SPAMP+ :|. ¼” Stereo to Mono Adapter Cable!


So, remember the SPAMP+? It was a ton of fun. I wrote to ask the SpampMAN if I could get a ¼” stere-to-mono adapter for the headphone jack to make the headphone jack essentially an “out” for a guitar amp so I could use the Spamp+ as an effect or pre-amp.

Dude is solid, and sent me one! He may include it as an option with future builds! The grilled, chilled, & fried all work as you would expect and sound gorgeous coming through my Blues Jr.

Here I used my New York Pro StarGazer (with GFS Lil’ Killer Rails) into the SPAMP, then my Fender Blues Jr. The tones are still awesome! the volume differences are there, but if you pick one & go that rally shouldn’t be a problem. This is totally cool as a pre-amp effect! There’s no on-off, but I do have an A/B/Y switch that I could maybe use to put it in & out of the loop. At any rate, this is still super fun, and that’s what it’s all about!

I would say this cable is a resounding success!

Check out the Spamp page and Spamp Etsy Shop!

Jamming with the Spamp+ right out of the box.


I always forget to post YouTube videos here. Here I am, reminded, and on a New Gear Day!

Got a new fun little toy, and ran it through some paces.

I ran a few of my guitars into the Spamp+ to see what’s up. Check them out: https://spamp.com & https://www.etsy.com/shop/SpampMusic

I dimed the SPICE and HEAT knobs, but left TASTE at 12:00. Why? I always dime all the knobs. I like gain and dirt and punk rock. I ran each guitar through the CHILLED, FRIED, and GRILLED settings.

I like FRIED and GRILLED, but there was a noticeable volume drop with Grilled with all the guitars/pickups. This is a super fun little amp. I may get the normal one to use as a distortion pedal… as I don’t think this headphone out is suitable to run to an amp.

I will eventually get to using a 9V & rocking the headphones. This was plugged into a 9v power supply for the video.

I did test a 9V in it, and it had the same volume drop to GRILLED. Of course I used the oil can guitar in the Spam can amp first.

The guitars…

❶ Bohemian Moonshine 🎸 https://www.instagram.com/p/B_gCZ35Dz4_/

❷ New York Pro Stargazer 🎸 https://wp.me/pwqzc-1qP 🤘 https://www.instagram.com/p/B_OMXvwjDxa/

❸ Indy Custom FlyCaster 🎸 https://wp.me/pwqzc-2z4

❹ No Name LP Copy 🎸 https://www.instagram.com/p/B_Vs6BtDLFv/

❺ Russ Lorenz Shitar 🎸 https://wp.me/pwqzc-2AJ

❻ BC Rich Dagger 🎸 https://www.instagram.com/p/B_QfM3TDnZm/

You can see what kinds of pickups they have and if not just ask me in the comments. You get single coils, humbucker/single split, lipstick, humbuckers, hot rails, and P-90-ish ones. I think the SPAMP+ sounds absolutely killer with the P90’s.

I try not to ruin my guitar/gear videos with talking.

Should I explain things for the 3 of you that watch? Lemme know what you think. Do I need the one that acts as a pedal?

Send me a pedal and I will demo it with all the knobs or almost all the knobs dimed.

Spamp+ Mini Practice/Headphone guitar amplifier.
Spamp+

@ me on teh social medias:

The Pedal Itch.


So, we all know I have a thing for guitars. I like ’em weird and I like ’em cheap. Anyone who plays & reads about guitars on the internet knows about the reality of G.A.S. and all its warning signs.

The Falcondrive guitar pedal from Rude Tech & Eaglebones Falconhawk (Ian Fowles) of The Aquabats!
Rude Tech Falcondrive

I only have a few pedals. I mean, I could always use more. Right? I think the Falcondrive sparked this most recent attack. Eaglebones Falconhawk is the renowned stringman and Fender aficionado of the insanely fun band, The Aquabats!

It’s overdrive and distortion all in one… and I like all kinds of noise. I like high gain, overdrive, distortion, chorus, fuzz… all of it.

Eaglebones sounds great, and he’s a killer player… this takes two of his older beloved modified pedals and combines them all into one package. What’s not to dig about it?

Yeah. That got my interest piqued. Then between AliExpress and Amazon, I ended up in a cheap-ass pedal deep dive. I love cheap gear. But not garbage. We’ll say inexpensive gear.

Mooer E7 | Mooer Pitch Box
RudeTech Falcondrive | Flamma FC01 Drum Loop

How do the algorithms know? They’re listening. They’re reading. They’re watching. They’re pressuring.

I have sort of always been looking at an EHX B9 or the Earthquaker Organizer (or the EHX C9, Bass9, Key9. or Synth9 really). Honestly though, let’s face it; Most of my guitars cost as much as or less than these inarguably awesome quality pedals.

I found a super cheap and entirely crappy sounding sort of competitor online, then I found a slightly less crappy but seemingly more useful competitor online… still also pretty damn cheap.

