Tag Archives: punk rock

Reflective Retrospective Recollective


AiXeLsyD 🎸 Gasoline Dion 🎸 Ernie and the BertsSo, recently turning 40 has me reflecting on life in general (which is pretty damn great) & on my accomplishments as a “musician” even though I’m not actively gigging right now.

I’m pretty self-deprecating of my musical talents, but I am proud of the major part of the aural art that I helped create.  I compiled and uploaded a few of my favorites after using Audacity to clip out some silence and mp3Gain to try to get all the volume levels somewhat similar.

If you’ll indulge me I’d like to give my thoughts & memories on each of these songs that I was proud to be a part of with AiXeLsyD, Gasoline Dion, & Ernie and the Berts.  If I have any of the stories, names, etc. wrong, please correct me in the comments.  Being that these are punk rock(ish) bands, you may find the content explicit and/or objectionable.  Don’t say I didn’t warn you.

🎸

  1. Gasoline Dion – “Shameless Plug”

    [SoundCloud/YouTube] | Tommy came up with this cool shuffling progression and I played a super easy solo over it.  I believe we kept the first take of the solo even though at the time I thought I could do better.  It’s not perfect, but it’s fun.  It was cool to open shows with this then rip into something completely different. It was called “Tommy’s Jam” until an inside joke on a local message board inspired the new name.

  2. AiXeLsyD – “Wait”

    [SoundCloud/YouTube] | Probably the first song that I wrote that I liked, and probably the first original that we worked on in the band.  We dug on this & recorded it a million times.  It morphed a bit, but was basically the same simple jam.  Ben doubling the vocals an octave lower and the guitar part at the end really fills it out.

  3. Gasoline Dion – “Pickle Farm”

    [SoundCloud/YouTube] | Tommy had recorded this song solo, and it contributed to the itch that I needed to scratch when we formed Gasoline Dion.  I really liked the melody.  I think he stole the lyrics from Space Ghost or Brak.  This song to me is about not being a square peg that’s forced into a round hole.  I liked singing background vocals & playing guitar.

  4. Ernie and the Berts – “Toybox”

    [SoundCloud/YouTube] | Erin wanted to start a band to play rocked-out Willy Wonka covers.  That never happened.  This did.  It was the first original that stuck, and an early recording became the soundtrack to a friend’s video project.  Dave learned to play drums in/for this band.  This is a nice simple driving groove and is the perfect vehicle for the introduction of Erin’s gnarly gravelly voice.

  5. AiXeLsyD – “Hopeless & Heartless”

    [SoundCloud/YouTube] | I wrote this on the outside of seeing someone with a broken heart.  I thought it was pretty catchy.  The “whoa-oh’s” are overkill but oddly necessary in my humble opinion. I think An-Die, Ben, & I are all singing on multiple tracks here.

  6. Gasoline Dion – “Cold”

    [SoundCloud/YouTube] | This riff was a leftover AiXeLsyD riff that almost became part of two songs but never really went anywhere.  Mike had some leftover Who’s.Keeping.Score? lyrics that Dave & I re-arranged.  Dave & I work really well on arranging musical parts & lyrics. I really really dig Tommy & I singing together on this one.

  7. Ernie and the Berts – “Fred Rogers”

    [SoundCloud/YouTube] | Erin supposed that a local hero may not really be a hero on this one.  Maybe he read that weird urban legend.  I really like the guitar part here, although it’s missing some kind of effect in my head.  Wah?  Phaser?  Not sure.  Erin let me just go goofy with background vocals here.  I felt like Danzig or that Not-Danzig guy in the Cult.  I love how this song builds into chaos.

  8. AiXeLsyD – “Stand Up”

    [SoundCloud/YouTube] | This is where it all pulled together, and it was the last proper thing we recorded.  Ha ha. An-Die wrote the riff & lyrics, I arranged them.  Ben came up with the guitar noodling& octaves riff. I think I came up with the stupid  guitar part for the verse. I really dig my guitar solo here,even though I went too long.  (Oddly, this sounds a lot like “Anything, Anything (I’ll Give You)” by Dramarama as played by Buckcherry.)

