Top 25 Albums?


My cousin recently made a Facebook post asking for your top 25 albums. No restrictions. Just the thought that 25 is easier, yet more difficult than a top 10.

He’s right you know.

Opening up the post top 10 or eve 15 tier really digs into stuff. There are a LOT of great albums that I skipped that really deserve to be on here. This is what I was feeling recently. This may be a slightly different list tomorrow or a drastically different list next year.

I took it as 25 albums that I dig, that I like to listen to the whole way through.

Top 25 Albums (Right now, anyway.)
Top 25 Albums (Right now, anyway.)

They may not contain my favorite songs from the artist, or may not be my top favorite artists, but these are 25 dam solid albums that I have enjoyed end-to-end on multiple occasions and sometimes on repeat.

Because I like to talk (type/read) about music on the internet, here we are. I’ll drop a short explanation. They’re ina alphabetical order, couldn’t begin to order them. Please, share yours in the comments.

25 is harder than you think!

💿

  • 12 Hits From Hell – The Misfits | This was the album that never was, that should have been. Is it the ultimate bootleg? Bobby & Doyle on the same tracks? Probably Glenn & I think the producer too? At any rate, the songs shine. It’s inherently an unnatural entity, but isn’t that in the spirit of melding dark campy lyrics with poppy melodies over distorted guitars and driving rhythms? I wish this got a proper release.
  • …And Out Come the Wolves – Rancid | This album is frantic and melodic and gravely and beautiful. How do you not like the unapologetic frantic pop punk shenanigans infused with a bit of street and reggae and ska? I know this is the album that “cool” rancid fans pretend is not the best. Listen to it. It smacks you around for less than an hour and makes you happy about it.
  • American Cheese – Nerf Herder | I had a hard time picking, because How to Meet Girls could easily be here too. I think “Jacket” is my favorite track, so that slightly tipped the scale. These guys are fantastic, and Parry’s solo stuff is a trip. You can tell they’re fans of a lot of the same stuff I grew up on. It doesn’t take itself too seriously. They can really craft a powerful melody.
  • Appetite For Destruction – Guns N’ Roses | I wore out this cassette tape at least 3 times. I have bought the CD more than a few times. A friend gifted it to me on Vinyl. I bought the digital version of the new 8,479 “disc” set… even though I may or may not have had decent quality bootlegs of 99% of it. I think it’s the first album I dove into head first. Just listening to how Slash & Izzy play off of each other, Axl’s layers of vocals octaves apart with Duff & Izzzy singing, Duff’s guitar-like bass grooves locking into Adler’s swing. Lightning in a bottle may be a cliché, but it totally fits here. These guys had their finger on the collective pulse of punk, metal, glam, hard rock, classic rock, and pop culture. They rocked harder than most of their peers and these are great damn songs. The arcing overall crescendo of “Sweet Child of Mine” was just epic, and definitely contributed to my itch to pick up a guitar.
  • Bitter Tongues – Ann Beretta | I heard “Bottlecaps” on a Lookout! or Asian Man or some other comp and just had to know more. I think pretty quickly, I acquired all the albums and even Inquisition and eventually Sixer, Foundation, and Rob Huddleston’s solo stuff. It reminded me a lot of Rancid, and obviously pays homage to the Clash and some more street punk stuff, and even folk or honky-tonk. These guys took their influences and blended them together so well to make something in a voice all their own. It’s anthemic. It feels working class-ish and just relatable and super catchy.
  • Bloody Kisses – Type O Negative | It doesn’t sound like anything else. I think I heard the “Blood & Fire (Out of the Ashes Mix)” on the Mortal Kombat soundtrack first. It was dark. It was Sabbathy and Misfitsy and Metallicish. I needed more. I think there was about a year where 90% of what I listened to was Black Sabbath, the Misfits, and Type O Negative. I used to put this on low on repeat when I went to bed at night. It is best enjoyed as a whole album. Even within a lot of the songs, it’s like there are movements. The metal guitars and incredible bass vocals are fantastic. Again, they had an incredible balance of humor, a dark scary tone, and it’s just… fun. Don’t tell anyone the goth kids are having fun though.