Obi Wan, doing the thing.  👋
“You want to buy the pedals.”

Behold the Aural Dream Organ Synthesis B & Organ Synthesis A. They sound like hot buttered ass.

That though, somehow led me to this, which does not sound super terrible: The Mooer E7 Synth. It is not quite as expensive as the big boys, but also doesn’t sound like a dying sound card from a Commodore 64. (Arguably, even that could be a valid fun sound to chase… but if you’re not going for that, then you probably don’t want it by accident.)

Why do I want a synth pedal? Because, for years when playing out in bands, one of the songs I always dug covering was “Cool Kids” by Screeching Weasel. It has two super short keyboard parts that I always just played on the guitar. I would be immensely amused by the 3½ seconds of satisfaction that would provide.

That’s how G.A.S. works, right?

That led me to the Mooer Pitch Box. I don’t even need a pitch box, but is sure sounds cool. And it’s cheap. Damnit. That just led me to the even cheaper VSN Harmonizer. And a drummer pedal! The struggle is real. The pedals have gained sentience and are conspiring.

Then, I found the Flamma FS01 Drum Loop, which looks like ridiculous amounts of fun.

Then there are the other pedals that I can’t forget. I love my Orange Micro Terror. Apparently they make it as a pedal now, The Terror Stamp. I use an A/B/Y sometimes to play through both the Micro Terror and the Fender Blues Jr. at once. It would be fun to Orange-up the Blues Jr., or to play the Terror Stamp into the Micro Terror to make the Orange even more Orange.

Gorilla TC-35 Tube Crunch guitar amplifier.

That got me to seeing about the recent Acorn Amps Solid State pedal made to emulate an old Peavy Decade amp made famous by Josh Homme. That made me nostalgic for my first amp, the Gorilla TC-35. It had a “Tube Crunch” knob, but no tubes. After I got a larger amp to be in a band setting… we used to use it as a PA at AiXeLsyD practice, and I think even at some living room and basement shows.

Gorilla Amps Logo

Is it possible to make into a pedal? I don’t have the skills. I have a soldering iron, but I am no good with it. I used to do drafting in high school, but I am lost on the schematics for electronics. It looks like at least two people have made the combo into a head (…OK, one was for bass). A schematic exists online. Someone even has a circuit board which emulates the circuits for the amp, but is small enough to fit in a pedal. Why make a $200 pedal for a $50 amp? Yes. Why? Also, why not?

I wrote all of that, and still don’t know the point. To relieve G.A.S.? I would guess it should only serve to exacerbate it.

My current guitar effects pedals:

Quinnamp Dirt & Ernie
DigiTech Trio
DigiTech FX3X
Planet Waves PW-CT-04
Ammoon Pock Loop
LiveWire Solutions ABY Box
Ernie Ball Wah
YesFX

I mean, I do have a few pedals. They’re not even on a board. I had them on the cut-off bottom of a milk crate, but then I wanted to remove one. They are fun, and they do indeed do things.

This, hive mind, is where I need your help. Do I want more pedals? Yes. Do I need more pedals? Also, yes. They are sure to spark creativity. Use your wisdom to teach me. Can anyone build me a TC-35 pedal? I can get my wife to Cricut the logo in vinyl! Ha ha. Which pedals should I go for? What would you go for? I’m looking for those people experienced with these cheap pedals all over the internet. Send me your thoughts, reviews, & opinions!

The story of the Dewey Decibel FlipOut guitar.


Bert - a.k.a. ERiC AiXeLsyD - rocking the Dewey Decibel FlipOut Lit Cigarette model.
Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.

OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.

A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)

I thought it would be fun to try and track down Dewey Decibel (a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!

After some emails exchanged, here’s the story from the man himself!

Line of FlipOut guitars & BottomOut basses from the Dewey Decibel website.

Hi Eric,

I’m awfully sorry there was a delay on getting back to you.  I honestly have had my hands full this year, and it slipped my mind.  Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point.  And thanks for asking.

I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole.  Just a thing I did – never mentioned it on stage.  Played electric guitar, with synth sequencers for backing, plus voice. 

One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind.  I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars.  I love him because he didn’t even blink, just said “sure, I can do that”.  I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller.  We did good work.  I always played the original FlipOut, which started its life as a Fernandes brand Strat.  I always had the IV drip by my side.

Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!
Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!

We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.

Here is what exists online, though there are 3+ albums and an EP somewhere:

https://deweydecibel.bandcamp.com/

Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Guitar & Vocals) ● John Howard (Bass)
Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)

At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band.  In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer.  There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please.  I ordered some prototypes during that year, and tweaked things.  Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived.  That first NAMM show was funny funny stupid funny. 

Dewey Decibel - FlipOut & BottomOut
Art from the Dewey Decibel website.

The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM  launch that I was in breach of their trademarks.  This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.