  9. Gasoline Dion – “Political Songs (With Deep Meaning)”

    [SoundCloud/YouTube] | I was listening to a lot of the Unseen, I think.  I don’t really write political stuff that often.  This was taking the piss out of that genre.  Dave sounded better on it with vocals.  I scream “feet” in the background and give the creepy laugh at the end.  We lost the original lyrics, so Dave used what he remembered and made the rest up on the fly.  I don’t really think any one ever tried to intemperate a deeper meaning. If they did, they didn’t tell us.

  10. Ernie and the Berts – “Don’t Fuck With Ernie”

    [SoundCloud/YouTube] | It was hard to tell if Erin was serious or joking a lot of the time. He had a deadpan delivery, and it was hilarious. To deliver this ridiculousness so seriously is hilarious to me.  I think I sort of came up with this riff over top of his bass line.

  11. AiXeLsyD – “Dave Ugly’s Girlfriend”

    [SoundCloud/YouTube] | It’s “Dave Ugly’s Girlfriend”, not “Dave’s Ugly Girlfriend.”  People always seemed to get that wrong.  Dave Ugly played bass & sang for one of our favorite local bands, Useless Torment.  I don’t tell the story as well as An-Die, but Dave was apparently saying he loved him, and An-Die was playing the “even if…” game, and arrived at this.  I remember being “mad” when Sum 41 came out as a punk band rapping.  I think Boner played guitar on this one and Ben played Drums?

  12. Gasoline Dion – “Bitch Pants Opera”

    [SoundCloud/YouTube] | I don’t know if we could do this one today.  People seem so easily offended.  It’s just a joke.  We don’t really care if you wear girl pants.  We’re not insinuating or implying anything.  We look ridiculous too.  Another Dave vocals song, I am screaming the high parts.  All of us are in the beginning. I think the breakdown was inspired by hardcore /screamo kids in skinny jeans doing the windmill and Peelander-Z’s “S.T.E.A.K.”

  13. Ernie and the Berts – “Ikea”

    [SoundCloud/YouTube] | Dave suggested I try a little more dynamics with space and clean.  Dave is usually right.  You can do a lot with the same 3 chords over & over. This was a slice of Erin’s life, full of his observations.  We almost got permission to go in & shoot a video there.  Somebody must have really listened to the lyrics.  He had “nicer” ones prepared just in case we needed to sell out.

  14. AiXeLsyD – “Love, Hopes, Dreams, & Smiles”

    [SoundCloud/YouTube] |I think An-Die hated this one.  I liked the noodling& the melody.  The lyrics are super dumb & trite.  The song was made infinitely cooler when Ben put in that volume swell in the final mix.  That was never there, then we started doing it live after he did that to the recording.  This could probably be punched-up a little bit more.

  15. Gasoline Dion – “Two of a Kind”

    [SoundCloud/YouTube] | Tommy sings like an angel.  I have no idea what in the hell he’s talking about here.  I think Dave & Mike made this honky-tonk-ish.  I played a little solo under Tommy’s vocals at the end because nobody ever told me not to.  The end sounds like the Misfits’ “NY Ranger.”

  16. Ernie and the Berts – “I Don’t Wanna”

    [SoundCloud/YouTube] | Erin stole this one from a band called Suck-Your-Brains-A-Go-Go.  I don’t know if they ever recorded it.  I should ask the man who wrote it some time.  We made it ours. I think Bengt punched-up some of the guitar & added a bit of harmonies during the recording process.

  17. Gasoline Dion – “Shameless Plug (Reprise)”

    [SoundCloud/YouTube] | Same thing as the first track, second solo take by me with a wah pedal this time. Dave is also on guitar making crazy noises and soloing in between all of my notes.  Ha ha.  If you don’t “get” the speaking part, watch the Josie and the Pussycats movie some time.

I’d love to know what you think, or to read/see/hear your own memories about these bands or in any bands or projects in which you have participated.   Did I miss a song or two that you may have remembered or liked?  Comments (or likes or whatever is deemed social-media-appropriate) on the songs on SoundCloud or YouTube would be awesome and greatly appreciated, too.

🎸

Check out the playlist on SoundCloud:

🎸

Check out the playlist on YouTube:

Can you Dig it?

