Axl ‘Leaks’ Possible New GN’R Tunes


Recent reports have surfaced that Guns N’ Roses’ sole founding member and self-proclaimed demigod Axl Rose may have literally leaked tunes to the upcoming GN’R “reunion” album. TMZ has posted but since redacted an audio clip of Axl Rose passing gas taken via iPhone by a fan in an adjacent restroom stall at a roadside rest stop in Tennessee. Lucky listeners may note that the flatulence has a powerful sound that when transcribed as musical notes or tablature would make an incredible guitar riff hearkening back to the Appetite era, and sounds light years heavier anything on Chinese Democracy.

Axl squeezing one out on stage.

Axl squeezing one out on stage.

The fan asked Rose to autograph a sanitary toilet seat cover, but Rose declined stating that his new boss, Angus, wouldn’t allow it. Further investigation showed that someone had ripped the dispenser off the wall and urinated all over it anyway.

When Ultimate-Guitar.com reached out to Dave Mustaine for comment, Dave enlightened the all of rock and metal fandom…

“Axl and I had the same voice coach right around the time that I was kicked out of Metallica for writing better riffs than Jaymz and being a bigger douche than Lars. I’m great friends with Slash since we used to do heroin together, but I have to say that Axl’s farts make better riffs than the too-low-in-the-mix guitars the last Velvet Revolver album, whatever it was called.”

Dave went on to tell everyone that he wrote all of the essential building blocks for Metallica’s albums up until the black one, and that he could play all of the Metallica Metallica riffs and solos in his sleep with his balls on a Hello Kitty ukulele.

Izzy Stradlin recently came out of his hole, saw his shadow, and asked Blabbermouth.net to get off of his lawn.

Sebastian Bach tweeted about the news, adding that Axl’s farts not only sound great, but that they smell like fresh roses and have since 1997. He wishes he could maximize his own lower orifice potential and maybe that would finally convince the other guys in Skid Row to take him back.

Slash and Duff McKagan could not be reached for comment. Dizzy Reed and Gilby Clarke tried to comment, but no one would listen. Steven Alder has an upcoming exclusive interview with the every-other-week best-sale-ever flyer from Guitar Center, keep reading with us for updates when we steal that story before doing any fact-checking.

Matt Sorum still wants to punch Axl in the face, but would take the gig with Axl/DC if the current drummer tries to kill anyone.  He has been asking Rush if he can join their band.

Axl has also been rumored to be singing for Queen (to be billed as Rocket Queen), and for Jimmy Page, John Paul Jones, & Jason Bonham in a project billed as Red Zeppelin since Robert Plant won’t return any of their calls.  Rose’s trash collector’s brother denies rumors of Axl fronting a Dio-era Black Sabbath/Heaven & Hell tribute tour which may or may not include Bill Ward.

In related news, a special episode of ABC’s Celebrity Wife Swap will have Joe Perry and Slash trade places for a week to see how the other guy deals with each other’s wives & bands for two weeks on tour.

The Actual Best Rock Guitar-Dominated Intros of All Time According to the Ultimate Authority, Me.


Well, I said I was gonna do it.  I eventually got around to it.  Here it is.  I guess I should call this something other than “The Actual Best Rock Guitar-Dominated Intros of All Time (Not Chosen by Idiots)”.  But as a mediocre semi-professional guitarist, I am an authority.  Right?

  1. “Master of Puppets” – Metallica ==::: This riff slaps you in the head.  Thunk!  That’s what it does.  To your head.  Maybe it’s not as shrill as “Seek and Destroy” or as renowned as “Enter Sandman”, but it’s a hell of a way to bring you into a song.  There’s no easing, no build-up, just smack smack smack/blazing riffs and screaming about how drugs are bad!
  2. Velvet Revolver - Slash

    Slash

    “Welcome to the Jungle” – Guns N’ Roses ==::: This one owes as much to the delay effect as the riff, but wow it rocks.  It opens up one of my favorite albums.  I had to include it.

  3. “Sweet Child O’ Mine” – Guns N’ Roses ==:::  Legend goes that Slash hated this warm-up riff, and that he thought it sounded like circus music.  It’s a good thing Slash had Axl & the rest of Guns N’ Roses to keep this on around.  Who doesn’t love this playful riff?
  4. “Paranoid” – Black Sabbath ==:::  I play this riff 9 out of 10 times when I pick up a guitar.  Why not?  It’s fun.  Iommi is a genius.  It’s been covered by Megadeth, The Dickies, Avenged Sevenfold, Type O Negative, Green Day, Metallica, and bar bands everywhere.
  5. Toni Iommi playing a true left-handed guitar (...

