Tag Archives: Musician

Reflective Retrospective Recollective


AiXeLsyD 🎸 Gasoline Dion 🎸 Ernie and the BertsSo, recently turning 40 has me reflecting on life in general (which is pretty damn great) & on my accomplishments as a “musician” even though I’m not actively gigging right now.

I’m pretty self-deprecating of my musical talents, but I am proud of the major part of the aural art that I helped create.  I compiled and uploaded a few of my favorites after using Audacity to clip out some silence and mp3Gain to try to get all the volume levels somewhat similar.

If you’ll indulge me I’d like to give my thoughts & memories on each of these songs that I was proud to be a part of with AiXeLsyD, Gasoline Dion, & Ernie and the Berts.  If I have any of the stories, names, etc. wrong, please correct me in the comments.  Being that these are punk rock(ish) bands, you may find the content explicit and/or objectionable.  Don’t say I didn’t warn you.

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  1. Gasoline Dion – “Shameless Plug”

    [SoundCloud/YouTube] | Tommy came up with this cool shuffling progression and I played a super easy solo over it.  I believe we kept the first take of the solo even though at the time I thought I could do better.  It’s not perfect, but it’s fun.  It was cool to open shows with this then rip into something completely different. It was called “Tommy’s Jam” until an inside joke on a local message board inspired the new name.

  2. AiXeLsyD – “Wait”

    [SoundCloud/YouTube] | Probably the first song that I wrote that I liked, and probably the first original that we worked on in the band.  We dug on this & recorded it a million times.  It morphed a bit, but was basically the same simple jam.  Ben doubling the vocals an octave lower and the guitar part at the end really fills it out.

  3. Gasoline Dion – “Pickle Farm”

    [SoundCloud/YouTube] | Tommy had recorded this song solo, and it contributed to the itch that I needed to scratch when we formed Gasoline Dion.  I really liked the melody.  I think he stole the lyrics from Space Ghost or Brak.  This song to me is about not being a square peg that’s forced into a round hole.  I liked singing background vocals & playing guitar.

  4. Ernie and the Berts – “Toybox”

    [SoundCloud/YouTube] | Erin wanted to start a band to play rocked-out Willy Wonka covers.  That never happened.  This did.  It was the first original that stuck, and an early recording became the soundtrack to a friend’s video project.  Dave learned to play drums in/for this band.  This is a nice simple driving groove and is the perfect vehicle for the introduction of Erin’s gnarly gravelly voice.

  5. AiXeLsyD – “Hopeless & Heartless”

    [SoundCloud/YouTube] | I wrote this on the outside of seeing someone with a broken heart.  I thought it was pretty catchy.  The “whoa-oh’s” are overkill but oddly necessary in my humble opinion. I think An-Die, Ben, & I are all singing on multiple tracks here.

  6. Gasoline Dion – “Cold”

    [SoundCloud/YouTube] | This riff was a leftover AiXeLsyD riff that almost became part of two songs but never really went anywhere.  Mike had some leftover Who’s.Keeping.Score? lyrics that Dave & I re-arranged.  Dave & I work really well on arranging musical parts & lyrics. I really really dig Tommy & I singing together on this one.

  7. Ernie and the Berts – “Fred Rogers”

    [SoundCloud/YouTube] | Erin supposed that a local hero may not really be a hero on this one.  Maybe he read that weird urban legend.  I really like the guitar part here, although it’s missing some kind of effect in my head.  Wah?  Phaser?  Not sure.  Erin let me just go goofy with background vocals here.  I felt like Danzig or that Not-Danzig guy in the Cult.  I love how this song builds into chaos.

  8. AiXeLsyD – “Stand Up”

    [SoundCloud/YouTube] | This is where it all pulled together, and it was the last proper thing we recorded.  Ha ha. An-Die wrote the riff & lyrics, I arranged them.  Ben came up with the guitar noodling& octaves riff. I think I came up with the stupid  guitar part for the verse. I really dig my guitar solo here,even though I went too long.  (Oddly, this sounds a lot like “Anything, Anything (I’ll Give You)” by Dramarama as played by Buckcherry.)

  9. Gasoline Dion – “Political Songs (With Deep Meaning)”

    [SoundCloud/YouTube] | I was listening to a lot of the Unseen, I think.  I don’t really write political stuff that often.  This was taking the piss out of that genre.  Dave sounded better on it with vocals.  I scream “feet” in the background and give the creepy laugh at the end.  We lost the original lyrics, so Dave used what he remembered and made the rest up on the fly.  I don’t really think any one ever tried to intemperate a deeper meaning. If they did, they didn’t tell us.