I think you should be able to download a zip of the collection on Google Drive or SendSpace if you’re so inclined.  If you can’t get it there, let me know and I can email it to you.

🎸

The AiXeLsyD stuff:

The Gasoline Dion stuff:

The Ernie and the Berts Stuff:

🎸

Check out some related posts:

NOTE:  Edited to correct links to YouTube videos, made new ones for some slideshows that were too short.  Also, check the comments!

Guitarobatics 🎸


I’m on a few super gear-nerdy and G.A.S.-educing groups on Facebook.  To the Awesome Cheap Guitars group, I recently posed this question:

So,what awesome cheap guitar moves have you pulled on stage? I’m a horrible guitar player, but I can wow a crowd with some flash, flair, and goofy-looking guitars. I’m guilty of the checked following…

Dancing E.

Dancing E.

☑ Playing behind the head.
☑ Playing while squatting with guitar in between knees, reaching arm through legs from behind.
☑ Playing while falling/laying down.
☑ Dropping-trou and continuing to play.
☑ Playing on knees bending back until head almost touches the ground.
Sad 80’s dance move with shuffling feet while playing.
☑ Playing on chairs.
☑ Playing on tables.
☐ Playing on the bar.
☑ Walking outside & in another door if possible with a wireless.
☑ Sitting in a seat with a wireless.
☑ Stage-diving.
☑ The Chuck Berry/Angus Young walk.
☑ Switching instruments mid song.
☐ Using a beer bottle as a slide.
☑ Using a mic stand as a slide.
☐ Blowing bubblegum bubbles. (Like Doyle.)
☑ Drinking mid song.
☑ Injuring a band mate by accident. (I chipped the lead-singer/bass player’s tooth.)
☐ Injuring a band mate on purpose.
☑ Improvising a mic stand out of duct tape, a hockey stick, & gatorade bottles. (Hey, we were playing at a dek-hockey rink.)
☐ Playing on someone’s shoulders.
☐ Playing while someone is on your shoulders.
☑ Playing from behind a wooden bear statue with the guitar on the front of the bear.
☐ Putting a lit cigarette under the strings in the headstock.
☐ The amp-hump. (Like Jimi.)
☑ The guitar-as-a-phallic-symbol air-hump. (Like Rex from the Lone Rangers  in Airheads.) 
☐ The guitar toss – Badass edition. (Like Prince – also, check out the falling into the crowd move!!!)
☐ The guitar toss – Oops edition. (Like Prince with the borrowed Epiphone or Krist Novoselic on MTV.)
☐ The guitar toss – Someone else catches & starts playing.
☐ Smoke-bombs. (Like Ace Frehley.)
☐ Set Fire to the guitar. (Like Jimi.)
☐ The windmill. (Like Pete.)
☑ The powerslide.
☑ The failed powerslide.
☐ Swinging from the rafters. (Hard to do while actually playing? This dude did it.)
☐ The “‘round the world” spin.
☐ The failed “round the world” spin.
☑ Yelling out a second story window mid-set for people to come into the bar.
☐ The “nyah-nyah you can’t see me” EVH turn-around.
☐ The flying karate kick.
☑ On the knees.
☐ On top of a piano. (Like Slash.)
☑ Dancing with the crowd.
☑ Duel of the Fates – using another musician’s fretboard as a slide.
 The salute – All in the air.
☑ The Poison-ish choreographed lean.
☑ Lean on a bandmate.
☑ Lean into a bandmate.

I know there are more.  I know photos & videos exist of some of these with me.   I know this post can get goofy. Please, I implore you to share your moves, including videos, animated gifs, and photos in the comments!  This kind of stuff is hilariously entertaining to me.

What’s your favorite to do?  What’s your favorite to watch?  What have you copied?  What have you invented?  What did I miss on this list?  Share your stories and images and favorite stuff from your favorite performers!

Now, for the self-indulgence:

What’s the worst Misfits related album out there? [#FiendClub]


I love the Misfits.  You may or may not love the Misfits. They have some great songs.  They have some really great songs beyond the confines of the Misfits.  There also exists many terrible terrible things under the Fiend Club umbrella.

We’re going to play a game.

Which is the worst?