  • Boogadaboogadaboogada! – Screeching Weasel | If the Ramones created the pop-punk template, these guys stole it and ran. This is just a fun, snotty, whiny, poppy, witty, and goofy album. What a great sense of melody mixed with suburban angst and sloppy buzzing guitars.
  • Chimborazo – Foundation | Rob can really craft a song. This is a beautiful stripped-down heartfelt collection of stories in song form. It’s awesome how much emotion can be conveyed with a few lines. Rob is definitely up there as one of my favorite song writers.
  • Countdown to Extinction – Megadeth | I know. this is the “sell out” commercial album. You can’t deny that every track is killer metal while also being commercially successful. It represents a time to me where the “underground” stuff that I was aware of became mainstream. Why not celebrate more people being able to discover something you already know is great? Dave is a monster on the fretboard and sounds like an unhinged maniac on vocals. These songs are put together really well.
  • Danzig – Danzig | When you’re 15, Danzig is the coolest thing on the planet. Punk. Goth. Metal. Badass. He reads weird books! He reads comics! Rick Rubin probably deserves a lot of credit for image crafting and turning Samhain into this. John, Eerie, & Chuck provided a killer band! John definitely had an instantly recognizable sound. It sounded like metal, but it was clearly channeling the blues and hard rock. Danzig does not seem to have a sense of humor about his music, but that makes it humorous.
  • Dookie – Green Day | This was a solid album. Again, it brought stuff I liked to the masses. It took me a while to realize what a solid album this was. I don’t even know if I’d put Green Day at the top of my Favorite Bands list… but an this is a great pop punk album. Those drums! That wild bass! The vocal harmonies are perfection. Mike Dirnt is the yin to Bille Joe’s yang. You can tell these guys loved what they do. You can tell that subject-matter wise, they’re not the Sex Pistols or the Ramones… but they loved all that stuff. Is this skate punk? I don’t care about labels. This is well-crafted end-to-end and hit the right place at the right time.
  • Energy – Operation Ivy | A great example of working backwards to find gems. Like the Misfits, it has some Lo-Fi appeal that is just hard to quantify. Energy is so appropriate. It’s like they had to let it out before it became destructive. It sounds so sloppy but it is so tight. It’s chaos. It’s chocolate and peanut butter. Watch the East Bay Punk documentary!
  • For Dancing and Listening – Guns ‘n’ Wankers | I wish more people knew about Guns ‘n’ Wankers. I wish I knew more about Guns ‘n’ Wankers. This album stands alone as incredible. It’s a bit of a mish-mash as Fat Mike could not leave it alone for the Fat Wreck release. It’s missing a few of the more metal tracks. I don’t know if Duncan Redmonds wrote all the songs, or what. His sense of harmony is fantastic. The song structure is just great. The tone is great. I love where the vocals sit in the mix. It’s another example of great storytelling with just a few lines.
  • Good Company – The Dead South | Usually I like loud distorted guitars. I like them clean too. This is clean acoustic guitars, as well as some more traditional stringed instruments, and just powerful melodies and vocal arrangements. Some of the vocals almost sound painful and sorrowful. I dove pretty hard into their discography after hearing the first few tracks.
  • High Risk Behaviour – The Chats | These kids are what I wish AiXeLsyD was! Ha ha. They are cheeky, hilarious, and totally serious. Ha ha. These songs are super fun. I need an Australian to English dictionary. This is another one that I heard an instantly wanted more more more.
  • Kill ‘Em All – Metallica | What can I say about this album that hasn’t already been said? It is the template. It is the sum of its ingredients and the sum of it’s strong-willed creators. From start to finish it just assaults your eardrums and raises your heart rate. Those riffs! That bass solo! Is he singing about the apocalypse? All killer, no filler. I think the first time Metallica hit my radar, it was …And Justice for All. When I worked back to this my mind was successfully blown. It was SO HEAVY at the time, which seems almost quaint now. Again, they get hate for success, maybe borrowing too hard from their influences, or for not being cool to Mustaine, to selling out, but… you can say they have ever compromised.