  10. Ernie and the Berts – “Don’t Fuck With Ernie”

    [SoundCloud/YouTube] | It was hard to tell if Erin was serious or joking a lot of the time. He had a deadpan delivery, and it was hilarious. To deliver this ridiculousness so seriously is hilarious to me.  I think I sort of came up with this riff over top of his bass line.

  11. AiXeLsyD – “Dave Ugly’s Girlfriend”

    [SoundCloud/YouTube] | It’s “Dave Ugly’s Girlfriend”, not “Dave’s Ugly Girlfriend.”  People always seemed to get that wrong.  Dave Ugly played bass & sang for one of our favorite local bands, Useless Torment.  I don’t tell the story as well as An-Die, but Dave was apparently saying he loved him, and An-Die was playing the “even if…” game, and arrived at this.  I remember being “mad” when Sum 41 came out as a punk band rapping.  I think Boner played guitar on this one and Ben played Drums?

  12. Gasoline Dion – “Bitch Pants Opera”

    [SoundCloud/YouTube] | I don’t know if we could do this one today.  People seem so easily offended.  It’s just a joke.  We don’t really care if you wear girl pants.  We’re not insinuating or implying anything.  We look ridiculous too.  Another Dave vocals song, I am screaming the high parts.  All of us are in the beginning. I think the breakdown was inspired by hardcore /screamo kids in skinny jeans doing the windmill and Peelander-Z’s “S.T.E.A.K.”

  13. Ernie and the Berts – “Ikea”

    [SoundCloud/YouTube] | Dave suggested I try a little more dynamics with space and clean.  Dave is usually right.  You can do a lot with the same 3 chords over & over. This was a slice of Erin’s life, full of his observations.  We almost got permission to go in & shoot a video there.  Somebody must have really listened to the lyrics.  He had “nicer” ones prepared just in case we needed to sell out.

  14. AiXeLsyD – “Love, Hopes, Dreams, & Smiles”

    [SoundCloud/YouTube] |I think An-Die hated this one.  I liked the noodling& the melody.  The lyrics are super dumb & trite.  The song was made infinitely cooler when Ben put in that volume swell in the final mix.  That was never there, then we started doing it live after he did that to the recording.  This could probably be punched-up a little bit more.

  15. Gasoline Dion – “Two of a Kind”

    [SoundCloud/YouTube] | Tommy sings like an angel.  I have no idea what in the hell he’s talking about here.  I think Dave & Mike made this honky-tonk-ish.  I played a little solo under Tommy’s vocals at the end because nobody ever told me not to.  The end sounds like the Misfits’ “NY Ranger.”

  16. Ernie and the Berts – “I Don’t Wanna”

    [SoundCloud/YouTube] | Erin stole this one from a band called Suck-Your-Brains-A-Go-Go.  I don’t know if they ever recorded it.  I should ask the man who wrote it some time.  We made it ours. I think Bengt punched-up some of the guitar & added a bit of harmonies during the recording process.

  17. Gasoline Dion – “Shameless Plug (Reprise)”

    [SoundCloud/YouTube] | Same thing as the first track, second solo take by me with a wah pedal this time. Dave is also on guitar making crazy noises and soloing in between all of my notes.  Ha ha.  If you don’t “get” the speaking part, watch the Josie and the Pussycats movie some time.

I’d love to know what you think, or to read/see/hear your own memories about these bands or in any bands or projects in which you have participated.   Did I miss a song or two that you may have remembered or liked?  Comments (or likes or whatever is deemed social-media-appropriate) on the songs on SoundCloud or YouTube would be awesome and greatly appreciated, too.

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Check out the playlist on SoundCloud:

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Check out the playlist on YouTube:

Can you Dig it?

I think you should be able to download a zip of the collection on Google Drive or SendSpace if you’re so inclined.  If you can’t get it there, let me know and I can email it to you.

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The AiXeLsyD stuff:

The Gasoline Dion stuff:

The Ernie and the Berts Stuff:

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Check out some related posts:

NOTE:  Edited to correct links to YouTube videos, made new ones for some slideshows that were too short.  Also, check the comments!