    Tony Iommi

    “Sabbath Bloody Sabbath” – Black Sabbath ==:::  I always feel like this one is underrated.  Everyone talks about “Iron Man” and “Black Sabbath”, but this is a damn cool riff.  Recognize.  (“Supernaut”, another of my favorites, could go here too…)

  6. “Sunshine of Your Love” – Cream ==:::  It sounds like Clapton is playing an army of guitars here.  I believe Jack Bruce came up wit the riff, inspired by Hendrix.  It’s an incredibly powerful riff.  (Even if you change it like Living Colour did.) It’s iconic.  It’s rock.  It’s blues.  It’s heavy.  It grabs you.
  7. “Rock You Like a Hurricane” – Scorpions ==:::  Here they are.  Everyone my age remembers this riff.  I was never a huge fan, I think I have a greatest hit’s CD, but this riff is still classic.
  8. Stephen Egerton

    Stephen Egerton

    “Long Distance” – All ==:::  It’s my list.  I’ll include killer punk bands if I want.  If you don’t know this riff, you should.  In fact, a bunch of All riffs could go here.  Stephen Egerton has a sound where you know it’s him when he’s on guitar.  He’s got a totally underrated incredible guitar voice.

  9. “Crazy Train” – Ozzy Osbourne  ==:::  It’s in that commercial.  It’s been played by marching bands.  It’s been covered by Pat Boone.  It’s in our collective consciousness.  Randy Rhoads was a madman, and this is an incredible riff.
  10. “London Dungeon” – Misfits  ==::: This is a great gloomy riff, and one of the few things the Misfits churned out that wasn’t a power chord.  I like the recording from the ill-fated 12 Hits From Hell album that never was.  It’s got Bobby & Doyle on guitar, & producer Robbie Alter on guitar overdubs… I dunno who came up with the riff.  It could have even been Glenn or Jerry.

I’m sure if I were to make a list tomorrow, it may contain different songs.  What did I miss?  Give a link to the YouTube video in the comments below.

Rock’s Greatest Guitar Intros? (a.k.a. Another Stupid List?)


“Top however many of whatever” lists are designed to generate ire & promote discussion.  This one undoubtedly has in many circles.  Spreading around the internet like herpes, here’s the latest from some radio station somewhere:

What are The Top 10 Greatest Guitar Intros in rock?  Well, someone compiled a list and put it on the Internet.

All the songs were released between 1967 and 1990.

Here’s the list:

10.)  “School’s Out”,  Alice Cooper  (1972)

9.)  “Ain’t Talkin’ ‘Bout Love”,  Van Halen  (1978)

8.)  “Thunderstruck”,  AC⚡DC  (1990)

7.)  “Sweet Home Alabama”,  Lynyrd Skynyrd  (1974)

6.)  “Heartbreaker”,  Led Zeppelin  (1969)

 5.)  “Working Man”,  Rush  (1974)

4.)  “Layla”,  Derek and the Dominos  (1970)

3.)  “Suffragette City”,  David Bowie  (1976)

2.)  “Purple Haze”,  The Jimi Hendrix Experience (1967)

1.)  “Eruption / You Really Got Me”,  Van Halen  (1978)

Source: Wise Brother Media/ Radio 96.1

What?  Shenanigans I say!  I bet you say it too.  I mean, there are some stellar songs on that list, but also glaring omissions.  Some other yahoos are taking a poll.  Gibson made a list a while ago that grabs some more timeless tracks & grabs “Sweet Child O’ Mine” which would be close to or at the top of my list & really, who could forget “Crazy Train”?  And neither list makes note of the banes of guitar stores’ existence “Enter Sandman” or “Smells Like Teen Spirit“.  And where the hell is Black Sabbath?  “Sabbath Bloody Sabbath” has to be one of the coolest intros ever, among so many more.  What about “Welcome to the Jungle”?

If you’re gonna include “Sweet Home Alabama”, why not “Stairway to Heaven”, or even that one Pearl Jam song that’s all jangly and has that sweet tone where Vedder mumbles incoherently.  Hendrix’s version or “Hey Joe” or “Voodoo Child (Slight Return)”?