  • Licensed to Ill – Beastie Boys | The kids that are too cool for school or old heads will give you Paul’s Boutique for sure. I get that, and respect that. Again, this album brought it to the masses. This made music fans give a resounding collective “What?” Hardcore kids rapping? Sampling? Playing guitars? I don’t care if it’s hip hop or punk or pop. I love it. Another Rick Rubin album on the list? He must be on to something.
  • Master of Puppets – Metallica | This album could be included for just “Orion” and the “do-do-do-do do-do-do” double-lead part in “Master of Puppets.” This is another cassette tape that I wore out at least twice. I remember it being a go-to when I used to mow lawns for cash. Metallica matured here, but they weren’t yet racked by tragedy or swelled with excess. You could feel what I think was Cliff exerting guidance & expertise. All these songs felt great together. My favorite Metallica songs mostly reside on other albums, but this album makes a great statement as a whole piece of art.
  • Ramones – Ramones | Again. This is an iconic no-brainer. Did the Ramones start punk? People will argue to the end of time citing earlier examples. Are they what you think of when you think of punk? They are to me. It’s either that or the Sex Pistols. This album is fantastic. Guitar panned hard to one side, bass to the other… so you can play along! Cranked out in just a week, it’s frantic. It’s intimidating. Its 4 guys that have no idea what they’re doing while simultaneously knowing exactly what they’re doing. It’s loud, it’s catchy, it’s funny, it just rocks.
  • State of Discontent – The Unseen | Yeah, another “sell out” album. The dirty street punks found a producer so they must be inherently evil and capitalist and whatever other darts you can throw. Regardless, it’s an album full of screamy-yet-melodic shenanigans and I’m all for it. It’s catchy without losing it’s edge in my opinion. These guys spit fire and you’re either flammable or not.
  • Static Age – The Misfits | It’s got “Last Caress” which is probably one of their most covered songs. It’s got a bunch of stuff that is lo-fi on its way to becoming hi-fi. It’s catchy, it’s campy, it’s sort of funny, it’s melodic, it has loud guitars, it checks all my boxes. It’s just fantastic.
  • The Impossible Kid – Aesop Rock | I don’t even know if I can do this album justice by writing about it. I don’t have his vocabulary. I got this album and could not stop listening, on repeat. It’s layer upon layer in between level upon level. It’s an introspective and deeply personal look at anxiety and artistry intertwining, but it is so incredibly relatable. The tracks flow right into each other. You don’t want to stop. It lacs the guitar presence of every other album on this list… but we need a little variety, right?
  • The Ozzy Osborne Years – Black Sabbath | Admittedly, I cheated. I could not pick a Sabbath album proper and I graduated from listening to the Bootleggy-ish We Sold Our Sul for Rock ‘N’ Roll to this all the time. This collects all the Ozzy stuff. The one sentence in the Wikipedia article about it is “This box set includes all songs from Black Sabbath‘s first six albums, excluding the songs without vocals.” It’s dark. It’s doomy. Iommi’s riffs are just massive, Ozzy melodies with Geezer’s lyrics and thunderous bass lines all marching along to Bill Ward’s inimitable swing is just crushing.
  • Tweet Tweet My Lovely – Snuff | This is definitely top 5, probably top 3, or even 1. Snuff have mastered sounding like snuff whether they’re playing punk, metal, ska, or anything else they want to play. Duncan Redmonds is a mad genius. Loz’s guitars sound beautiful… jangly almost. There are horns and keys throughout, and they’re not jarring. The vocal melodies and harmonies are epic. (Green Day cites them as an influence and you can immediately hear how.) I like everything Snuff has put out, but this was my first from them and it really encompasses the gamut of their sound.
  • Within a Mile of Home – Flogging Molly | I could have probably picked any Flogging Molly album. This is where my taste in music & my wife’s taste in music overlaps. (Although, I have brought her more into punk rock and metal than she has pulled me into pop and top-4o-ish country.) We always end up with Flogging Molly, Willie Nelson, or Johnny Cash on road trips… usually all 3. Flogging Molly definitely has a punk rock ethic and bent. They have beautiful tales set to music in a traditional Irish vein. It’s sentimental. It’s raucous. It makes you tap your feet. This is a collection of bangers that also tug at your heart strings.