Please, spill some fanboy tears and discuss.  I’d love you to elaborate on your answers, and maybe even point out something I’ve missed.

What's the Worst Misfits-Related album?

What’s the Worst Misfits-Related album?

☠💀

This is most likely more awesome than anything you will do today.


Thanks to Farcebook, these two articles about Finnish band Pertti Kurikan Nimipäivät came on to my radar:

Besides being awesome new (to me) enjoyable punk rock, I feel like it served as some sort of cosmic reminder, warning, or inspiration.  Not only to me, but to everyone who happens to read this.

Not feeling a bunch of paragraphs today, so I will hit you with a bulleted list.

  • Don’t ever let anyone tell you “no.”  Don’t let anyone else set your limits.  You can do whatever you set your mind to, and tell them to shove it.
  • Don’t let anyone put you in a category.  If you feel like you’re different because of your gender, race, orientation, religion, or a disability… own it, don’t let it own you.
  • A little railing against convention, society, or any set standard is good for everybody.  Punk rock can be all about a healthy expression of primal aggression.
  • Learning about the lives of others who have things differently than you is incredibly enlightening.
  • Someone with special needs like Down Syndrome or Autism with different abilities ought not be an object of derision.  They have thoughts, feelings, and aspirations just like you.  They get pissed off just like you.  They rock just like yo
  • Shattering expectations is the most badass thing you can do.

I’m sure there’s more, but you get my point.  Notice little things like this in life.  Be thankful for your insight.  Be thankful that there are others out there reminding you to put forth your best effort.  Learn something or learn about something often.  Make some noise that gets heard.

Check out these videos.

…and more.

I need to get my hands on some music & get a peep at this documentary.  Anyone already have these cats on their radar?  Tell me more!

∞ Magical Musical Split? @Dethlehem & @TheBloodySeamen should do this…


Oprah Money & Dick Cheney Power

Oprah Money & Dick Cheney Power – This could be the cover, because… Why not?

OK, so if I had Oprah money and Dick Cheney power, and could treat other human beings like my own personal play things…  I would commission two local Pittsburgh metal bands to do an epic cover split.  Do bands that aren’t punk bands do splits?  Well, they will if they’re my playthings.

I’d want Dethlehem to cover Black Sabbath’s “War Pigs” (with the original “Walpurgis” lyrics of course), and The Bloody Seamen to cover the Beastie Boys’ “Rhymin’ and Stealin'” (which music nerds know features another Sabbath riff from “Sweet Leaf”).

Why?  Why not?  I love obscure and nonsensical covers.  I like these bands.  They would probably not want any part of this.  I mean, guys in bands LOVE it when you go up to them and spew out “You know what song you guys should cover?” then ramble off dumb ideas like this.

Witches gather at black masses
Bodies burning in red ashes
On the hill the church in ruin
Is the scene of evil doings
It’s a place for all bad sinners
Watch them eating dead rats’ innards
I guess it’s the same wherever you may go
Oh Lord yeah

Carry banners which denounce the lord
See me rocking in my grave
See them anoint my head with dead rat’s blood
See them stick the stake through me
Oh

Don’t hold me back cause I’ve just gotta go
They’ve got a hold of my soul now
Lords got my brain instinct with blood obscene
Look in my eyes I’m there enough
Yeah

On the scene a priest appears
Sinners falling at his knees
Satan sends out funeral pyre
Casts the priest into the fire
It’s the place for all bad sinners
Watch them eating dead rats’ innards
I guess it’s the same wherever you may go
Oh lord yeah

Because Mutiny on the Bounty’s what we’re all about
I’m gonna board your ship and turn it on out
No soft sucker with a parrot on his shoulder
‘Cause I’m bad gettin’ bolder, cold cold gettin’ colder

Terrorizin’ suckers on the seven seas
And if you’ve got beef, you get capped in the knees
We got sixteen men on a dead man’s chest
And I shot those suckers and I’ll shoot the rest

Most illingest b-boy, I got that feelin’
‘Cause I am most ill and I’m rhymin’ and stealin’

Shh! Snatchin’ gold chains, vikin’ pieces of eight
I got your money and your honey and the fly name plate
We got wenches on the benches and bitties with titties
Housin’ all girlies from city to city