“Eruption”?  Clearly awesome, but it’s its own song, isn’t it, not an intro?  I mean, what are the rules here?  Why not just throw in some bass like “Bassically“/”N.I.B.” or “Anesthesia [Pulling Teeth]”/”Whiplash”?  A bass is arguably a guitar, right?

Nothing by Heart?  “Sunshine of Your Love” anyone?  “Start Me Up”?  “Hair of the Dog?”  No ZZ Top?  Nothing by Aerosmith?  No “Talk Dirty to Me?”  Ha ha.  Just making sure you’re paying attention.  What about some more metal stuff?  No Pantera?  No Slayer?  No Metalli-freakin’-ca?  No punk rock?  Well, I guess not a bunch of punk has blazing riff like intros.

What is rock?  Can rap or funk be included?  What about some crazy stuff by guys like Carl Perkins or Willie Nelson?

It’s clear my friends that we need to make our own list.  I dig Velvet Revolver’s “Set Me Free”, but I may be in the minority there.  Remember, this is guitar intros, not riffs.  I’m guessing we should aim for guitar-only intros, or we would all have to concede to “Rock You Like a Hurricane” for being the most powerful.   There’s also that one Avenged Sevenfold song…  it’s got a killer riff at the beginning, but I think there’s some drums right at the beginning.  If these are OK, is there room for “No Sleep till Brooklyn” or “Fight For Your Right”?

Start naming songs.  We’ll figure out some ground rules, set a number, set up some brackets & some votes.  We’ll even name it something classy like “The Actual Best Rock Guitar Intros of All Time (Not Chosen by Idoits)”.  Then, we’ll spark more idiots to have more useless arguments discussions.

♫♪ ☠ ♬♩

♫♪ ☠ ♬♩

\m/ The Shat \m/


He’s the Shat.  Thanks to Metal Hammer, I found this:

Soundcloud | William Shanter – Seeking Major Tom

WILLIAM SHATNER Seeking Major Tom

WILLIAM SHATNER Seeking Major Tom

The cool thing about being William Shatner, is that you can do whatever the hell you want at this point in life.  There’s a pretty good chance people will buy it… and if not, who cares?

You’re William freaking Shatner.

I’m sure some sort of Star Trek checks, book and album checks, & Priceline paychecks are still pouring in regularly.  This involves Zakk Wylde on guitar?  So crazy.  I wonder is anyone called Tony Iommi to ask if he wanted to do it?

Bohemian RhapsodyIron Man?  Not sure what they have to do with space, but they’re the ones I’m most interested in.  Well, that and a Hawkwind cover…  Hawkwind?  Crazy.

It’s not only an album… it’s a 2 CD or 3 LP set.  It could all be just to advertise his new book.  This is hilarious & awesome:

\m/ Roger Tullgren \m/


Roger Tullgren

Roger Tullgren, Metal Lord

So, have you heard about the dude from Sweden who gets a disability check for addiction to heavy metal?

This dude is awesome.

I’m not sure if he really feels that he’s helplessly addicted to metal, or if he’s yanking the Swedish government’s proverbial crank, or what…  but dude is almost as metal as Lemmy for this insanity.

Is it a way to cheat the government?  A publicity ploy for his bands?  Does he really feel that his compulsion to attend shows, dress like a metal-head, and listen to loud music is more than just his preferred lifestyle?

I call shenanigans in that there are plenty of places to work where you can dress like a metal-head & listen to loud music.  If there was such a thing as a record store any more, I’d suggest there…  but what about a guitar store?  Stoner coffee shop?  A concert venue?  A bar?  On a road crew?  The dish-washing thing reminds me of that Poison video

That being said, if the government is dumb enough to dole out the money… Roger & his employer would be even dumber in not taking it.  The question of their accommodation/compensation being akin to paying an Oxycontin addict for working in a pharmacy still remains, but oh well.  At least we know for sure that Black Sabbath is a powerful & dangerous gateway drug into the heavy metal lifestyle.

\mm/

Too much metal for one hand?

