Top 25 Albums?


My cousin recently made a Facebook post asking for your top 25 albums. No restrictions. Just the thought that 25 is easier, yet more difficult than a top 10.

He’s right you know.

Opening up the post top 10 or eve 15 tier really digs into stuff. There are a LOT of great albums that I skipped that really deserve to be on here. This is what I was feeling recently. This may be a slightly different list tomorrow or a drastically different list next year.

I took it as 25 albums that I dig, that I like to listen to the whole way through.

Top 25 Albums (Right now, anyway.)
Top 25 Albums (Right now, anyway.)

They may not contain my favorite songs from the artist, or may not be my top favorite artists, but these are 25 dam solid albums that I have enjoyed end-to-end on multiple occasions and sometimes on repeat.

Because I like to talk (type/read) about music on the internet, here we are. I’ll drop a short explanation. They’re ina alphabetical order, couldn’t begin to order them. Please, share yours in the comments.

25 is harder than you think!

💿

  • 12 Hits From Hell – The Misfits | This was the album that never was, that should have been. Is it the ultimate bootleg? Bobby & Doyle on the same tracks? Probably Glenn & I think the producer too? At any rate, the songs shine. It’s inherently an unnatural entity, but isn’t that in the spirit of melding dark campy lyrics with poppy melodies over distorted guitars and driving rhythms? I wish this got a proper release.
  • …And Out Come the Wolves – Rancid | This album is frantic and melodic and gravely and beautiful. How do you not like the unapologetic frantic pop punk shenanigans infused with a bit of street and reggae and ska? I know this is the album that “cool” rancid fans pretend is not the best. Listen to it. It smacks you around for less than an hour and makes you happy about it.
  • American Cheese – Nerf Herder | I had a hard time picking, because How to Meet Girls could easily be here too. I think “Jacket” is my favorite track, so that slightly tipped the scale. These guys are fantastic, and Parry’s solo stuff is a trip. You can tell they’re fans of a lot of the same stuff I grew up on. It doesn’t take itself too seriously. They can really craft a powerful melody.
  • Appetite For Destruction – Guns N’ Roses | I wore out this cassette tape at least 3 times. I have bought the CD more than a few times. A friend gifted it to me on Vinyl. I bought the digital version of the new 8,479 “disc” set… even though I may or may not have had decent quality bootlegs of 99% of it. I think it’s the first album I dove into head first. Just listening to how Slash & Izzy play off of each other, Axl’s layers of vocals octaves apart with Duff & Izzzy singing, Duff’s guitar-like bass grooves locking into Adler’s swing. Lightning in a bottle may be a cliché, but it totally fits here. These guys had their finger on the collective pulse of punk, metal, glam, hard rock, classic rock, and pop culture. They rocked harder than most of their peers and these are great damn songs. The arcing overall crescendo of “Sweet Child of Mine” was just epic, and definitely contributed to my itch to pick up a guitar.
  • Bitter Tongues – Ann Beretta | I heard “Bottlecaps” on a Lookout! or Asian Man or some other comp and just had to know more. I think pretty quickly, I acquired all the albums and even Inquisition and eventually Sixer, Foundation, and Rob Huddleston’s solo stuff. It reminded me a lot of Rancid, and obviously pays homage to the Clash and some more street punk stuff, and even folk or honky-tonk. These guys took their influences and blended them together so well to make something in a voice all their own. It’s anthemic. It feels working class-ish and just relatable and super catchy.
  • Bloody Kisses – Type O Negative | It doesn’t sound like anything else. I think I heard the “Blood & Fire (Out of the Ashes Mix)” on the Mortal Kombat soundtrack first. It was dark. It was Sabbathy and Misfitsy and Metallicish. I needed more. I think there was about a year where 90% of what I listened to was Black Sabbath, the Misfits, and Type O Negative. I used to put this on low on repeat when I went to bed at night. It is best enjoyed as a whole album. Even within a lot of the songs, it’s like there are movements. The metal guitars and incredible bass vocals are fantastic. Again, they had an incredible balance of humor, a dark scary tone, and it’s just… fun. Don’t tell anyone the goth kids are having fun though.