Honorable mentions would probably have to go out to The Sword, The Bloodhound Gang, Masked Intruder, Aerosmith, Avenged Sevenfold, Graves, Gotham Road, Dogpiss, Duncan Redmonds, Rob Huddleston, Wat Tyler, Crotchduster, ALL, Descendents, Poison, The Devil Makes Three, Alice in Chains, Warrant, Peelander-Z, Willie Nelson, Def Leppard, Johnny Cash, AC/DC, Teenage Bottlerocket, Ozzy, Jimi Hendrix, and so many more that I am probably momentarily forgetting. Don’t even get me started on greatest hits, compilations, and soundtracks.

What are you waiting for? Leave yours in the comments!

I know I just said these are solid albums, but it doesn’t negate the fact that they contain solid songs too. Check out 2 tracks from each album!

Let’s start some #AxlRumors:


So, Axl is everywhere in the rock media world again and 15 year old me reads every stupid article like those it’s those goofy gossip columns in Rip or Metal Edge that used to be one sentence stories with bold rock star names jammed into one long nonsensical paragraph.  I’m actually excited to maybe try & see whatever version of Guns N’ Roses eventually ends up in Pittsburgh (if it makes it that long).

#AxlRumors

#AxlRumors

I even made a parody news article with my last post that fell super flat with no reads or comments.  Oh well, my bad.

I know I broke the one rule of blogging by never having regular steady content any more, but work with me here.  I want some interaction.  Maybe no one cares.  I guess we’ll see.

Let’s start some Axl Rose rumors.  Use the hashtag #AxlRumors on Twitter, Facebook, Instagram, or newer cooler social media platforms that I am wholly unaware of but still use hashtags.

You can post the url to your rumor(s) here in the comments, and we’ll see if it gets beyond this little corner of the internet, and if anyone finds their way back here.

Kapish?

I’ll start:

Now you.

⚠ Go! ⚠

(Don’t forget the #AxlRumors hashtag!)

Axl ‘Leaks’ Possible New GN’R Tunes


Recent reports have surfaced that Guns N’ Roses’ sole founding member and self-proclaimed demigod Axl Rose may have literally leaked tunes to the upcoming GN’R “reunion” album. TMZ has posted but since redacted an audio clip of Axl Rose passing gas taken via iPhone by a fan in an adjacent restroom stall at a roadside rest stop in Tennessee. Lucky listeners may note that the flatulence has a powerful sound that when transcribed as musical notes or tablature would make an incredible guitar riff hearkening back to the Appetite era, and sounds light years heavier anything on Chinese Democracy.

Axl squeezing one out on stage.

Axl squeezing one out on stage.

The fan asked Rose to autograph a sanitary toilet seat cover, but Rose declined stating that his new boss, Angus, wouldn’t allow it. Further investigation showed that someone had ripped the dispenser off the wall and urinated all over it anyway.

When Ultimate-Guitar.com reached out to Dave Mustaine for comment, Dave enlightened the all of rock and metal fandom…

“Axl and I had the same voice coach right around the time that I was kicked out of Metallica for writing better riffs than Jaymz and being a bigger douche than Lars. I’m great friends with Slash since we used to do heroin together, but I have to say that Axl’s farts make better riffs than the too-low-in-the-mix guitars the last Velvet Revolver album, whatever it was called.”

Dave went on to tell everyone that he wrote all of the essential building blocks for Metallica’s albums up until the black one, and that he could play all of the Metallica Metallica riffs and solos in his sleep with his balls on a Hello Kitty ukulele.

Izzy Stradlin recently came out of his hole, saw his shadow, and asked Blabbermouth.net to get off of his lawn.

Sebastian Bach tweeted about the news, adding that Axl’s farts not only sound great, but that they smell like fresh roses and have since 1997. He wishes he could maximize his own lower orifice potential and maybe that would finally convince the other guys in Skid Row to take him back.

Slash and Duff McKagan could not be reached for comment. Dizzy Reed and Gilby Clarke tried to comment, but no one would listen. Steven Alder has an upcoming exclusive interview with the every-other-week best-sale-ever flyer from Guitar Center, keep reading with us for updates when we steal that story before doing any fact-checking.

Matt Sorum still wants to punch Axl in the face, but would take the gig with Axl/DC if the current drummer tries to kill anyone.  He has been asking Rush if he can join their band.

Axl has also been rumored to be singing for Queen (to be billed as Rocket Queen), and for Jimmy Page, John Paul Jones, & Jason Bonham in a project billed as Red Zeppelin since Robert Plant won’t return any of their calls.  Rose’s trash collector’s brother denies rumors of Axl fronting a Dio-era Black Sabbath/Heaven & Hell tribute tour which may or may not include Bill Ward.

In related news, a special episode of ABC’s Celebrity Wife Swap will have Joe Perry and Slash trade places for a week to see how the other guy deals with each other’s wives & bands for two weeks on tour.

Dear Mr. Rose,


Dear Mr. Rose,

Thanks for pissing on the remaining shreds of hope that I had that there could ever be an Appetite-era lineup reunion of the infamous Guns N’ Roses.  I wasn’t hoping for a world tour or anything.  Just a 1-time set at the Rock & Roll Hall of Fame would have been gracious and exciting.