Chick-fil-A-Go-Go! 🎸🎤🎧🎵🎶


OK, so it’s been a while since I’ve been productively making music & actively writing songs.  Apparently the bug never goes away.  I have been thinking about doing punk rock-ish kids songs for a while.  (The Sablowskis beat me to it!)

Yeah, there is the AiXeLsyD reunion gig coming up… whenever that is, and it doesn’t seem like Ernie and the Berts was all that long ago.

I saw a contest online last week and it sparked me to get my ass quickly in gear. Music Go Round in Monroeville is holding a guitar giveaway, and I have been mentally drooling all over Eastwood Guitars online for quite some time. The Side Jack is pretty awesome!

It would be really cool if you could help me win this axe by clicking “like” on this post: https://www.facebook.com/video.php?v=698216686929723&permPage=1

It may help to follow or like the Music Go Round Monroeville, PA Facebook page too.  It has to be on that post on their page, no “likes” here or on my link(s) to it on my Facebook profile count.  Voting is only open this week, they pick a winner on the 27th!

As far as the song goes, I threw it together in under an hour with a downloaded app for the tablet, using crappy headphones, the built-in mic on the tablet, and my acoustic guitar down in the basement.  I think it shows.  But, I still think it’s a hooky tune with some potential.  I may have to recruit a few of the usual suspects or even some unusual ones to help me complete the process.

Molly is absolutely terrified of the Chick-fil-A cow.  My guess is that other kids are too. Seems like we can find a whole lot more to relate to with some feet-tapping tunes!

Chick-fil-A-Go-Go

Chick-fil-A-Go-Go

NOT a fan of the cow.

A post shared by Eric Carroll (@aixelsyd13) on

Onlywatchthebandwithaguy(orgirl)thatIknowinit-itis


This ties in with an earlier blog post.  I’m just trying to figure out how to reach people.  When people who have never heard of us catch us play, we generally have people coming up to say they dig it. It’s a good feeling.  I’d like it to happen more often because I think the band is doing a fun thing, and I’d like more people to share in the fun.

Getting people to come out in the first place is one struggle.  Getting yourself in front of an audience that’s already there is another struggle.  Getting people to watch you once they’re there seems to be an entirely different struggle.

We'd like to thank Bobby for coming out tonight!

Has this ever happened to you? Yes, it has.

Lately I’ve seen a trend of bands telling people saying “hey we’re 1st, come early” or “hey we’re last, come late” then their fans show up for just them & don’t bother to check anyone else out.   I generally tell people to come for the whole show & check out the other bands.  We try to book shows with bands we dig, just for this reason.

Spider-\m/an

Spider-Man :: This has nothing to do with anything other than the fact that I found it hilarious.

I hate to come of as a whiner, and I know I will to some readers.  I’m just trying to express my frustrations, and this blog is a forum for just that.  In fact, it’s my forum for just that.  I’m trying to work it out for myself & to possibly get some insight from other local (and some not so local) musicians.

In fact, I think I have ranted about this very topic online before, maybe just a similar one… but I can’t seem to find it anywhere.

I also don’t want to dismiss the people that come see us at just about every show.  Your presence is incredibly important to us, and we value it.  We just want some more people there to watch with you, and we don’t want things to get stale where you’re seeing the same show over & over.  Even if you’ve only caught us once, or if you’ve bought a T-shirt, or told us you liked a video online… you are awesome and we truly appreciate your support & attendance.

I recently saw the worst case ever of this crazy only-watch-the-band-with-a-guy-I-know-in-it thing going on.  We played a show where people watched the band they came to see, then just absolutely bailed.  Not even the bands stuck around to check out the other acts, one of which was a touring act & the reason we were all playing the show.  It’s disrespectful.  I get that stuff comes up, & sometimes you need to go.  It happens.  Sometimes there’s burnout.  Sometimes there’s arrogance.  Sometimes there are good reasons.  Sometimes you’re just being ignorant.

I know personally that a bunch of people from my wife’s family came out to a show at a bar once where my wife & I absolutely love the wings.  We had told everyone how cool the place was, they all decided to come to the ‘Burgh to eat some legendary wings & watch my band play… killing 2 birds with one stone.  They sat through one band that everyone liked, then through a 2nd band that was just absolutely awful… one member was so drunk and/or high that he would strum the guitar and look down at it dazed for a minute or so while apparently hearing stuff that none of the rest of us could.  This was all endured just to see us play.  The place was packed all night, the bands & their fans watched each other, and everyone had a good time.