  • Boogadaboogadaboogada! – Screeching Weasel | If the Ramones created the pop-punk template, these guys stole it and ran. This is just a fun, snotty, whiny, poppy, witty, and goofy album. What a great sense of melody mixed with suburban angst and sloppy buzzing guitars.
  • Chimborazo – Foundation | Rob can really craft a song. This is a beautiful stripped-down heartfelt collection of stories in song form. It’s awesome how much emotion can be conveyed with a few lines. Rob is definitely up there as one of my favorite song writers.
  • Countdown to Extinction – Megadeth | I know. this is the “sell out” commercial album. You can’t deny that every track is killer metal while also being commercially successful. It represents a time to me where the “underground” stuff that I was aware of became mainstream. Why not celebrate more people being able to discover something you already know is great? Dave is a monster on the fretboard and sounds like an unhinged maniac on vocals. These songs are put together really well.
  • Danzig – Danzig | When you’re 15, Danzig is the coolest thing on the planet. Punk. Goth. Metal. Badass. He reads weird books! He reads comics! Rick Rubin probably deserves a lot of credit for image crafting and turning Samhain into this. John, Eerie, & Chuck provided a killer band! John definitely had an instantly recognizable sound. It sounded like metal, but it was clearly channeling the blues and hard rock. Danzig does not seem to have a sense of humor about his music, but that makes it humorous.
  • Dookie – Green Day | This was a solid album. Again, it brought stuff I liked to the masses. It took me a while to realize what a solid album this was. I don’t even know if I’d put Green Day at the top of my Favorite Bands list… but an this is a great pop punk album. Those drums! That wild bass! The vocal harmonies are perfection. Mike Dirnt is the yin to Bille Joe’s yang. You can tell these guys loved what they do. You can tell that subject-matter wise, they’re not the Sex Pistols or the Ramones… but they loved all that stuff. Is this skate punk? I don’t care about labels. This is well-crafted end-to-end and hit the right place at the right time.
  • Energy – Operation Ivy | A great example of working backwards to find gems. Like the Misfits, it has some Lo-Fi appeal that is just hard to quantify. Energy is so appropriate. It’s like they had to let it out before it became destructive. It sounds so sloppy but it is so tight. It’s chaos. It’s chocolate and peanut butter. Watch the East Bay Punk documentary!
  • For Dancing and Listening – Guns ‘n’ Wankers | I wish more people knew about Guns ‘n’ Wankers. I wish I knew more about Guns ‘n’ Wankers. This album stands alone as incredible. It’s a bit of a mish-mash as Fat Mike could not leave it alone for the Fat Wreck release. It’s missing a few of the more metal tracks. I don’t know if Duncan Redmonds wrote all the songs, or what. His sense of harmony is fantastic. The song structure is just great. The tone is great. I love where the vocals sit in the mix. It’s another example of great storytelling with just a few lines.
  • Good Company – The Dead South | Usually I like loud distorted guitars. I like them clean too. This is clean acoustic guitars, as well as some more traditional stringed instruments, and just powerful melodies and vocal arrangements. Some of the vocals almost sound painful and sorrowful. I dove pretty hard into their discography after hearing the first few tracks.
  • High Risk Behaviour – The Chats | These kids are what I wish AiXeLsyD was! Ha ha. They are cheeky, hilarious, and totally serious. Ha ha. These songs are super fun. I need an Australian to English dictionary. This is another one that I heard an instantly wanted more more more.
  • Kill ‘Em All – Metallica | What can I say about this album that hasn’t already been said? It is the template. It is the sum of its ingredients and the sum of it’s strong-willed creators. From start to finish it just assaults your eardrums and raises your heart rate. Those riffs! That bass solo! Is he singing about the apocalypse? All killer, no filler. I think the first time Metallica hit my radar, it was …And Justice for All. When I worked back to this my mind was successfully blown. It was SO HEAVY at the time, which seems almost quaint now. Again, they get hate for success, maybe borrowing too hard from their influences, or for not being cool to Mustaine, to selling out, but… you can say they have ever compromised.