I was living in a warehouse with boxes of these guitars and my drum set.  It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines.  The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One.  I did care about the feel of the neck and the pickups.  It’s self evident I think when you handle one.

I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely.  Even took orders.  The problem was that the whole business had me working in too many directions, and exhausted.  I’d gone to Europe, and did a bunch of sales, there and in Australia too.  I was overworking, and getting wiped out.  This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy.   But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer.  I was too much of a lone wolf for them.  So I went back to graphic design and animation.  I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.

The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with.  Austin really had cabs colored like the guitar.

I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff.  Just joking – I guess it was inevitable someone would cash in.

Hey thanks for your interest.  Hoping it fills in some detail. 

Thanks

joe

For the Raging Guitar Houdini in you!

(ddB)™

What led Dewey Decibel, Brooklyn's recording enigma, to do what he did to his guitar that night? Frustration. His friends had snubbed him, his car had been totaled, but worst of all, his reading comprehension was way down, and he could feel the stares when he entered a room. That fateful night, Dewey did grab for his guitar, slamming his bedroom door, not to emerge for countless weeks (though he did leave once to go to a class on "Appalachian Fingertip Dancing"). It was during these weeks, through a period of painstaking research, made even more difficult by an ill-fitting lab coat, Dewey did travel to the edge of insanity. But once there, decided he'd rather be at the brink of madness, so he quickly switched when no one was looking. And when at last he did emerge, witnesses reported he held in his hand something resembling a guitar on muscle relaxant. Dewey Decibel's FlipOut™ was in their midst. And now, it is in yours.

www.flipoutguitar.com Write to us at flipout@deweydecibel.com

The guitar design configuration of Dewey Decbel's Flip Out™ is a trademark owned by Joe Gerardi of Dewey Decibel Inc. Any replication of this trademark is prohibited by law.

Dewey Decibel
Until now, this is pretty much all that was out there on the FlipOut!
Dewy Decibel FlipOut models | Invisible, Lit Cigarette, Barry Levelthal, Austin City Cab, Scandalicious, Shameless.
FlipOut models & colors

How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.

The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.

Check out the Facebook fan page if you’re a fan, would like to share photos of yours or you with it in action, have one for sale, or are looking for one: Facebook | Dewey Decibel FlipOut

I would also, of course, love to hear from you in the comments!

If you want to see me and my FlipOut in action, check out the stuff below this list of links.

Also, check out these links if you’re looking for more:

Ernie and the Berts “Toybox”:

Ernie and the Berts – “Everybody Poops”:

Ernie and the Berts – “Kate Winslett” (A poor cover of The Silver Brazilians):

Ernie and the Berts – “Ikea”:

Me just rocking this one in the basement in 2016:

Smokin’ Spare Ribs 🍖 (3·2·1 Style)


So, recently I got a smoker attachment for my Char-Griller grill as a gift for Father’s Day. I tried it out today and the results we fantastic. I hit up the Google machine and some non-BBQ-ing Facebook groups for advice, tips, & tricks. (I imagine that they are as intense as guitar groups and I am just not ready yet.) I kept getting advice on the 3-2-1 method of smoking ribs. There are many variations of that technique. I think it went well. I tracked my progress with the #AiXeLsyDBBQ hashtag. Maybe I’ll do some more next time.

The quick and dirty of this method is…

  1. Get your coals to 225°-ish. (I used a chimney to avoid lighter fluid and it was awesome.) I added some wood chunks in the chimney, and on top once I spread on the coals. I did not soak the wood, but I may next time. Control the temp with your vents. Open a bit warms it up, closed cools it off… all because of airflow.
  2. Remove the silverskin, and put a nice rub on the ribs. I used one from the section of Walmart by all the grilling stuff.
  3. Put the ribs in the grill part if you have an attachment, or not on the heat for 3 hours.
  4. Pull the ribs out, wrap in heavy duty grilling foil, add some apple cider, apple juice, vinegar, pop, or whatever. I added some Straub. Unfortunately I made 2 racks and used the whole bottle, so I drank one myself.
  5. Put them in for 2 hours, smoking really isn’t necessary at this point if your wanna save your chunks or chips.
  6. Pull them out and unwrap them. I should have saved the drippings for the barbecue sauce on the side, but I did not. Shame on me. Do that.
  7. Sauce those ribs up. Liberally. Like, and obscene amount.
  8. Put them back on for 1 hour. (3-2-1… get it? Guys! They said the thing!)
  9. Always check with a thermometer for done-ness. They should be pretty damn done at this point, arguably overdone.
  10. EAT.

I know fall-off-the-bone isn’t competition style. A bone did pull right out of one rack, but the meat was in tact, not falling completely apart. I know the foil wrapping bit is then steaming not smoking… but, rules are made to be broken and a healthy dose of anarchy warms my little punk rock heart.