I’d watch a reality show or documentary about this cat.  Even better, I’d like to see it turned into a movie… somewhere between Anvil! The Story of Anvil and Airheads.  Imagine the hilarity that would ensue in 10-years worth of trying to get an addiction to metal recognized as a serious medical condition?  Not to mention, a killer soundtrack!  Are you paying attention Hollywood?  We need this story before we need a Crow or Last Dragon remake.  Sho’ nuff!  If you need a writer, I’m all about it.  I vote for Robert Downey Jr. or Johnny Depp in the lead role.

Also… can I get my money, Uncle Sam?  I’ve been going to concerts for years, buying merchandise, buying merch from small bands on tour, losing money by playing in local bands, ferociously collecting bootlegs, B-sides, & rarities for my favorite bands to satiate that completest appetite.  (Thanks RoadRunner for that US/Japan/UK bonus track crap where I buy the same album 3 times – and thanks Metallica for putting out 30 singles for each song with 17 demo/live b-sides.)  I wear t-shirts with skulls on them, and used to have blue hair.  I not only suffer form heavy metal addiction, but also a general punk rock addiction, spanning everything from horror punk to pop punk to street punk.  There’s also my hard rock addiction, which I seem to be getting over.  The bands with which I seem to have the biggest problem are…

…and all of their related bands; Guns ‘n’ Wankers, Billy No Mates, Hollywood Rose, Slash’s Snakepit, Velvet Revolver, Loaded, Danzig, Graves, Gotham Road, The Undead, …and I deserve some kind of metal for buying a Kryst The Conqueror album, Chinese Democracy, & St. Anger just to have “complete” collections.

Cover of "Airheads"

Cover of Airheads

I’d love to see Roger’s playlist, CD/Record/Cassette Tape/VHS/8-Track/DVD/MiniDisc/BluRay/LaserDisc/Whatever collection… or his ticket-stub book if he’s got one.  Who are his favorites?  I need to know!  I unfortunately am unable to check out that video linked-to from the Blabbermouth article.  I think it may have crashed their site, or it’s a bad link?

So, what do you think?  Is this guy super-awesome or super-lame?  Is he a genius, or a loser?  Is he some combo of all of the above?

LeLet Me Hear You Scream…


I can’t believe it, but the new Ozzy song rocks.  It may sound a little old school, but it’s in the Ozzy vein and it’s a LOUD sounding recording.  I just may have to purchase this album if it all sounds like this single!

Don’t tell me it’s too late… Slash solo album review.


Slash“Don’t tell me it’s too late” is a line from my favorite song on the album, I’m reviewing this well after it came out, and it seems like a running theme lyrically through more than a few songs on the album… so I felt that it was appropriate to work into the title of this post.

If you know my musical tastes at all, you know that Guns N’ Roses is near the top of my list in all-time favorites.  So, with some warning, this may be a little biased.  The basic idea for this record was for Slash to pull in session musicians and do the record he wanted to do that wouldn’t necessarily fit into any other mold.  He’s done session & guest work with everyone from ICP to Rihanna, it’s about time to turn it around.  (I’m sure it doesn’t hurt that Velvet Revolver is on “hiatus” and Slash’s Snakepit seems dissolve after each album.)

Since it’s such a diverse record (with and endless number of releases), I’m going to try to throw out my opinions track-by-track, and then wrap it all up.