Not to judge a book by its cover, but I all kinds of judged books by their covers the other night and I hit the nail on the proverbial head.  A quick scan of the room revealed some crazy demographics.  More specifically a bunch of old people trying to look cool and standing on tippy-toes watching their kid play with no general comprehension of what was going on up on the stage or around them.  If I’m calling them old, you know they were old.  We knew these were parents, aunts, uncles, and neighbors… and they were going to split as soon as their kid’s bands was done.  Boy, did they ever.  If it was a cartoon, there would have been a cloud of dust & a cartoon noise.  Whoop!

It must be happening everywhere because the touring band had it written into their contract that they weren’t to be slated to play last on any of their shows.  You can’t blame them.  You tour to build support for your album, and if no one sees you play, no one’s going to buy your album or you merch or come see you the next time you roll through town.  We took the cleanup/closer spot because none of the other bands would.

Do you know what it's like to be on the bill and to play for fifteen minutes and the only people there to see you are the other bands and their girlfriends? Don't talk to ME about Rock n' Roll!  I'm out there in the clubs and on the streets and I'm living it!  I AM ROCK N' ROLL!

Do you know what it's like to be on the bill and to play for fifteen minutes and the only people there to see you are the other bands and their girlfriends? Don't talk to me about Rock n' Roll! I'm out there in the clubs and on the streets and I'm living it! I AM ROCK N' ROLL!

We didn’t help their cause because we apparently weren’t a draw either.  We watched the touring band, & they watched us.  The handful of people that came to see us were there for all of the sets that night… and the show started an hour or so later than it was supposed to.  It was awesome that the touring band actually stuck around to see us play.  I’m sure on the road they’ve seen crappy band upon crappy band night after night… but it was an unparalleled show of respect for us, and assured us that the sound guy & doorman had to stick around until we were done.  Ha ha.

My boyfriend's lame-ass band... live at the Radisson

Playing their new hit, ''Girl Girl Girl''!

Well, there were more people there to watch us… since it was a rare all-ages gig for us, we had an under-ager and her mom eager to see us… we were told we’d be rocking about 8:00pm.  We eventually went on much much later, way past the under-ager’s bed time.  So, two people who bought tickets & came out expressly to see us had to leave early and were unable to see us because of all the ridiculousness and shuffling.  Then the dozens of people who came out to see the other bands watched them then left.  Immediately.

The Sitter

Try as he might, Jeremy could just not meditate in front of a stereo. Live music is the only way to go.

It would be nice to say that whoever sold the most tickets had to go last… but then again, they did sell a lot of tickets, so that has a certain amount of pull as far as when you want to go on.

I didn’t hear any of the opening bands even mention the touring band… the headlining band that (again) we were supposed to be there in support of.

Before you say that my band sucks (you’re certainly entitled to your opinion), I’ll say that no one who left early would know, because they didn’t even give us a chance.  I’d rather clear the room myself than have it cleared for me.  How do you expose people to your live show, if the people in the place don’t even stick around for one song?

Pittsburgh’s Food Allergy Walk 2011 Recap


4th out of the 5 top individual earners!

4th out of the 5 top individual earners!

So, we had a great time on Sunday at the Pittsburgh Food Allergy Walk!  I was honored to receive a certificate for being a top individual fundraiser, and glad I could help.  I was also asked to perhaps take part in getting the word out next year, and maybe be in on some of the planning.  My online chatter was picked up by this year’s volunteer chair Uwe Winzen, as well as the founder of EpiMoms (I’m a terrible person, I forgot her name already).  How cool is that?

(I say next year, we get the 501st Legion out there!  –  Looks like they appeared at some other cities’ food allergy walks!)

Campaign Progress | Goal: $50,000.00 Achieved: $39,333.05

Campaign Progress - Goal: $50,000.00 Achieved: $39,333.05

As of right now, the site states that we raised $39,333.05 toward the $50k goal.  I head a number in the $40 range on Sunday, but perhaps they’re still tallying cash & check donations made the day of the walk.  With online & offline donations, I raised $560.55 and Bethany raised $106.85… so we raised a total of $667.40.  We quite literally could not have done it without the support of our friends & family.

I did notice that I was in the minority… all the walkers received a ribbon: Blue for people with food allergies, green for friends & family supporters.  I didn’t see too many people my age or older with blue ribbons.  It seemed to be a core of families who had small children & young teens with food allergies.