I would definitely do the ribs like this again. I may try a homemade sauce. This was pretty basic store-brand stuff from Shop ‘n Save with some dry mustard, brown sugar, garlic powder, onion powder, and black pepper, and Straub American Amber Lager. I may try different chips, or a smoker box, or to soak the wood. I even read some people eschew charcoal in favor of all wood once the fire is going.

I also threw on some baked potatoes, turkey legs, grilled veggies, and sauce on the attached burner.

Can’t wait to try out a turkey, pork loin, brisket, and whatever else I haven’t thought of. Mac n’ cheese? Jalapeño poppers? Meatloaf? Bacon?

What do you do in the smoker? What are your go to foods? Got any tips & tricks worth sharing? Do you click the tongs twice or three times? Before, during, or after?

Any excuse to drink beer and play with fire all day is a good excuse to me. Plus, the family was awed by my hereto unknown skills with smoked meats.

What music are you playing while you’re grilling or smoking?

This is the full adventure as told via Instagram:

New pickups for the Annihilator!


This is a copy of the Annihilator guitar developed by Doyle Wolfgang Von Frankenstein and his brother Jerry Only of the legendary horror punk band, the Misfits.

Annihilator copy from AliExpress - A copy of the infamous guitars of Doyle Wolfgang Von Frankenstein.

I ordered it from AliExpress. It seems to be a copy of the Oktober version. I think Jerry & Doyle originally worked with Rand to build the guitars… then Oktober made a run but Doyle has publicly and often decried their quality. Word on the street is that Dean will be making a production model. Doyle’s have been made from wood, graphite, and metal… with bolt-on sides since he can be a bit rough on them.

I had my go-to guitar guru (the inimitable Aaron Hutzel of Empire Music) recently do a setup and drop-in some Dragonfire Crusaders humbuckers. It sounds glorious through my Orange Micro Terror & a Laney 2×12 cab.

Here is a video of me playing it:

Here’s a short version of the video with annoying filters and stickers on TikTok:

I love it. I know its not “real.” I know it’s ridiculous. It’s fun. I’m too punk rock and too old to care what anyone thinks of the look, legitimacy, or irony of it all. Ha ha.

You can read about my first impressions here: My Guitars | The Annihilator Guitar

You can get one here if you have mad patience and expectations that match the sub-$200 price point: $189.0 US | Factory custom unusual shape Bat body Electric Guitar with Rosewood Fretboard, Bat inlay, Black Hardware, offer customized

Check out Empire Music if you want to see some really nice high-end Fender, Gibson, Martin, Taylor, & more guitars. Check out some of Aaron’s work on his Instagram, he gets to see some beautiful axes! If you’re in or around Pittsburgh, I highly recommend him for all your guitar repair, revision, and setup needs.

Check out a bunch of my weird guitars here on the blog and here on my playlist:

I may eventually set up a website just to catalog/showcase my collection. I have it, I just need to populate it. Would anyone be interested in that, or just me?

My Guitars | The Annihilator Guitar


Well, I did it. I bought a copy of Doyle’s Annihilator off of AliExpress. Hey, it was on the list. Twice. I have knocked others off the other list. Are you really all that surprised?

If 1999 me had been able to get a hold of this, I may have went down an entirely different path. I would have surely journeyed down some sort of horror punk and goth rabbit hole.

ERiC AiXeLsyD & DOyle Wolfgang Von Frankenstein (outside Metropol some time in the late 90's or early 00's.)
ERiC AiXeLsyD & Doyle Wolfgang Von Frankenstein
(Outside Metropol in Pittsburgh PA some time in the late 90’s or early 00’s.)

I have been a fan of the Misfits ever since a buddy of mine played a Collection I CD for me. I think we heard of them through Metallica and backwards from Danzig. When I started to play the guitar, I just gravitated towards the “Well, I could do this!” vibe of the stuff. The melodies. The campy lyrics. It takes itself way too seriously. I love it though. Doyle has been a huge influence on my in style and even stage presence. (Although my friend An-Die once remarked that when I stood next to Jerry Only & sang “I Turned Into a Martian” with my recently broken nose still in a cast… I had stage presence, and Jerry had stage presence, but they did not mix together well. I guess I will never know what that means unless video of that day at the Crowbar in Penn State surfaces!)

I dug the OG stuff, and I was a fan of the Misfits ’95 era stuff too. Those were some of the most memorable and entertaining live shows I have been to, and I saw a lot of them. AiXeLsyD & Gasoline Dion regularly covered “Dig Up Her Bones” and “I Turned Into a Martian” among others. I was even part of 2 different Misfits cover sets, the latter being captured on video in 2004.