One for all and all for one
Takin’ out MC’s with a big shotgun
All for one and one for all
Because the Beastie Boys have gone A.W.O.L

Friggin’ in the riggin’, man, cuttin’ your throat
Big bitin’ suckers gettin’ thrown in the moat
We got maidens and wenches, man they’re on the ace
Captain Bligh’s gonna die when we break his face

Most illingest b-boy, I got that feelin’
I am most ill and I’m rhymin’ and stealin’

Ali Baba and the forty thieves
Ali Baba and the forty thieves
Ali Baba and the forty thieves
Ali Baba and the forty thieves

Ali Baba and the forty thieves
Ali Baba and the forty thieves
Ali Baba and the forty thieves
Ali Baba and the forty thieves

Torchin’ and crackin’ and rhymin’ and stealin’
Robbin’ and rapin’, bustin’ two in the ceilin’
I’m wheelin’, I’m dealin’, I’m drinkin’, not thinkin’
Never cower, never shower and I’m always stinkin’

Yo ho ho and a pint of Brass Monkey
And when my girlie shakes her hips she sure gets funky
Skirt chasin’, free basin’, killin’ every village
We drink and rob and rhyme and pillage

Most illingest b-boy, I got that feelin’
I am most ill and I’m rhymin’ and stealin’

I was drinkin’ my rum, a deaf son of a gun
I fought the law and I cold won
Black Beard’s weak, Moby Dick’s on the tick
‘Cause I pull out the jammy and I squeeze off six

My pistol is loaded, I shot Betty Crocker
Deliver Colonel Sanders down to Davey Jones’ locker
Rhymin’ and stealin’ in a drunken state
And I’ll be rockin’ my rhymes all the way to hell’s gate

Most illingest b-boy, I got that feelin’
I am most ill and I’m rhymin’ and stealin’
Most illingest b-boy, I got that feelin’
I am most ill and I’m rhymin’ and stealin’

Most illingest b-boy, I got that feelin’
‘Cause I am most ill and I’m rhymin’ and stealin’
Most illingest b-boy, I got that feelin’
I am most ill and I’m rhymin’ and stealin’

Most chillinest b-boy
I am most ill and I’m rhymin’ and stealin’
Most killingest b-boy
I am most ill and I’m rhymin’ and stealin’

Most dustin’ out b-boy, I’m tossin’ my dust
Most finkinest b-boy, I’m doin’ that finkin’
Most rhyminest b-boy, I’m stretchin’ my shade
Most shootinest b-boy, I think you’re shit

Most rhyminest b-boy, I’ll steal your shit homeboy
Most taxinest b-boy, I’ll tax you boy
Most illingest illingest illingest b-boy
Taxin’ all y’all squares, yeah!

Maybe change “b-boy” to “pirate” or something?  Bandit?  Looter?  Outlaw?  Maybe the line “Because the Beastie Boys have gone A.W.O.L” to “‘Cause the Bloody Seamen have gone A.W.O.L”?  I’d pee my pants if I heard you all rapping.

So what would it take, guys?  Can we get a Kickstarter going, or what?

The Bloody Seamen

The Bloody Seamen

Dethlehem

Dethlehem

Chick-fil-A-Go-Go! 🎸🎤🎧🎵🎶


OK, so it’s been a while since I’ve been productively making music & actively writing songs.  Apparently the bug never goes away.  I have been thinking about doing punk rock-ish kids songs for a while.  (The Sablowskis beat me to it!)

Yeah, there is the AiXeLsyD reunion gig coming up… whenever that is, and it doesn’t seem like Ernie and the Berts was all that long ago.

I saw a contest online last week and it sparked me to get my ass quickly in gear. Music Go Round in Monroeville is holding a guitar giveaway, and I have been mentally drooling all over Eastwood Guitars online for quite some time. The Side Jack is pretty awesome!

It would be really cool if you could help me win this axe by clicking “like” on this post: https://www.facebook.com/video.php?v=698216686929723&permPage=1

It may help to follow or like the Music Go Round Monroeville, PA Facebook page too.  It has to be on that post on their page, no “likes” here or on my link(s) to it on my Facebook profile count.  Voting is only open this week, they pick a winner on the 27th!