  • Licensed to Ill – Beastie Boys | The kids that are too cool for school or old heads will give you Paul’s Boutique for sure. I get that, and respect that. Again, this album brought it to the masses. This made music fans give a resounding collective “What?” Hardcore kids rapping? Sampling? Playing guitars? I don’t care if it’s hip hop or punk or pop. I love it. Another Rick Rubin album on the list? He must be on to something.
  • Master of Puppets – Metallica | This album could be included for just “Orion” and the “do-do-do-do do-do-do” double-lead part in “Master of Puppets.” This is another cassette tape that I wore out at least twice. I remember it being a go-to when I used to mow lawns for cash. Metallica matured here, but they weren’t yet racked by tragedy or swelled with excess. You could feel what I think was Cliff exerting guidance & expertise. All these songs felt great together. My favorite Metallica songs mostly reside on other albums, but this album makes a great statement as a whole piece of art.
  • Ramones – Ramones | Again. This is an iconic no-brainer. Did the Ramones start punk? People will argue to the end of time citing earlier examples. Are they what you think of when you think of punk? They are to me. It’s either that or the Sex Pistols. This album is fantastic. Guitar panned hard to one side, bass to the other… so you can play along! Cranked out in just a week, it’s frantic. It’s intimidating. Its 4 guys that have no idea what they’re doing while simultaneously knowing exactly what they’re doing. It’s loud, it’s catchy, it’s funny, it just rocks.
  • State of Discontent – The Unseen | Yeah, another “sell out” album. The dirty street punks found a producer so they must be inherently evil and capitalist and whatever other darts you can throw. Regardless, it’s an album full of screamy-yet-melodic shenanigans and I’m all for it. It’s catchy without losing it’s edge in my opinion. These guys spit fire and you’re either flammable or not.
  • Static Age – The Misfits | It’s got “Last Caress” which is probably one of their most covered songs. It’s got a bunch of stuff that is lo-fi on its way to becoming hi-fi. It’s catchy, it’s campy, it’s sort of funny, it’s melodic, it has loud guitars, it checks all my boxes. It’s just fantastic.
  • The Impossible Kid – Aesop Rock | I don’t even know if I can do this album justice by writing about it. I don’t have his vocabulary. I got this album and could not stop listening, on repeat. It’s layer upon layer in between level upon level. It’s an introspective and deeply personal look at anxiety and artistry intertwining, but it is so incredibly relatable. The tracks flow right into each other. You don’t want to stop. It lacs the guitar presence of every other album on this list… but we need a little variety, right?
  • The Ozzy Osborne Years – Black Sabbath | Admittedly, I cheated. I could not pick a Sabbath album proper and I graduated from listening to the Bootleggy-ish We Sold Our Sul for Rock ‘N’ Roll to this all the time. This collects all the Ozzy stuff. The one sentence in the Wikipedia article about it is “This box set includes all songs from Black Sabbath‘s first six albums, excluding the songs without vocals.” It’s dark. It’s doomy. Iommi’s riffs are just massive, Ozzy melodies with Geezer’s lyrics and thunderous bass lines all marching along to Bill Ward’s inimitable swing is just crushing.
  • Tweet Tweet My Lovely – Snuff | This is definitely top 5, probably top 3, or even 1. Snuff have mastered sounding like snuff whether they’re playing punk, metal, ska, or anything else they want to play. Duncan Redmonds is a mad genius. Loz’s guitars sound beautiful… jangly almost. There are horns and keys throughout, and they’re not jarring. The vocal melodies and harmonies are epic. (Green Day cites them as an influence and you can immediately hear how.) I like everything Snuff has put out, but this was my first from them and it really encompasses the gamut of their sound.
  • Within a Mile of Home – Flogging Molly | I could have probably picked any Flogging Molly album. This is where my taste in music & my wife’s taste in music overlaps. (Although, I have brought her more into punk rock and metal than she has pulled me into pop and top-4o-ish country.) We always end up with Flogging Molly, Willie Nelson, or Johnny Cash on road trips… usually all 3. Flogging Molly definitely has a punk rock ethic and bent. They have beautiful tales set to music in a traditional Irish vein. It’s sentimental. It’s raucous. It makes you tap your feet. This is a collection of bangers that also tug at your heart strings.