I watched as the band burned bright, then fell apart.  Illusions I & II are the sound of a band imploding, and Spaghetti Incident is the sound of a band phoning it in.  Chinese Democracy is the unsettling ranting of a lunatic.

I have read the biographies, and I have made a public plea for a reunionAppetite for Destruction floored me when I was a teenager.  The guitars were blaring and dancing around each other perfectly.  The drums made my heat beat faster.  The bass managed to weave it all together.  The vocals made me want to scream and yell.  Lies was absolutely brilliant.  The raw aggression of the earlier “live” tracks were the Guns, & the stripped down yet edgy acoustic tracks were the Roses.

You could have been a grown-ass-man, and set aside your ego, your demons, and whatever else is plaguing you.  You could have probably even gotten away with not showing up for rehearsal, sound check or even acknowledging the existence of the other guys off stage.  Everyone knows you’re supposedly some sort of “temperamental genius” by now, and would have let it slide.  I mean, you really never got much more than a monetary slap on the wrist for inciting multiple riots.  If you can get away with that, you can pretty much get away with anything.

It seems that you fear reuniting with the old lineup would invalidate the existence of the current lineup of Guns N’ Roses.  The only thing that invalidates the current lineup is one W. Axl Rose.  You have made it unequivocally clear that the founding members of the band who wrote the songs that you’re surely playing on tour & developed the sound that you try so hard to get away from are nothing but hired guns (pun intended) to your apparently infallible and virtually unreachable artistic vision.  Why should we put any stock in the revolving door of members that has been present since the departure of core members Duff & Slash?  Perhaps Izzy was the most intelligent of the bunch, getting out shortly after Adler was ousted.  Gilby Clarke sure was never given status as a full band member.  Even Buckethead was called out for his apparent inabilities to record or tour when he left the band.  It’s always someone else’s fault, isn’t it?  Does Dizzy Reed know any other words than “Yes, Axl”?  (Surely even you have to notice how terrible the piano sounds on live versions of “Patience” and “Paradise City“.)

By all accounts it’s Axl who was always late to the stage, Axl who left everyone hanging in Chicago, Axl & some guy that wasn’t even in the band that included a hidden Charles Manson cover on an album despite the rest of the band’s wishes, Axl who called in Paul Tobias without asking anyone else, Axl who demanded legal ownership of the band name at a time when it was impossible for the others to refuse (all aiming to keep the fans happy), Axl who put out no albums while former bands mates cranked out multiple albums from multiple projects, and Axl who consistently points out the shortcomings of his peers and former friends through some self-created veil of paranoia while never taking the time to analyze or even admit to his own self-destructive actions.

Thank you for destroying my favorite band.

I guess I do have to thank you for making sure that the last memory of my favorite lineup won’t be some half-hearted attempt at recapturing some inspirational spark or any multitude of possibly disappointing outcomes.

Former Fan,
-ERiC AiXeLsyD

Appetite for Destruction

Appetite for Destruction (Photo credit: Wikipedia)

Moving my CD’s to a full-out digitial collection. It is time.


I need to step into the 00s.  I know it’s already the 10s, but I’m obviously already behind.  Yesterday I filled 4 giant under-bed storage containers (& one little one) with CD’s.  I need to rip this veritable mountain of plastic to a more easily & instantly accessible medium.

Enrico Caruso with a "Victrola" bran...

Where is the USB port on this thing...?

I also have a pile of vinyl that I believe I’m set up to rip… I just have to plug everything together.  Maybe after that, I’ll do my the last few of my cassette tapes.

For the younger readers:

Any advice?

First one to say iTunes gets a stinkpalm.  I don’t like programs that “take over” and are meant for people who don’t know what they’re doing.  I also dislike anything that asks me to “synch” anything.  NO.  I DO NOT WANT TO SYNCH ANYTHING.

I have a Google Music account that’s awesome, I might use it to store a bunch of the stuff I like to listen to.  Google has a 20,000 song limit.  I’m over that, no doubt.

I’ll most likely keep the CD’s so I have something to listen to when the grid crashes.

Winamp 1

WinAmp (Old School)

I will most likely use CDex and Mp3Tag to get everything in order.  I have experience with them and like them.  They’re free.  I also like WinAmp as a player.  Yes, I still like WinAmp.