As far as the song goes, I threw it together in under an hour with a downloaded app for the tablet, using crappy headphones, the built-in mic on the tablet, and my acoustic guitar down in the basement.  I think it shows.  But, I still think it’s a hooky tune with some potential.  I may have to recruit a few of the usual suspects or even some unusual ones to help me complete the process.

Molly is absolutely terrified of the Chick-fil-A cow.  My guess is that other kids are too. Seems like we can find a whole lot more to relate to with some feet-tapping tunes!

Chick-fil-A-Go-Go

Chick-fil-A-Go-Go

NOT a fan of the cow.

A post shared by Eric Carroll (@aixelsyd13) on

Bands vs. Venues: Who promotes? Who makes money? Can everyone “win”?


Rick from the Fallout Shelter brought up a great discussion topic on Facebook, and it inspired me to blog about it.

That’s a private group on Facebook, so here’s what was said in case you’re not a member:

Rick D'Agostino Looking for some feedback from the music community out there. Do you think that the $5 cover charge keeps you or your friends from attending shows at the Fallout Shelter that they might otherwise attend to check out new bands? In other words, are folks only willing to pay a $5 cover to see bands that they already know? And as a band member, would you rather play to a larger crowd with a tip bucket or to just a few people and make some gas money? I am thinking of making some changes. you can reply here or message me if you want. thanks!

Rick D’Agostino is looking for some feedback from the music community out there..

Dig?  So now, you have the gist of it.  My blog may go on its own little tangent, you never really know with these things.  It’s certainly worth talking about.

First, it’s clear that I’ve never been in a band where making money is the ultimate goal.  I’m amazed over & over that venue owners let me come in, set up, and play in front of people.  Sometimes we get money from the door, sometimes we get money from tickets sold, sometimes we give it all to the touring band, sometimes it’s a charity gig, sometimes no one shows up to pay anyone, sometimes we get some gas money or a couple of bucks to dump back into merch or something.

This is how it’s worked nearly everywhere and every time I have played:  Most of the time, the cover is $3 to $5, unless we’re opening for a national act & it’s through a booker where we’re asked to sell tickets.  Some call the latter “pay to play“, and rail wholly against it.  Some people have no problem selling tickets.  Some bands like mine do, but we try anyway.  At bar gigs, the cover charge is usually $5.  Sometimes it all goes to the bands, especially if it’s a bar & if you provide your own door person.  Sometimes it pays for a sound guy (if there is one) & a cut goes to the bar, then the bands get paid.  Sometimes locals defer and let the out-of-town bands take the cash (if there is one).  Sometimes you can play for free at open stages, sometimes you pay to get in at open stages.  Sometimes no one comes out to see you, and no one gets paid.  Sometimes the band gets free or discounted drinks.  It’s generally a no pay or break even situation.  You hope to sell merchandise and/or CD‘s if you have them, and the bar hopes to sell drinks & food.  The bands should promote and the venues should promote.  Some venues think the bands should do it all, some bands think the venue should do it all.  Generally 3 or sometimes 4 bands are all on the same gig.  Sometimes, it all works out, sometimes… it doesn’t.  This is how bands who largely play their own music are forced to operate.

That’s only 1 way.  There are many other “scenes” here overlapping in the ‘Burgh.

Cover bands… or human jukebox bands, can generally charge a fee for playing a certain style, genre, or “songs that people know”.  This is to provide entertainment to drunken Yinzer patrons who want to yell out requests.  You probably usually play 3 sets, maybe 4… and you’re the only entertainment all night.  You’re probably playing pop country, classic rock, or a little mix of everything.  Professional singers/songwriters operate pretty much the same way as described above, but can get away with putting in more of their own material.

High-class…  I know a band that plays funk, and can get $5000 a gig at the least.  They put their twist on a bunch of songs, dress up, bring lights, and put on one hell of a show.  I’m pretty sure I could never command that much cash for what I do… but how is one less relevant or entertaining?  They do weddings, corporate parties, and “events”.

I’m sure there’s other stuff out there that I’m not even aware of.  I can’t really speak for any other parts of the scene than the one I’m in.