  1. “Ghost” – Featuring the vocal talents of Ian Astbury and the only other guitarist to appear anywhere on the album, the venerated and underrated Izzy Stradlin.  The song starts the album with a really nice melodic riff and Izzy’s guitar fills in just like it did back in the Appetite days.  Their work back & forth is unmistakable… and I’d love to hear more of it in the future.  While I like the guitar play in Velvet Revolver with Dave Kushner, Izzy and Slash are like a left hand & a right hand when playing guitar… they’re aware of what the other is doing without thinking about it.  Ian Astbury sounds awesome, and really fit well with this song.  I laugh every time I hear him though, as I once spent the better part of a day convincing a former co-worker that Ian Astbury & Glenn Danzig weren’t the same person.  I’ll never forget when The Cult’s “Fire Woman” was on the radio… he was all “You can’t tell me that this isn’t the guy who sings ‘Mother’.  It’s the same guy!”  At any rate… I hope this is picked up as a single, I’d love to see some live performances of this with Ian, or even a video.  It’s a nice unapologetic 80’s-ish rocker of a tune that doesn’t sound ridiculously dated.  Already you can tell that Eric Valentine‘s production on this album blows any Velvet Revolver stuff out of the water, because you can actually hear the guitar.
  2. “Crucify the Dead” – With Ozzy Osbourne on vocals, and somewhat inexplicably Taylor Hawkins on background vocals., this one starts out somewhat somber and ends up rocking.  It could have easily been on any Ozzy album from No More Tears on.  It’s somewhat odd to hear Slash doing the palm-muted power-chord chugging… and just the way that the guitars are layered.  I think that’s the point of this album though, to hear Slash doing stuff that you wouldn’t hear anywhere else.  It sets that right away with this song.  It would have been cool to have Zakk Wylde on this track too.  The one thing that makes it stand out as an Ozzy song is the lack of Zakk’s style of pinch n’ squeal harmonics.  I really love the melodic guitar lines here though.  I can imagine that Taylor was in the studio hanging out with Chris Chaney who plays bass on most tracks of the album (whom with he currently plays in Taylor Hawkins and the Coattail Riders & they both played with Alanis Morissette once upon a time) and/or Dave Grohl and they just needed someone to do Ozzy backing vocals because he was too tired or didn’t know where he was.  This is the first of many incestuous rock n’ roll band relationships that are all over this album.
  3. “Beautiful Dangerous” – This is the song with Fergie.  Yeah, that Fergie.  Slash has done a bunch of live gigs with her, and she slays on some GN’R songs. In the first few seconds, I get an “oh no” because it starts off like a Rob Zombie song… but that’s quickly eaten by the guitars, bass, & drums.  It’s hard to hear a woman sing a rock song and not compare her to a small list of other rock singers…  This song has a Heart vibe.  I can imagine Fergie wouldn’t mind being compared vocally to Ann Wilson.  She’s got a strong beautiful clear voice… and I can totally hear an Axl influence.  You knew the A-word was coming eventually.  It’s not in the sound of her voice, but in the cadence and delivery of some of the lines… I challenge any GN’R fan to not hear it.  There’s a certain way they Axl holds on to & twists notes… Fergie does this also here… not sure if it was prompted or just came naturally with the style of riffs if she’s a GN’R fan at all.  This song is full of some nice solid riffs, and is one of my favorites off of the album.  My wife likes this one too, and she’s not the world’s biggest guitar-rock fan.
  4. “Back From Cali” Myles Kennedy takes up vocal duties on this song.  The feel of this song reminds me of It’s Five O’ Clock Somewhere, and is definitely a Slash composition out and out.  It’s a pretty straight-up blues rocker, and Axl is again channeled at a mere 30 seconds into the song.  Myles will take vocal duties in Slash’s touring band, he’s probably as notable for being the guy rumored to sing for the Led Zeppelin reunion tour as much as his last band, Alter Bridge.  This guy has the pipes & range to hold it down well, no doubt.
  5. “Promise” – This one starts out a little strange, although this riff could have been on either  of the Illusions albums in a different context.  It really reminds me of Audioslave… maybe that’s why Slash called in Chris Cornell in the first place.  This is the first mellow one… and while it’s not a bad song, I think I have to be in the mood to listen to it.  It’s quite a haunting melody & riff, perhaps it’ll grow on me as time goes on.
  6. “By the Sword” – This is the album’s first US single, I think the video has been shot it’s just waiting for production, and they’ve been doing the lateshow circuit with performances.  Andrew Stockdale of Wolfmother takes the vocal helm on this blues rocker.  This could have also easily been another Snakepit song… but I feel Stockdale does it real justice with his oddly whiny vocals.  Slash’s solo here (starting at 2:45 into the song) reminds me of George Harrison on “While My Guitar Gently Weeps” for some reason.  At first, I wondered why on Earth this was the first single as it wasn’t a straight-up rocker, but the more I hear it, the more I really like the song.