An-Die Dyslexic, Jerry Only, & ERiC AiXeLsyD
An-Die Dyslexic, Jerry Only, & ERiC AiXeLsyD

Doyle has one of the coolest guitars that fits him perfectly. I look like a doofus with it no doubt. It elicits pure joy when I play it though. Doyle’s originals are one-of-a-kind. They have gone through several incarnations over the years. From graphite, wood, to bolt-on metal wings so they aren’t so easily destroyed. One of the original Rand Annihilator guitars was put back together with something that you’d find in a hardware store. There are many legends about the real thing that Jerry & Doyle crafted at Pro Edge. He has a unique rig for sure. BC Rich was going to make one I think? Ed Roman has one listed on their page, but only as a reference to the weird stuff they can make. Oktober Guitars did make some, but Doyle has stated publicly several times that he was not impressed with their quality and craftsmanship so they’re no longer a thing. It’s an open secret these days that Dean is next on the list to make a production model.

Doyle & his current Annihilator
Doyle & his current Annihilator

Weirdly, I think this AliExpress guitar is a copy of those Oktober guitars, but different enough that they can be spotted as not authentic easily. There must be fans out there, because their is a Facebook page for the Annihilator, and an Annihilator & Devastator owner’s group.

I knew I was getting a potential turd. I just wanted the shape. Luckily, I know a guy who has polished many of my proverbial turds (guiturds?) with great success, and he’s now at Empire Music. I feel a visit coming after I get some new pickups and maybe pots & other hardware.

I had issues with ordering in October of 2020, not getting it & cancelling by December. They kept sending photos of an unpainted guitar saying it was almost ready. I asked them to reach out when it was complete so I could reorder. They did in February 2021, and I had it in my hands by mid March,

All I know is I think I am too stupid and impatient to use a Floyd Rose system (even a crappy imitation).

Here are my first & second impressions:

I did it. Thanks, @aliexpress.

This is probably the most ridiculous #guitar I own at this point, and I have one made out of a toilet seat.

Initial reactions: About the quality I expected for the price paid, albeit smaller and lighter than expected. The real thing is much more intimidating.

There is something jingling around inside.🤦‍♂️

The pickups are definitely not Seymour Duncan Invaders (or even imitations) at first scan, and I may want something else in there anyway. I have some quad rails that need to go into something.

I broke the A & D strings trying to tune it (to a half step flat).

The allen wrench that came with does not fit the locking tuners. 🤣

I need to open it up and see what’s inside and try some new strings when I have time to mess with it.

@ironhead_guitar_works, I may be bringing it in to you soon at Empire!

What songs should I play first?

#NotQuiteAnnihilator#FiendClub#Misfits#AllMyAxes

Pardon the terrible video, but I was in a rush to get to playing it:

My comments when posting on FB:

Well, then. This thing is FUN to play. Needs a lot of work! Luckily, I know a guy.


☠🎸☠


The (terrible) video;


https://youtu.be/RRKH9P2vt_c


I bought an AliExpress copy of Doyle’s Annihilator guitar.

These pickups are terrible.


The neck feels great. The guitars hangs perfectly. It could stand to have more heft, but a lot of people out there like light guitars.
The action is HIGH.


I can hear it going out of tune as I play, but that may be my own ineptitude at the Floyd Rose system.
Played through a Positive Grid Spark on the “Metal” setting with the bass all the way down and the treble cranked.


(Played a regular axe right after to make sure the amp wasn’t shitting out. 🤣 Also put it into the Orange Micro Terror and the sound did not jive. 🤣)

☠🎸☠


I have a quad-rail bought cheap online that I was itching to have dropped into something… but I feel like I need some real metal-y pickups in here. Do I get real Seymour Duncans? Who besides GFS does quality affordable pickups? Maybe I will just go with GFS. 🤷‍♂️

So, what kind of pickups should I have dropped into it?

Do you have an Annihilator? Do you want one? What’s next on your guitar list? What’s an axe that an influential player to you uses that you would also like to have? Is it crazy, or normal? Share in the comments!

Top 25 Albums?


My cousin recently made a Facebook post asking for your top 25 albums. No restrictions. Just the thought that 25 is easier, yet more difficult than a top 10.

He’s right you know.

Opening up the post top 10 or eve 15 tier really digs into stuff. There are a LOT of great albums that I skipped that really deserve to be on here. This is what I was feeling recently. This may be a slightly different list tomorrow or a drastically different list next year.

I took it as 25 albums that I dig, that I like to listen to the whole way through.

Top 25 Albums (Right now, anyway.)
Top 25 Albums (Right now, anyway.)

They may not contain my favorite songs from the artist, or may not be my top favorite artists, but these are 25 dam solid albums that I have enjoyed end-to-end on multiple occasions and sometimes on repeat.

Because I like to talk (type/read) about music on the internet, here we are. I’ll drop a short explanation. They’re ina alphabetical order, couldn’t begin to order them. Please, share yours in the comments.

25 is harder than you think!