I’ve heard the argument that charging only $5 is devaluing our craft.  Bands should demand more to be heard live.  It worked for Yuengling.  They raised the price on their beer in the late 90s/early 00s and they took off ahead of the other “microbrews”.  Should we then put a higher value on ourselves & our art?  If we raise the price do we raise our expectations?  Do we raise our worth?  Do we raise the value of our music & entertainment?

I also see that a cover charge can make or break a show.  Times are changing.  People aren’t spending money on entertainment.  Music is seen like it’s all supposed to be free.  Why would someone pay for a live show?  To me, if you don’t have $5 on you for a show, maybe you shouldn’t be going to a bar in the 1st place.  $5 might get you 2 beers if you’re a butthole & don’t tip the bartender.  Then again, we hardly ever walk away with any money anyway (the Fallout Shelter is an exception here, we get paid well there, regardless of turnout), so why not let people in for free?

The tip bucket.  I’d play for one.  I have no doubt that we’re entertaining.  Why not, right?  Do all bands split the tip bucket?  Or go per performance?  That if the 1st band up gets all the cash & the “cleanup” band gets nothing simply because the patrons ran out of cash?  Are we nothing more than indoor buskers if we play for a tip jar?  Is it a better measurement of our entertainment value to work for tips?  Does it devalue our art to basically beg for donations to support the rock n’ roll cause?

I certainly don’t want to see my favorite venues close because they can’t afford to operate.  I like to play them, I like to see other bands in them… I want them to do well.  I want them to continue to host my band & other bands.  I even want them to make a buck so it’s all worth their while, and so they can do it to make a living.

I just want to play.  I don’t care where, or for how much.  I have fun doing it.  I think this is an important discussion to have, though.  What is the value of live rock n’ roll?

So…

  • Would you play for less of a cover charge?
  • Should we charge more for shows?
  • Should bands play for tips?
  • How should the tips be split?
  • How does the venue make money?
  • Who pays the sound guy?

Leave your opinions in the comments below!

Related Articles

So, I’m gonna be a dad.


 

So, I’m gonna be a dad.  It’s crazy.  I’m the guy that plays in a punk band that sings songs about poop, gets his truck stuck in the mud, buys crazy guitars, and has Batman & Star Wars obsessions.  I barely have my own life together, and now my wife & I are going to be responsible for another one?  As crazy as it is, I think we’re ready.  It’s exciting.  We’ve been OK with the thought of having a kid for a while, it just never happened.  We’re glad it’s finally happening.  Some time in May, we should have a little boy or girl.  We go on Saturday for an ultrasound to get an exact date.

image

Someday, someone is going to call me “Dad” and my wife “Mom”.  The idea of it all is just incredible.  I’m sure I’ll be blogging about it all along the way.  Before I start, any fatherly or parenting advice?  Please leave some below!  (Not on Facebook to Twitter!)

 

Ernie and the Berts “EveryBody Poops” [Video]


Have you seen this yet?  It’s a work in progress.  We need your feedback.  Comment here, on ErnieAndTheBerts.com, or on YouTube Please?

Thanks to Howler’s and their new recording setup for this awesome video!

I haven’t forgotten about blogging.


I haven’t forgotten about blogging.  There’s just been a bunch going on lately.  The band had a few gigs back-to-back, & we’ve been trying to come up with new stuff.  The real job has been rather taxing of late, the workload and hours have increased.  The wife & I seem to have some sort of scheduled social or family function every weekend lately.  Our week at Living Waters is coming up & I’ve been preparing for that.  I started to work on my New York Pro guitar & chronicle that, but got to a stopping point & haven’t had time to get back to it.  I’ve been trying to pull together some mazes, new old, some unfinished… I want to get a bunch ready to go, then look at my best publishing options.  I’ve also been battling a nasty stuffy nose coupled with a summer cold & fatigue.

I’m certainly not complaining, there’s just a bunch of stuff going on.  I felt the need to explain the lack of posts.  I even have some drafts written on what I feel to be some entertaining subjects…  I just need the time to sit, make the graphics & write the posts that go along with them.

If you need some blog feed, check out:

Move Along, Move Along...

Move Along, Move Along…