I’ll probably need a 1TB (or bigger) external hard drive.  Where can I get an inexpensive yet reliable one?  My usual spots are TigerDirect or NewEgg.  Is there somewhere else I should try?

The compact disc

There are 1s and 0s on here? I don't see any.

It will make accessing the music any time I want much easier.  I’ll be able to control the genres & tags, add artwork, and if I get crazy I can hook up something so I can play all of my stuff from any computer in the house.  I also have an FM transmitter somewhere so I can further destroy the sound quality broadcast to any & all radios in the house.

Re-buying probably isn’t an option for at least a quarter if not half of my collection.  I have a lot of local D.I.Y. stuff and stuff from touring bands that I’ve never heard from again.  Also; I’m cheap.  I bought it once.  I’m not buying it again.  I think I’ve bought Appetite for Destruction at least 6 times.  Two cassettes, 3 CD’s, & a vinyl.  Does Axl really need another dollar out of me?

I’d try a service like Ripshark, but why if I can do it myself?  Also; I’m cheap.

Sadly, my Insignia can’t handle any SDHC cards over 4GB, and it freaks out once you hit over 2000 songs.  Maybe I can put a backup drive in my car & hook it to my stereo, to play my entire music catalog at will?  I’m getting ahead of myself.

Have you done this yourself?  Are you thinking it’s time to do this too?  Do they make a 2TB iPod yet?  Should I go with mp3‘s or rip to something else?  AAC? FLAC?

So many options.  I suppose I’ll finish the entire project some time in 2015.  I’ll still be quicker than PennDOT.  If the world ends before I finish this, I’m going to be really upset.

Ink N’ Pages – The Guns N’ Roses Autobiographies


Slash

Slash

So, it’s no secret that I’m a Guns N’ Roses fan.  Well, a fan of everything up until The Spaghetti Incident.  I like both of Duff‘s solo albums, all of Slash’s Snakepit & solo material, Velvet Revolver, I even have Hollywood Rose.  I still need to pick up a Loaded album, but I do have the Neurotic Outsiders.  This doesn’t dig into bootlegs of live and demo stuff… of which I have a plethora.

Appetite for Destruction generally tops my “all time favorites” album lists.  I go back to it time and time again, & get lost in between Slash & Izzy’s guitars spiraling around each other.

Of course, when the autobiographies started coming out, I had to read them.  I got Slash‘s book, then Duff’s then Steven’s.  Slash was a rock n’ roll hero to me when I was in Jr. High & high school, but out of the three books… I think Duff comes off the best  and most entertaining.  The writing is very fluid.  I found it easy to imagine Duff in the early days.  The stories are blunt & sincere, and he ties it all back to where it has led him & where he is now in life.  Duff seems like a great guy to hang out with.

It's So Easy: and Other Lies

It's So Easy: and Other Lies

Slash’s book is an easy read, but it jumps around quite a bit.  His recollection of events is really questionable.  It doesn’t necessarily feel like Slash is remembering things correctly, or even the one telling the story.  I might have to give it a re-read after finishing the other two books.

Steven’s book, like Steven, is a mess.  I can’t help but feel pity for the guy, mostly because he professes to not have a “poor me” attitude, but every single action the guy takes screams “oh poor me”.  This guy just can’t get it right, but he still seems like a likeable guy.

It comes across in all of them that they had fun times in the early days, with a vibe that can never be repeated.  Sadly, all these guys seem to have a habit of burning bridges… yet posses a decent history of patching things up.  I mean, Slash & Duff have never really stopped working together.  Duff has been on-stage with Axl’s band recently.  They both patched it up with Weiland recently.  Duff, Slash, & Izzy have jammed with Adler’s Appetite.

My Appetite for Destruction: Sex, and Drugs, and Guns N' Roses

My Appetite for Destruction: Sex, and Drugs, and Guns N' Roses

One thing is clear from all of these books… Axl is an absolute wild man, and these guys love & fear him.  I really hope Axl & Izzy churn out books someday.  Maybe somehow all of the events can get plotted out & reconstructed correctly.

Maybe they’ll even get together for the Rock N’ Roll Hall of Fame ceremony.

I’d love to check out some of the other GN’R biographies (like Reckless Road), but if the guys in the band can’t even get it right… then what hope does an outsider have?