💿

  • 12 Hits From Hell – The Misfits | This was the album that never was, that should have been. Is it the ultimate bootleg? Bobby & Doyle on the same tracks? Probably Glenn & I think the producer too? At any rate, the songs shine. It’s inherently an unnatural entity, but isn’t that in the spirit of melding dark campy lyrics with poppy melodies over distorted guitars and driving rhythms? I wish this got a proper release.
  • …And Out Come the Wolves – Rancid | This album is frantic and melodic and gravely and beautiful. How do you not like the unapologetic frantic pop punk shenanigans infused with a bit of street and reggae and ska? I know this is the album that “cool” rancid fans pretend is not the best. Listen to it. It smacks you around for less than an hour and makes you happy about it.
  • American Cheese – Nerf Herder | I had a hard time picking, because How to Meet Girls could easily be here too. I think “Jacket” is my favorite track, so that slightly tipped the scale. These guys are fantastic, and Parry’s solo stuff is a trip. You can tell they’re fans of a lot of the same stuff I grew up on. It doesn’t take itself too seriously. They can really craft a powerful melody.
  • Appetite For Destruction – Guns N’ Roses | I wore out this cassette tape at least 3 times. I have bought the CD more than a few times. A friend gifted it to me on Vinyl. I bought the digital version of the new 8,479 “disc” set… even though I may or may not have had decent quality bootlegs of 99% of it. I think it’s the first album I dove into head first. Just listening to how Slash & Izzy play off of each other, Axl’s layers of vocals octaves apart with Duff & Izzzy singing, Duff’s guitar-like bass grooves locking into Adler’s swing. Lightning in a bottle may be a cliché, but it totally fits here. These guys had their finger on the collective pulse of punk, metal, glam, hard rock, classic rock, and pop culture. They rocked harder than most of their peers and these are great damn songs. The arcing overall crescendo of “Sweet Child of Mine” was just epic, and definitely contributed to my itch to pick up a guitar.
  • Bitter Tongues – Ann Beretta | I heard “Bottlecaps” on a Lookout! or Asian Man or some other comp and just had to know more. I think pretty quickly, I acquired all the albums and even Inquisition and eventually Sixer, Foundation, and Rob Huddleston’s solo stuff. It reminded me a lot of Rancid, and obviously pays homage to the Clash and some more street punk stuff, and even folk or honky-tonk. These guys took their influences and blended them together so well to make something in a voice all their own. It’s anthemic. It feels working class-ish and just relatable and super catchy.
  • Bloody Kisses – Type O Negative | It doesn’t sound like anything else. I think I heard the “Blood & Fire (Out of the Ashes Mix)” on the Mortal Kombat soundtrack first. It was dark. It was Sabbathy and Misfitsy and Metallicish. I needed more. I think there was about a year where 90% of what I listened to was Black Sabbath, the Misfits, and Type O Negative. I used to put this on low on repeat when I went to bed at night. It is best enjoyed as a whole album. Even within a lot of the songs, it’s like there are movements. The metal guitars and incredible bass vocals are fantastic. Again, they had an incredible balance of humor, a dark scary tone, and it’s just… fun. Don’t tell anyone the goth kids are having fun though.
  • Boogadaboogadaboogada! – Screeching Weasel | If the Ramones created the pop-punk template, these guys stole it and ran. This is just a fun, snotty, whiny, poppy, witty, and goofy album. What a great sense of melody mixed with suburban angst and sloppy buzzing guitars.
  • Chimborazo – Foundation | Rob can really craft a song. This is a beautiful stripped-down heartfelt collection of stories in song form. It’s awesome how much emotion can be conveyed with a few lines. Rob is definitely up there as one of my favorite song writers.
  • Countdown to Extinction – Megadeth | I know. this is the “sell out” commercial album. You can’t deny that every track is killer metal while also being commercially successful. It represents a time to me where the “underground” stuff that I was aware of became mainstream. Why not celebrate more people being able to discover something you already know is great? Dave is a monster on the fretboard and sounds like an unhinged maniac on vocals. These songs are put together really well.
  • Danzig – Danzig | When you’re 15, Danzig is the coolest thing on the planet. Punk. Goth. Metal. Badass. He reads weird books! He reads comics! Rick Rubin probably deserves a lot of credit for image crafting and turning Samhain into this. John, Eerie, & Chuck provided a killer band! John definitely had an instantly recognizable sound. It sounded like metal, but it was clearly channeling the blues and hard rock. Danzig does not seem to have a sense of humor about his music, but that makes it humorous.
  • Dookie – Green Day | This was a solid album. Again, it brought stuff I liked to the masses. It took me a while to realize what a solid album this was. I don’t even know if I’d put Green Day at the top of my Favorite Bands list… but an this is a great pop punk album. Those drums! That wild bass! The vocal harmonies are perfection. Mike Dirnt is the yin to Bille Joe’s yang. You can tell these guys loved what they do. You can tell that subject-matter wise, they’re not the Sex Pistols or the Ramones… but they loved all that stuff. Is this skate punk? I don’t care about labels. This is well-crafted end-to-end and hit the right place at the right time.
  • Energy – Operation Ivy | A great example of working backwards to find gems. Like the Misfits, it has some Lo-Fi appeal that is just hard to quantify. Energy is so appropriate. It’s like they had to let it out before it became destructive. It sounds so sloppy but it is so tight. It’s chaos. It’s chocolate and peanut butter. Watch the East Bay Punk documentary!
  • For Dancing and Listening – Guns ‘n’ Wankers | I wish more people knew about Guns ‘n’ Wankers. I wish I knew more about Guns ‘n’ Wankers. This album stands alone as incredible. It’s a bit of a mish-mash as Fat Mike could not leave it alone for the Fat Wreck release. It’s missing a few of the more metal tracks. I don’t know if Duncan Redmonds wrote all the songs, or what. His sense of harmony is fantastic. The song structure is just great. The tone is great. I love where the vocals sit in the mix. It’s another example of great storytelling with just a few lines.