  7. “Gotten” – Having Adam Levine of Maroon 5 on the album is probably as shocking as having Fergie, if not more so.  I have to say, I really dig this track too.  The guitar is surprisingly nice & clean for the most part, a very gentle riff… this could be on top 40 radio if there is such a thing left.  It builds in a “Don’t Cry”-like crescendo, although the strings mayJudgement Day.) be a little much.  (Sorry, Again, you most likely have to be in a mellow mood for this one, but it stands as a good track.)
  8. “Doctor Alibi” – Old school metal fans are going to love this one… or at least I do.  Lemmy takes vocal and “distorted bass” (according to the liner notes) duties on this un-apologetically obnoxious rocking beast.  The opening riff jingles with bad-ass and descends into chaos with Lemmy’s story telling of visiting various doctors until he gets the answer that he wants to hear.  I vote for Lemmy as the next frontman to Velvet Revolver, ha ha ha.  This song is full of rock clichés and that’s OK with me.  This solo rips through you, reminiscent of the rambling in “Nightrain”.  It even breaks down to just vocals and drums before the rest of the bands comes back in.  This one is a keeper.
  9. “Watch This Dave” – I have to admit that I couldn’t wait.  I had to jump to this one the first time I popped the album into the CD player.  (Yeah, I bought the CD that came with the T-shirt from Best Buy on the day that it came out.) Why did I jump here?  Because it features Dave Grohl on drums and Duff McKagan on bass.  On some track listings, it’s simply titled “Watch This”… but my CD adds the “Dave”, so I added that here.  This is a timeless instrumental groove that just smacks you in the eardrums.  I miss Duff’s bass playing on the rest of the album.  No offense to Chris Chaney, but Duff has a definite signature that just fits with Slash’s guitar work like hot fudge on vanilla ice cream or ketchup on fries.  You don’t need it, but it’s always a perfect combo.  Dave pounds the drums like a madman, and they seamlessly string together patches of riffs & guitar wanking that swell an undulate into a heart-pounding mess of a ride that ends by just slamming you into a wall.  Parts of it remind me of the feel of Metallica’s “Call of Ktulu” or “Orion”.  Slash does some shredding work here, something you don’t usually think of when you hear his name.  I for one would love to hear a whole album of stuff like this.
  10. “I Hold On” – This track has Kid Rock on vocals.  It could have just as easily been Myles Kennedy… and may have been better if it was.  It plays out like a mellow country/gospel inspired Kid Rock ballad.  I don’t know, I guess I just don’t feel it.  It’s by no means a bad, song, it just doesn’t make me say “wow” or anything.  Slash’s solo is great, but could have gone over anything with these same chord changes.  I would imagine that this would clean up on country radio.
  11. “Nothing to Say”M. Shadows of Avenged Sevenfold was a surprise guest to me… but I was also really anxious to hear this track.  I must say that i wasn’t disappointed!  I’m an A7X fan, and I remember thinking that they went form a Metallica influence on Sounding the Seventh TrumpetWaking the Fallen to a Guns N’ Roses influence on City of Evil and Avenged Sevenfold.  At first, I didn’t like it, but as time went on, it made sense.  I love both of those bands, why wouldn’t they?  Only AC/DC fans like the same album over & over again.  This was an excellent paring, as the riff is just more evil and menacing than anything  else I’ve ever heard Slash play… and I can’t imagine anyone vocally pulling this off any better. (For reference,  see “Chains and Shackles”.)  I really would have a hard time telling that this wasn’t a straight-up A7X song, and I can typically pick out Slash’s guitar work in just a few notes.  There’s more shredding here, within the blues context that Slash likes to stay in, and within the confines of the song… but again, I would love a whole album of songs like this form Slash.  It’s odd to hear him playing Metallica-styled palm-muted chugging even though I know he’s a big fan of theirs.  Speaking of Metallica… why wasn’t Lars or James on this thing?
  12. “Starlight” Myles Kennedy is the only one to feature twice vocally on the proper US album release.  This is another bluesy/gospel sort of ballad that could have easily went on either Snakepit
  13. “Saint is a Sinner Too” – Yeah.  I’m wholly unfamiliar with Rocco DeLucca who sings for this one… and really, I think I’m glad.  I mean, the guitar work is beautiful and quiet here… and shows great range… but I really can’t regard the vocals as anything more than annoying.  I’m sorry if it offends you, but I hate this kind of crap, and the crap  thatit reminds me of… like Dave Matthews and Coldplay.
  14. “Were All Gonna Die” – Slash dusts off Iggy Pop for this one which acts as the closer to the regular US release.  Iggy sounds bored, and the song is a little slow.  I’d actually love to hear Duff sing this one… and for the tempo to be upped a little bit.  Duff has a great punk sensibility, and like I said Iggy just sounds bored.  You’d think a song that stars out with the line “Gee I really like your tits” would be a little more raucous.  Maybe I just expected more from this pairing?  “Home” off of Iggy’s Brick by Brick album features Slash & Duff, and it hits a little harder than this one.  Still, it’s not a ad tune, and gets better with every listen.