Honorable mentions would probably have to go out to The Sword, The Bloodhound Gang, Masked Intruder, Aerosmith, Avenged Sevenfold, Graves, Gotham Road, Dogpiss, Duncan Redmonds, Rob Huddleston, Wat Tyler, Crotchduster, ALL, Descendents, Poison, The Devil Makes Three, Alice in Chains, Warrant, Peelander-Z, Willie Nelson, Def Leppard, Johnny Cash, AC/DC, Teenage Bottlerocket, Ozzy, Jimi Hendrix, and so many more that I am probably momentarily forgetting. Don’t even get me started on greatest hits, compilations, and soundtracks.

What are you waiting for? Leave yours in the comments!

I know I just said these are solid albums, but it doesn’t negate the fact that they contain solid songs too. Check out 2 tracks from each album!

Help me make a playlist: Metallica 101


So, Bethany is awesome and got us tickets to go see Metallica when they come to Pittsburgh in October.  We don’t have a whole lot of overlap in musical taste.  We have been to a bunch of concerts together, ranging from Flogging Molly, Rancid, Me First and the Gimme Gimmes, & the Dropkick Murphys, to Willie Nelson, The Devil Makes Three, Poison & even (Lord help me) Kenny Chesney.  This doesn’t even count the dozens (hundreds?) of club shows we have attended for the local and national levels back when I was actively gigging… which was mostly punk or metal stuff on a more local-ish level like Omegalord and Peelander-Z.  I think I have successfully sold Bethany on the awesomeness of punk rock.  We haven’t really delved into metal past what I have played in the car.  Even myself, I have gravitated more in the punk direction than metal listening over the years.  Perhaps due to a shrinking attention span?  Metallica stands as one of those influential bands for me as far as it being one of the earlier things I “got.”  A kid in 6th grade lent me his cassette of …And Justice for All, and it was all-in from there.  It led me to stuff like the Misfits, DanzigMegadeth, Motörhead, & Black Sabbath.  I wore out multiple copies of the Master of Puppets cassette.  The black album is a hugely definitive and divisive album, but it hit right when I was headed into high school, metal ruled the airwaves and guitar magazines, and grunge hadn’t yet stomped all over the oft-mocked hair metal’s reign supreme.  A Year and a Half in the Life of Metallica and Live Shit: Binge & Purge made me want to be a rock star.  My aunt & uncle took a me and a friend to the Guns N’ Roses & Metallica concert at Three Rivers Stadium.  That was the first and only time I ever saw them live.  It was my two favorite bands at the time.  It was awesome.  I’m anxious to go again.

That brings me to this;  How do I bring the wife up to speed on multiple decades of Metallica fandom, some of which even pre-dated my time as a fan?  Dave Mustaine getting bootedCliff BurtonJason NewstedHaircutsThe Napster thingJames catching on fireGoofy psychologistsLulu?  Lars’ drumming ability vs. his business acumen?  Kirk Hammett’s appearance of total passive and obedient participation?  “Four Horsemen” vs. “Mechanix”?

If you were going to make a mix tape playlist as an introduction to Metallica, what would you include?  Jokes about St. Anger or Load/Re-Load aside, what is the important stuff?  Audio?  Video?  Live performances?  Documentaries?  Metallica covering their influences?  Other bands covering Metallica?  Related bands?  Originals that Metallica has covered?  What videos would you say are essential?  MTV IconBehind the MusicWhen Metallica Ruled the World?  I know “One” is up there in my all-time favorite songs.  Do I start there, or go in chronological order?  Which instrumentals?