Kyle Dine

Kyle Dine

It was fun to finally meet & see a performance from Kyle Dine after talking via Twitter & Facebook.  After all, we do represent the #FoodAllergyDudeArmy.  Kyle does great work educating kids on what to do regarding not taking food from just anyone, getting an adult to read labels, and speaking out right away about reactions…  as well as letting them know they’re not alone.  I also got to personally thank local celebrity Sally Wiggin for her generous donation!  She called me a sweetheart.

I have some photos up on Facebook, and hope to send them to FAAN so they can be placed in their Flickr photostream.  Hopefully others will comment on the day’s events at the Pittsburgh Food Allergy Walk Facebook Page.

Got a nice little video thank-you from FAAN too:

Smiley Cookie

Smiley Cookie

One of the coolest things I took away from the day was talking to Chef Regis Holden from Eat ‘n Park about their food allergy policies & procedures.  He told us how he worked with Bill Moore, their Director of Safety and Security, to develop practices from marking the order, to looking up all of the ingredients with possible cross-contaminants, to this awesome little purple kit with a sterile sanitary contaminant-free cutting board, knife, tongs, and other tools.  Chef Holden also spoke of yearly allergen training video refreshers, and of how he had just recently heard good things about the Eat ‘n Park on Banksville Road which is nearby.  I may just have to go see for myself, and blog about their process and my adventure!

Thanks again to everyone who gave us donations, and to the walk organizers.  I think we did some good work for FAAN!

If it’s too loud, you’re too old!


☢ BOOM! ☢

Phallic-Atomic Wall Art

That’s what I used to think, anyway.  Over the years I’ve come to appreciate things like volume & tone… and dialing in a bit of control to the chaos.  Recently the following open letter/plea to local & touring musicians was posted in a semi-private Facebook group for the bands that rock out at the Fallout Shelter.  I asked permission to re-post, as it seems like a cool discussion starter.  As a dude in a band, I’m always up for talking about such things.  Permission was granted, and so we’ve arrived at:

PLEASE READ – An open letter to the bands in our musical community from Rick at the Fallout Shelter –

July 27, 2011:

The Fallout Shelter in Aliquippa is well into its fourth year of providing local bands in Beaver County with a venue where they can hone their skills, develop a following, and join a sincere and optimistic musical community. We are very proud of that. We also are committed to bringing excellent quality sound and professionalism to the music patrons who attend our shows. And we strive to help the bands that perform become more professional and polished as they gain experience in front of the crowds. With all of that in mind, I feel compelled to write this letter to everyone who has contributed so much to our journey.

Rock music is traditionally expected to be performed at loud volumes. Although we welcome all musical genres at the Shelter, we have tended to present rock, punk and metal acts more regularly. As such, volume frequently reaches levels that would severely damage the sensitive ears of small animals. So, the question becomes, can “loud” be too loud? Despite your inner rock god’s rabid denials, the truth is that, yes, it can be too loud. On more than a few occasions, I have witnessed young rock fans leave the Shelter shaking their heads and declaring that “it is too loud down there!” How can loud be too loud?

The Fallout Shelter ☢

The Fallout Shelter ☢

As an old rock musician and former fine arts major who grew up in the 70’s listening to bands such as Zeppelin and the Who, let me offer my view on the matter: When the individual sounds of the instruments become too loud, they tend to meld together into what can essentially be described as a “mush” of sound emanating from the stage. As the on-stage musician, you no longer are providing the sustenance of musical nectar to the fans, but are instead dumping the digested excrement of the combined sounds upon them. Individual sounds are completely lost and thus, so are individual expression and critical accents of each musician which can significantly enhance the musical presentation. Some of you might argue that certain genres are intended to be presented as musical mush – and I cannot disagree because musical taste is indeed individual. But musical mush is not what we desire to showcase. The occasional unusual act that uses noise or volume for musical or artistic effect is welcome, but we do not wish to bombard our patrons with unnecessary volume. By beginning your performance at maximum volume, you lose nuance and dynamics, which eliminates your flexibility in making your performance so much more powerful. Being able to increase volume for that soaring lead, or for that key phrase, and using those skills, will make you better musicians and more polished performers. Dynamics is a natural emotional expression of the music, and its importance cannot be over-emphasized.

