger thing… SHS International was the parent company. It was an international music wholesale company that distributed products to music stores. Its where music stores nationwide (and globally) got a lot of their stuff. We designed, imported and sold products. Here are some of the following brands of SHS International (this is not the full list but the highlights)
Morgan Monroe Bluegrass Instruments
Eddy Finn Ukulele Company
Indiana Guitar Company
Indy Custom Guitars
ModTone Guitar Effects
Bean Blossom Instruments
Tune Tech Tuners
SHS Audio
Devlin Guitars
College Guitar Company
Sundown Amplifiers
I worked as a media producer for the company for close to 30 years and my fingerprints were on most everything from every brand. I wore many many different hats and guitar design was a tiny part of it. Fun but it wasn’t the bulk of what I did. That’s a whole other story. Suffice to say, anything you saw from any of those brands, I had a major role in bringing to life.
In addition I’ve played professionally for a long long time. I’m a writer, singer and I play a lot of different instruments. Guitar is one part of it but probably the biggest part as I am a lifelong collector and nerd. The collection is out of hand but I simply can’t help myself. I still have my first guitar. I never get rid of anything! You can hear and see my work on YouTube. Oh…one other thing…if you ever see Indy Custom Relic guitars, that was me. A one man side business I started where I produced over 400 hand relic’ed guitars. In that time I still played all the time, traveled and played all over.
Ⓐ⑬: Do they have a website?
JB:Not any more.
Ⓐ⑬: Do you have a website you’d like me to link to?
Ⓐ⑬: How did you come to be a guitar designer? Have you designed any other guitars?
JB:I’ve been collecting guitars for over 40 years. It was natural that my need to build and tinker with stuff would spill over into my professional day gig.
Yes, I designed many guitars and would then send my renderings to the factory for prototypes and then on to a bigger run of them. When I say “designed” I in no way want to make it seem that I am some schooled luthier or anything of the sort. I just came up with designs and through trial and error, we would arrive at something unique but I wasn’t in a workshop running a saw!
Ⓐ⑬: How was the Indy Custom label to be different?
JB:By trying to get the best things we all liked about particular models into an affordable recreation that was a Big Bang for the buck. There were some really cool models that came out. I can’t say exactly how many but there were lots of designs over the life of that line.
Ⓐ⑬: I know you were in part inspired by the Zakk Wylde guitars with an SG top & a V bottom… did anything else go into it?
JB:Yes, comedy. It just made me laugh. Another thing that REALLY inspired it were people around the company who were genuinely disgusted by it. That made me want to get them produced even more. Yes, it was stupid, yes it was hideous but I knew it could get a lot of attention for the rest of the line. The powers that be couldn’t see the value in that but here we are all these years later still talking about it. ZERO advertising dollars spent. I wasn’t wrong!
Ⓐ⑬: Was it a hard sell getting in into production? (Convincing everyone else at the company/factory to go with it?)
JB:Some understood. Some did not. The ones that didn’t inspired me to push that much harder. The point was, good or bad…it was getting a major reaction. The only bad press is no press.
Ⓐ⑬: Where was it manufactured?
JB:These were all manufactured in China once final prototypes were approved.
Ⓐ⑬: Were there any issues with manufacturing? (Seems like a big body to be on a manufacturing line.)
JB:There are always issues in manufacturing especially trying to do it from thousands of miles away. Visiting the factories can keep quality control in check but ultimately once production starts things can go wrong. Not always, but that potential is there. Overall, there were no problems in the Flycaster. Even my Chinese contact remarked that the guys on the factory floor thought it was “a weird guitar” which meant even a cultural and language barrier cannot deny that The Flycaster is globally offensive!
Ⓐ⑬: Why “FlyCaster?” Everyone who sees it calls it a TV or a Tele-V. Ha ha. Was that by design?
JB:Because it needed a name, an identity. Plus it had some weird fishing connection so…
Ⓐ⑬: Why 100? Why not 200 or 50? Were they all sold?
JB:The idea was that we would only do limited runs of guitars for the Indy Custom line which we did on other models besides The Flycaster. I think they may have even commissioned a second small batch to fill an order. The dealers that understood the value liked them and they helped bring attention to the other models. Limiting them to 100 kept it fresh and helped if a particular model completely tanked. That way you aren’t stuck with so many. If it’s a hit? Make more! Yes, they were all sold.
Ⓐ⑬: I love mine. I love that it just seems to enrage purists, and it just “outs” so many people as not having any sense of humor or whimsy. Was any if this in your original intent?
JB:This was absolutely the intent from the beginning. I love music, I love comedy and this thing was both. It was just so incredibly stupid that one has to laugh or at least, I did! The ones that were truly offended because they had such a death grip on tradition well, as previously stated, that just fueled my fire!
Ⓐ⑬: Why are so many guitarists stuck in traditional designs and setups, when rock n’ roll at its core is about rebellion?
JB:Because they are either afraid or don’t have the slightest concept of being original. They are too worried what other people think.
Image Provided by Jimmie Bruhn, from his digital book.
Ⓐ⑬: I know one burst prototype exists. Do you ever play it?
JB:I play it occasionally but I see it every day as its hanging on the wall of my studio.
Ⓐ⑬: Did you ever have any other color schemes in mind? I would love one with an antigua finish!
JB: I wanted it to get to that point but those in control saw otherwise.
Ⓐ⑬: Do you have a guitar collection? What are your non-FlyCaster favorites?
JB:Yes. I have a pretty big collection. It’s fairly insane. I have everything from top shelf vintage stuff to weird a wacky. Lots of stuff I built in the shop, some wonderful mutts and some serious collector stuff too. As I said, I never get rid of anything. I come from a musical family.
Ⓐ⑬: Have you seen any other weird guitars out there & thought “I wish I came up with that!”?
JB:All the time! That’s the great thing for me about the world of guitars, its constantly evolving. There are some absolutely great things being produced and it seems people aren’t so brand conscious as they used to be.
Ⓐ⑬: Anything else you would like to add?
JB: Just a thank you for taking the time to even ask me this stuff. It was an honor!
![Metallica Fans: We want more sounds that sound like Kill 'Em All."
Metallica: [Releases "Lux Æterna"]
Metallica Fans: NO, NOT LIKE THAT!](https://aixelsyd13.files.wordpress.com/2022/11/picsart_22-11-30_18-49-04-262.jpg?w=520)
World (and Lunar) Domination 