Playlist by the numbers


Lars Frederiksen

Lars Frederiksen

The other day I plugged my crappy old Insignia Pilot into the truck stereo’s auxiliary input,  & I started playing the songs on my trusty & hardly ever updated mp3 player in order by song title.  I have no idea why I decided to take it off of “random”, but I did.  (Sadly, my 500 GB hard drive has stopped working and unless it’s fixed I’ll lose a TON of music, so whatever this Best Buy generic brand mp3 player holds may be it for my collection for a while!)

I thought that “song titles that start with numbers” would be a pretty cool playlist.  I’d thought I’d share some of my favorites.

I noticed I’m missing a song that starts with 8.  Ha ha.  What songs would you put on your numbers playlist?  Dig any of these?

Insignia Pilot

Insignia Pilot

Zombie Apocalypse Playlist?


So Ultimate Classic Rock came up with a Zombie Apocalypse 2012 Playlist (in “honor” of the face-eater in Florida).  Great idea.  OK list.  Granted, the name of the site is Ultimate Classic Rock, but let’s add some more zombie songs.

Their list?

Tom Petty, ‘Zombie Zoo
Alice Cooper, ‘Zombie Dance‘ and ‘I Love the Dead
The Ramones, ‘Pet Sematary
The Zombies, ‘Time of the Season
Jonathan Coulton, ‘Re: Your Brains
Rob Zombie, ‘Living Dead Girl
U2, ‘Wake Up Dead Man
The Hooters, ‘All You Zombies
Michael Jackson, ‘Thriller

Let’s expand our list to cannibalism, face-eating, and general insanity or gore.

I’m sure there are many many more.  Help me list ’em?

Shaun of the Dead Zombies

Ultimate Classic Rock | Zombie Apocalypse 2012 Playlist

Obey the Zone. (Rock Concert Etiquette)


So, I’ve been to many types of shows at many types of venues.  From stadiums to bars and from backyards to amphitheaters.  I’ve seen rock shows, rap shows, country shows, and even Weird Al.  Most of the shows I’ve attended fall in the punk or metal categories.  The crowds can get rowdy.  It’s expected, perhaps even demanded.  I’ve pogoed in a circle when commanded to by Joey Ramone, sat nearly motionless in a sea of silver hair at a Willie Nelson show, and lost my shoe once in a pit at a Misfits show (only monetarily, and it was the first & last pair of Airwalks I’ve ever owned).  I’ve been rubbed up against the sweaty shirtless guy, been flogged by the windmill hardcore kid, and burned buy the a-hole with a lit cigarette in the pit.  I chalk it all up to part of the experience.  Hell, I even had my nose broken in a stage diving incident.  I’m no stranger to the pit.

A man crowdsurfing in a moshpit, uploaded from...

The people are revolting, pushing the sweaty shirtless smelly guy out of the group.

I’m not saying that it doesn’t have it’s place.  I’m just tired of the people who don’t “get” it.  It always devolves into 2 or 3 probably drunken buttholes flailing around like fish out of water trying to start some kind of fight or prove their manliness.  Generally people have good manners.  Most people in the pit are just out to have fun bouncing around to the music, until it gets ruined by the few flailers.

It’s a weird topic to discuss.  Saying the word “mosh” makes it an instantly corny conversation.  I hate to say the word out loud because I’m old and it’s a young man’s (or brave young woman’s) game.  It’s just getting out of control.  I don’t want to see it stop, I just want to see it not be ruined by the few, the proud, the imbeciles.  This was all sparked by our recent adventures at the Flogging Molly show(Which musically, is a rather tame band… but crowd-excitement is off of the charts with them.)

We all know the “unwritten rules”, right?  The only one that I’ve ever seen obeyed consistently is: If someone falls down, pick them up.  This proves to me that we’re mostly all just out to have a good time & not hurt anyone.  As for the rest, I guess I’m going to have to write them for you.

The biggest one and my spark for writing this blog?

STAGE | PIT | CROWD

Fig. A

Obey the Zone.  This is the biggest rule that you need to adhere to.  You can see in figure A that there is a clearly defined acceptable zone for pogoing / slam-dancing / moshing activity.  It’s in yellow and black… for caution.  It can get a little bigger or even smaller depending on the ferocity of the act on stage.  The blue area is the crowd in general.  Generally, there’s a row or two of people up front really into the band or show and unwilling to move no matter how many goofballs are bouncing off of their backs. This spills out & around to people that are just trying to watch the band.  Is this that difficult?  Am I wrong here?