♧♠♡♦♢♥♤♣

Guns N’ Roses – Rock & Roll Hall of Fame?


Cover of "Appetite for Destruction"

Do you know where you aaaaaaarrre?

Guns N’ Roses was & has been one of my (many according to the wife) all-time favorite bands for quite some time.  I was the target audience when this stuff was being played on top 40 radio.  They stood out among all the hair metal that was going on because they were a little more raw.

The production on Appetite for Destruction wasn’t glossy by any means.  The guitars hit you right away.  I still say Slash & Izzy have this amazing guitar interplay that no one else can match.  Duff has a style playing bass where you know it’s him, and his sound complimented everything else that was going on perfectly.  They had punk sensibility, rock riffs, they seemed like a meaner Aerosmith.  Apparently they weren’t able to keep egos in check or an endless array of drugs out.  Perhaps it’s better that the original lineup blew up as the Illusions albums were being recorded.  Then we wouldn’t have crap like Metallica’s Load to blame on them.  The blame for Chinese Democracy can rest solely on Axl.

I’m sparked to write about Guns N’ Roses because I see that they’re finally eligible and nominated for the Rock and Roll Hall of Fame.  While I realize that the rock and roll hall of fame arguably has been, is, and will continue to be a sham for a small group of critics to fawn all over themselves…  The fact exists that it’s there, and it happens.  I enjoy the all-star jams.  I dug the Blondie appearance a few years back, and the tribute to Black Sabbath.  The non-appearance of Van Halen was a ridiculous disappointment.

I would love to see Slash, Duff, Izzy, Axl, & Steven Adler take the stage together before one of them dies.  Axl has made it pretty clear that he’ll never work with Slash again, and seems to be under some illusion that it was only his voice, personality, & songwriting that made the band what it was.  (Wasn’t the quote something like “Slash is a cancer”…?)  While Axl’s volatile nature clearly helped vault them to super-stardom, it would have been nothing without blistering guitar solos spewing forth from a chain-smoking, top hat-wearing, Les Paul-playing Cousin Itt… woven together by Izzy & Duff, with the attempt of holding things down by Steven.

I’m hoping the planets align, Axl takes some happy medicine,  and they all take the stage to rock out… even if it’s just a one-off and Axl goes back to the roving band of hooligans that is today’s (sad sad) GN’R.  I really wish Axl would just continue to write, record & tour as AXL… instead of pissing on the name & reputation of the band.  I wish Velvet Revolver would come in & play some songs with Miles Kennedy at the helm, and then go on to find a rock producer & record a new album.

Will Slash & Axl share the stage for an all-star jam?  Will they all be no-shows?  Will any incarnation of the band show up?  Will someone show up & play terrible covers?

Only time will tell.

Envisage Your Ideal Concert


Okay.  You just found out that you’re secretly related to Oprah, and since she knows you’re a huge music fan… she’s letting you put together the concert of all concerts to celebrate.  Since you have Oprah money, you pretty much have no limit there, but you are limited to bands that are alive and actively together, or that you believe could be reasonably brought back together with a little grea$ing of the wheels.  Example… you’re probably not going to get Guns N’ Roses’ Appetite or (even the Illusions tour) lineup to get on stage together… but you probably could get Steven Tyler & Joe Perry in the same room.

Put together the whole thing…

  • The Venue: A small club?  A stadium or amphitheater?  Your living room?
  • The Run: Is it a one-night-only deal, or is this a 3-day festival?
  • The Name: Every killer show has to have a killer title.  No “w00t-stock”, please.
  • The Bands: Who’s playing & in what order?  Bonus points for linking to ’em.
  • Added Insanity: Want a 20 minute drum solo with Neil Peart & Lars Ulrich?  Want an unplugged duet with Danzig & Shakira?  Want GWAR to disembowel you on the stage?  A guitar battle between Eric Clapton and Slash?  Want all the bands to do nothing but Black Sabbath covers?  Can’t hurt to throw the idea out there!
  • Micro-Manage: If you really want to get nuts, what do you want to see in each performer’s setlist?  Either highlights or the whole thing.

I’ll think about mine while you post yours in the comments below, and in a few days or so I’ll revisit the whole idea in another blog post.  Links to bands’ websites, videos, and music strongly encouraged!

 

Thunder can’t quietly do anything. It’s thunder.


Oh my goodness.

So funny.  I like this John Moe character.  There’s plenty more pop song correspondences, and even more content at McSweeney’s Internet Tendency.  I really dig this cat’s style.