As a young bassist, I recall performing many times and falling into the same bad habit of turning up during performances – or leaning over to place my ear near my speaker so I can hear my bass. The sound was essentially blowing past my legs so I could not hear myself well enough. The temptation to turn up in such a case is inescapable. This problem can be solved by either asking the sound man to increase your instrument volume through the monitors, or by raising the speaker to be closer to your ear level. We provide one amp stand that leans back to direct the amp speaker to the performer for this purpose. We also intend to build crates to keep on stage which all amp speakers must be placed on to raise them up. Hopefully, this will solve some of the volume problems. We also provide a drum shield for those drummers who play very loudly. When our sound man asks you to use it, it is because he is trying to make you all, as a band, sound the best that you can. Please do not refuse to use it. Trust our sound man – he is working in a very small venue with a powerful sound system. If you maintain the volume that he requests, he will make you sound spectacular. Doing a sound check to establish an excellent level, and then turning up, just creates a cascade of each musician turning up, one after another, and destroys the effort that went into doing the sound check. When you turn up, he has to fight the instrument and drum volumes to bring vocals up to be heard and the result is often feedback and “mush” coming from the stage.

Please help us present the best local performances to your fans and experiment with volume for maximum effect, not just maximum levels. We will not continue to book bands at the Shelter who cannot realize that learning to use volume properly is as important as learning to master their instruments. Personally, I feel that such bands are either incapable of learning what it takes to perform meaningfully, or are simply fulfilling some narcissistic rock star fantasy.

Once again, thank you to all of the fine musicians and people who make the Shelter such a special venue. Let’s continue to work together to make it, and our bands, the best that they can be.

Rick

Ernie and one of the Berts

Ernie and one of the Berts...

You can pick up on the frustration in Rick’s message.  I get it.  There’s a good discussion already going if you’re part of the group.  Rick, Randy, & everyone at the Fallout Shelter have always been really cool to us.  The sound guys have been great…  I’m absolutely terrible with names or I’d mention them here.

My focus/attention span has been crazy lately, so I think the best way to organize my thoughts on this is a completely random bulleted list.

  • I used to want a wall of Marshall cabinets…  I don’t anymore.  In a stadium?  Sure!  But, the reality is that I play mostly bars…  Bars that are small, and sometimes too small to host bands but do it anyway.  Lately I have been digging using Erin’s little Fender Hot Rod Deluxe amp or Dave’s killer Egnater Rebel head with my 4×12 Mesa Boogie cabinet.  (My Crate Power Block is oddly “OK” live, but absolutely terrible when being recorded.)  Not only do we have to provide entertainment, but we have to carry our own crap in & out.  An amp that’s a quarter of the size & has twice the balls of most other amps?  It’s a win every time in my book.  Try it out!  (Especially if you’re playing a place downstairs like the Fallout Shelter or upstairs at the Smiling Moose.)
  • Let the sound guy do his job.  The sound guy at any given venue has been hired to make you sound good.  Don’t piss him (or her) off.  Don’t insist on turning your stage volume up until you hear the mix from the monitors, or go sit in the house yourself to hear the mix.  Want to have the most rock n’ roll attitude in the room?  Just play, and don’t give a crap what it sounds like.
  • Suck it up.  Shit happens.  Monitors screech, cut out, blow up, sound like mud, or are entirely non-exsitant at times.  There are still people sitting there waiting for you to play.  Play!  Don’t ask the sound guy to adjust a different level after every song.  Once one or two songs in?  No problem.  All night long?  Just deal with it.
  • Use the drum shield.  I think I’ve only ever played at one place where the drummer sits behind a shield.  They asked, so we did it.  I even put a sign on it that says something like “don’t tap on glass” that I think is still there.  It gives the sound guy further control over the room… and the monitors.  As long as you have a monitor in there for the drummer, it shouldn’t be a huge issue.  It might feel & look weird, but if Dave Grohl can do it, you can do it.
Please don't feed the drummer.

Please don't feed the drummer.

That’s all that comes to mind right now.  I’m sure there will be more.  For their part, it looks like the Fallout Shelter is open to suggestions in improving their monitoring system & the overall sound for the room.  I’d suggest some kind of acoustic wall tiles to keep already loud noises from reverberating, but that’s just me.

I’d like this to start a discussion about sound at smaller venues all around Pittsburgh, & well… everywhere.  In the comments section below, post your thoughts!

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