  • Good Company – The Dead South | Usually I like loud distorted guitars. I like them clean too. This is clean acoustic guitars, as well as some more traditional stringed instruments, and just powerful melodies and vocal arrangements. Some of the vocals almost sound painful and sorrowful. I dove pretty hard into their discography after hearing the first few tracks.
  • High Risk Behaviour – The Chats | These kids are what I wish AiXeLsyD was! Ha ha. They are cheeky, hilarious, and totally serious. Ha ha. These songs are super fun. I need an Australian to English dictionary. This is another one that I heard an instantly wanted more more more.
  • Kill ‘Em All – Metallica | What can I say about this album that hasn’t already been said? It is the template. It is the sum of its ingredients and the sum of it’s strong-willed creators. From start to finish it just assaults your eardrums and raises your heart rate. Those riffs! That bass solo! Is he singing about the apocalypse? All killer, no filler. I think the first time Metallica hit my radar, it was …And Justice for All. When I worked back to this my mind was successfully blown. It was SO HEAVY at the time, which seems almost quaint now. Again, they get hate for success, maybe borrowing too hard from their influences, or for not being cool to Mustaine, to selling out, but… you can say they have ever compromised.
  • Licensed to Ill – Beastie Boys | The kids that are too cool for school or old heads will give you Paul’s Boutique for sure. I get that, and respect that. Again, this album brought it to the masses. This made music fans give a resounding collective “What?” Hardcore kids rapping? Sampling? Playing guitars? I don’t care if it’s hip hop or punk or pop. I love it. Another Rick Rubin album on the list? He must be on to something.
  • Master of Puppets – Metallica | This album could be included for just “Orion” and the “do-do-do-do do-do-do” double-lead part in “Master of Puppets.” This is another cassette tape that I wore out at least twice. I remember it being a go-to when I used to mow lawns for cash. Metallica matured here, but they weren’t yet racked by tragedy or swelled with excess. You could feel what I think was Cliff exerting guidance & expertise. All these songs felt great together. My favorite Metallica songs mostly reside on other albums, but this album makes a great statement as a whole piece of art.
  • Ramones – Ramones | Again. This is an iconic no-brainer. Did the Ramones start punk? People will argue to the end of time citing earlier examples. Are they what you think of when you think of punk? They are to me. It’s either that or the Sex Pistols. This album is fantastic. Guitar panned hard to one side, bass to the other… so you can play along! Cranked out in just a week, it’s frantic. It’s intimidating. Its 4 guys that have no idea what they’re doing while simultaneously knowing exactly what they’re doing. It’s loud, it’s catchy, it’s funny, it just rocks.
  • State of Discontent – The Unseen | Yeah, another “sell out” album. The dirty street punks found a producer so they must be inherently evil and capitalist and whatever other darts you can throw. Regardless, it’s an album full of screamy-yet-melodic shenanigans and I’m all for it. It’s catchy without losing it’s edge in my opinion. These guys spit fire and you’re either flammable or not.
  • Static Age – The Misfits | It’s got “Last Caress” which is probably one of their most covered songs. It’s got a bunch of stuff that is lo-fi on its way to becoming hi-fi. It’s catchy, it’s campy, it’s sort of funny, it’s melodic, it has loud guitars, it checks all my boxes. It’s just fantastic.
  • The Impossible Kid – Aesop Rock | I don’t even know if I can do this album justice by writing about it. I don’t have his vocabulary. I got this album and could not stop listening, on repeat. It’s layer upon layer in between level upon level. It’s an introspective and deeply personal look at anxiety and artistry intertwining, but it is so incredibly relatable. The tracks flow right into each other. You don’t want to stop. It lacs the guitar presence of every other album on this list… but we need a little variety, right?
  • The Ozzy Osborne Years – Black Sabbath | Admittedly, I cheated. I could not pick a Sabbath album proper and I graduated from listening to the Bootleggy-ish We Sold Our Sul for Rock ‘N’ Roll to this all the time. This collects all the Ozzy stuff. The one sentence in the Wikipedia article about it is “This box set includes all songs from Black Sabbath‘s first six albums, excluding the songs without vocals.” It’s dark. It’s doomy. Iommi’s riffs are just massive, Ozzy melodies with Geezer’s lyrics and thunderous bass lines all marching along to Bill Ward’s inimitable swing is just crushing.
  • Tweet Tweet My Lovely – Snuff | This is definitely top 5, probably top 3, or even 1. Snuff have mastered sounding like snuff whether they’re playing punk, metal, ska, or anything else they want to play. Duncan Redmonds is a mad genius. Loz’s guitars sound beautiful… jangly almost. There are horns and keys throughout, and they’re not jarring. The vocal melodies and harmonies are epic. (Green Day cites them as an influence and you can immediately hear how.) I like everything Snuff has put out, but this was my first from them and it really encompasses the gamut of their sound.
  • Within a Mile of Home – Flogging Molly | I could have probably picked any Flogging Molly album. This is where my taste in music & my wife’s taste in music overlaps. (Although, I have brought her more into punk rock and metal than she has pulled me into pop and top-4o-ish country.) We always end up with Flogging Molly, Willie Nelson, or Johnny Cash on road trips… usually all 3. Flogging Molly definitely has a punk rock ethic and bent. They have beautiful tales set to music in a traditional Irish vein. It’s sentimental. It’s raucous. It makes you tap your feet. This is a collection of bangers that also tug at your heart strings.