 

Sorry Baz…


Heh.  So I tweeted (to? at?) Sebastian Bach about his absence from the Slash album.  I had wondered about it in my review because I could swear that I’d read something indicating that Baz was going to have a guest spot.

All I said was this:

@sebastianbach I thought you were going to be on the @Slash album…? What happened?

The reply seemed a little angry:

@AiXeLsyD13 never said that ever

Seeing that my initial question could be read with a snotty inflection, I tried to quickly follow up with this:

@sebastianbach It was implied though, wasn’t it? Ha ha… or is something else in the works?

…and this:

@sebastianbach At any rate, I’d love to see a Slash/Baz effort somewhere someday.

Heh.  I didn’t want to come off as insulting, just really wanted to know what happened.  It was one of the things going into the album that I had been looking forward to.

I did some Googling, and I found this though…

From NME:

Sebastian Bach has revealed that Velvet Revolver guitarist Slash has contacted him about working on a ‘top secret project’ together.

The ex-Skid Row frontman denied rumours he’ll be taking Scott Weiland‘s place as the singer of Velvet Revolver, saying it would be “awkward” given his friendship with Slash‘s former Guns N’ Roses bandmate Axl Rose, who is no longer on good terms with the guitarist.

Bach told Billboard he’s been sworn to secrecy about the new project, but said it was “mind-blowing”.

From Billboard:

But he did confirm that VR guitarist Slash did contact him “out of the blue … to talk to me about working together, but it was not Velvet Revolver. It was a completely different project, and I can’t tell you what it is ’cause it’s mind-blowing, but I’ve been sworn to secrecy on that. But nothing’s happening right now with me and him.”

From A.V. Club:

In a typically breathless announcement, former Skid Row singer Sebastian Bach says guitarist Slash has contacted him “out of the blue” about a “top-secret job”–though despite rumors and all logic to the contrary, it was not to invite him to replace Scott Weiland as the frontman for Velvet Revolver. Such a move would be “awkward,” Bach says, considering his friendship with Slash’s estranged former partner Axl Rose. (Though, uh, apparently there’s a loophole that still allows him to be a part of whatever this mystery project is.) Practically begging you to care, Bach was not particularly forthcoming with details, saying only that he was “sworn to secrecy,” but did insist that, whatever it is, it’s “mind-blowing.”

And, even Slash’s Wikipedia page

Slash was quoted saying that the work alone in the studio on the solo album was “cathartic”, and that he really enjoyed working alone in the studio. He also said he plans to bring a different singer for each song on the album, and that he has a list of guests to appear on the album, and most of them are already committed, though he refused to tell who are those guests. Rumored singers for the project include Lenny Kravitz, Sebastian Bach, Alice Cooper, Vince Neil, and past Guns N’ Roses bandmates Izzy Stradlin and Duff McKagan.[22] According to Slash’s wife during an interview with Rockerrazzi.com, both Ozzy Osbourne and Fergie will make appearances on Slash’s upcoming solo album, saying, “It’s going to be Slash and friends, with everyone from Ozzy [Osbourne] to Fergie.”[23] Other musicians set to appear on the release include Josh Freese, Chris Chaney, Travis Barker, M. Shadows and Jason Bonham.[24]

I guess a lot of those names from the “rumored” list didn’t make the cut, or were just that — rumors from the start.  At least now I have validation that I didn’t dream the idea.  I mean, news came out that they would work together outside of a Velvet Revolver context, and soon after Slash started talking more heavily about his solo album…  What other conclusions are we to draw?

There is the possibility that it fell through due to scheduling, not having a great song lined up, or some ominous Axl-related conspiracy.

Maybe he was slated to tour with Slash’s in support of the disc instead of Myles Kennedy?

Or, there is the possibility that the rumored project is much more “mind blowing” than just a solo album and yet to happen. Perhaps it’s a concert?  Video?  Movie?  Super-group?  Book?  Collaboration?  Reality show?  Documentary?  Bach being instrumental in reuniting Axl, Slash, & the rest of GN’R?

Who knows?

At any rate, I didn’t mean to insult you, Mr. Bach.  I just wanted to know what was up.  I enjoy following you on Twitter, and I really dug Angel Down.  I also think that it’s awesome that you take the time to interact with & reply to fans, obviously being a rock n’ roll fanboy at heart yourself.