Well, that’s all the normal tracks.  I’ve managed to hear all of the bonus tracks form the various albums, and I’ll give my run-down here…

  • “Sahara” – This one’s from the Japanese release and the iTunes release.  It features Japanese rocker Koshi Inaba of the Japaneze rock band/duo B’z.  This sounds like a Winger or Poison song.  It’s the closest Slash has ever sounded to that… and I love some Poison… but this is super-cheese.  This was the first single overall, released only in Japan.  I bet they loved this one… it’s #4 on the Japan charts according to Wikipedia.  This one can be found with both English and Japanese lyrics.
  • “Chains and Shackles” – I mentioned this before during the “Nothing to Say” review… basically it’s the the same base, with some slightly different ingredients… provided by Nick Oliveri,  of Kyuss/Mondo Generator/Queens of the Stone Age.  Had I not heard the other first, I may dig this one a little more.  This is a heavy hard-hitting song with some killer structures & vocals… but I just liked what Slash & M. Shadows did with it in “I Hold On” more.  Slash also talked about giving this one to Dave Mustane… I’d love to hear that.  This is on the Australian iTunes edition.
  • “Paradise City” – This is an odd collection:  Cypress Hill, Fergie, and Slash covering Guns N’ Roses.  This was a B0side to the “Sahara” single as well as being on the Australian iTunes, Best Buy Exclusive, Napster, and Brazilian versions.  (This is according to Wikipedia… I bought mine at Best Buy, and this isn’t on it.)  This wasn’t really a surprise, as I’ve seen  Slash, Duff, Dave Kushner & Matt Sorum do this with Cypress Hill before.  Fergie rounds out the vocals nicely imitating Axl.  This is Campy and fun, and really shouldn’t be taken beyond that.  I enjoy it.
  • “Mother Maria” – On this song, Slash teamed up with Beth Hart to help Linkin Park’s Music for Relief charity.  I have no idea who Beth Hart is, but she sure can sing.  This is a country-tinged blues song with a real nice groove.  It rides the mellow/rocking line… and feels like it could spill over in either direction any minute.  This track is available on the iTunes version of the album.
  • “Baby Can’t Drive” – This is apparently what happens when Slash, Alice Cooper, Nicole Scherzinger (of the Pussycat Dolls), Steven Adler (classic GN’R drummer & VH1 reality show train-wreck), and Flea all get together.  I know Alice has always been theatrical… but this seems like a Meatloaf song with all the love & sex taken out.  I can see why this wasn’t included on the album.  Flea is known for being a wild/crazy bass player… and there’s no way you can even tell it’s him here.  It’s good to see that Adler can still play drums.  You can get this on the Best Buy Exclusive, Napster, Brazillian, and “Classic Rock Slashpack” editions.

Well, that’s it track-by-track.  Hope it made you more interested in the album if you’re a Slash fan, and certainly I hope I didn’t deter anyone from listening to a track or two.  I didn’t get to mention that Josh Freese is on drums for most of this album… I think he’s the only guy that does more session work than Slash or maybe Dave Grohl.  If you have a band, check and see if Josh Freese is a member.  I bet you he is, and you just don’t know it yet.  Josh holds it down nice & solid.  Oddly enough, he was also in Guns N’ Roses for a while, and played the title track on Chinese DemocracyTeddy Andreadis was on it playing the clavient & wurlitzer too.  So that makes 6 past members of GN’R on one album, 4 of them from the classic lineup?  Can we please, someday get our shit together, guys?  Before someone dies?

Conspicuously absent were Slash’s VR band mates Matt Sorum & Dave Kushner, but maybe that’s calculated and why it’s a “solo” project… although you know Duff  had to make it in.  Also, didn’t Sebastian Bach tweet about being in the studio & on this album?  I wonder if he ever recorded a track, or if he went all “Savage Animal” in the studio?  Also… what ever happened to Gilby Clarke?  I would have thought that Nikki Sixx or Tommy Lee would have popped up here too.  I’d also like to have seen some more guitarists.. but this is Slash’s solo record, not mine.

Here’s the album trailer from Slash’s website

I’m anxious to hear if anyone agrees or disagrees with me on the song analysis… please, let me know what you think!

Nick Oliveri