Honorable mentions would probably have to go out to The Sword, The Bloodhound Gang, Masked Intruder, Aerosmith, Avenged Sevenfold, Graves, Gotham Road, Dogpiss, Duncan Redmonds, Rob Huddleston, Wat Tyler, Crotchduster, ALL, Descendents, Poison, The Devil Makes Three, Alice in Chains, Warrant, Peelander-Z, Willie Nelson, Def Leppard, Johnny Cash, AC/DC, Teenage Bottlerocket, Ozzy, Jimi Hendrix, and so many more that I am probably momentarily forgetting. Don’t even get me started on greatest hits, compilations, and soundtracks.

What are you waiting for? Leave yours in the comments!

I know I just said these are solid albums, but it doesn’t negate the fact that they contain solid songs too. Check out 2 tracks from each album!

Finally set up a place to rock.


I finally got a permanent place set up to rock. All my guitars, ukes, amps, pedals, and even an electric kazoo are easy to quickly access and just start rocking when inspiration hits.

AiXeLsyD13's Guitar Room
Axetopia? CBGB’s (Carroll’s Big Guitar Bunker)? The Guitarmory?

I have talked about it, or even blogged about it for years.

It still needs a name. I haven’t officially decided. I have been calling it “the music room” or “the guitar room.” Both of those seem boring. Maybe this? I find it amusing but clunky.

I may make some videos of guitar shenanigans as a creative outlet. Not sure what direction they’ll take. I’m not a particularly good or technical player, but I can demo some gear or do some fun silly stuff. I do already have a YouTube playlist started for my guitar-related videos.

The Postitive Grid Spark amp & app have really made jamming quick and fun… they have a cool in-app video feature, but it’s not much different than recording straight-up with the phone’s camera.

I have been having a blast playing along to stuff on YouTube… from stuff from my old bands, to Black Sabbath, to Snuff, to the Ramones, and my new favorite song to play along to; “Bigger than Kiss” by Teenage Bottlerocket.

More setup inspires more setup. I need a way to store my physical media (mostly CD’s) so it’s easily accessible. I have a lot. Too many probably. I need to build some shelves and the stuff I’m finding online seems painfully expensive and not quite a fit. And I’d like to dump that all on a personal media server. I have a lot of stuff not available on Amazon or Spotify.

The next itch I can already feel will need scratching is some kind of recording setup. I’d like to layer stuff I can hear in my head, without the aid of a looper. I miss the days of a Tascam 4-track with a cassette tape. Maybe I’ll delve into a nice simple digital version of that.

The kids have guitars, ukes, and a keyboard too… and now we almost need drums and a bass or too, right?

At any rate… it’s important to have a creative outlet. Live isn’t conducive to me jamming regularly with a band right now. I only seem to do mazes when the inspiration hits, and I blog pretty randomly. Music is one more option for expression, creativity, and constant learning/exploring. I hope to foster the kids’ musical expression and drive home how important it is to remain creative themselves and appreciative of art in general.

Keep watching the blog, social media, and YouTube if you’re interested in the musical stuff.

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Train your miscreants young.

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Making progress.

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Gonna need more walls.

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👽

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Green LED's! #AllMyAxes

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So, I’ll take your suggestions in the comments!

  • What should I officially call the axe-cave?
  • Where can I get cheap media shelves for over 1500 CD’s & other assorted media?
  • What do you want to see in guitar videos?
  • What’s a good cheap recording solution?

Share your space to create in the comments too!