Please see my additional figures B & C to help drive my point home…

No means no.

Fig. B

Meathead Zone

Fig. C

In figure B we see the big red symbol recognized as “No”.  This is where you’re not supposed to flail, push, agitate, or try to cajole others into moshing.  The other night when we were safely in this zone, a chubby young ginger-headed frat boy was doing exactly that, and looking at all of us like we were crazy for not wanting to hardcore dance with him 1-on-1 when it was happening with willing participants mere feet away.  Was this kid afraid of the real pit?  I say put on your big boy pants & get in there, Skippy.  Or better yet, move into the Idoit Zone as illustrated by figure C.

NO HARDCORE DANCING

This unwritten rule is written for you.

The idiot zone is formed when the people who do know how to act at a show force out the people who don’t.  This is where the “too metal for you”, “hardcore windmillers”, and “guy with Greek letters on his hoodie & daddy issues” go to play.  They’re convinced that no one can have a good time unless you go home with bruises.  They feel that they are integral to your having the correct concert experience by placing an elbow repeatedly in your ribs or fist in your eye.  They’re irate when you don’t want to participate.  They go to the idiot zone to act like a wind-up toy and get out their frustration.  They just paid $30-60 for a ticket, $9+ per beer, and $10-$20 for parking to ignore the band on stage.

No moshing sign, Bumbershoot 2010

Weenies.

You have to understand that the whole floor has the potential turn into that zone, and accept your risk of taking a wild hit or someone landing on you if you’re going to get down there anywhere close to the action.  You most likely dropped some serious cash to see this show, and you’re there to see and hopefully enjoy the band… not to get distracted or assaulted by some self-appointed chairman of the mosh commission.

Well, that’s the big rule.  What’s your take on concert etiquette?  I’ll list some others, you give me more in the comments.

  • No lit cigarettes (or other burning substances) in the pit.  Most venues in Pittsburgh don’t allow you to smoke in the first place.  Besides billowing toxic crap into my air, burning someone while thrashing around like a toolbag is not cool.  If you need to get high, go do it in a dark corner.
  • Don’t scream off-key into your neighbor’s ear.  I paid lots of money for the people on stage to scream into my ear, not you.  Shut up unless it’s a sing-along rock anthem.
  • If you’re on the edge of the circle, keep it from spilling over.  Push the lugheads back into the fold.  Protect the people around you who don’t want in it, and watch out for that kid that’s way too young to be there.  Might be good to not trample him to death before he can drive.
  • You are not a windmill.  No one thinks this is cool.  No one likes getting punched in the head.  No one is more entertained by you dancing like Frankenstein than by the band on stage.
  • We’re there to see the band, not you.  You are not that guy on the runway, a traffic cop, or a cheer-leading coach.  Stop gesturing wildly at people trying to get them to go in a circle, spin you around, run into you, or do the safety dance.

Now it’s your turn.  While you think/type, please enjoy the following…

Vodpod videos no longer available.

Windmill

This is not a dance.

(Also, feel free to post other songs about moshing, slam-dancing, circle pits, pogoing, or any related ridiculousness.)

Also… to the people who drink in the parking lot through the opening acts, then come in during the headliner barely knowing where you are or that you’re alive.  Just stay home & get drunk.  It’s cheaper and safer, and you don’t have the potential to puke on my shoes.

♡ Happy Birthday Bethany! ♡


Generally I blog about goofy stuff except for food allergies, and not much here takes a serious tone.  If you’re reading this, I assume you already know that.  A bunch has been going on with life lately, we’ve been through a whirlwind of ups & downs as things get increasingly hectic.  I’ll spare you the details as my good friends & family probably already know all the stuff we have going on anyway.  At any rate, that’s not the focus of this blog any way… it’s just the spark behind it.

The focus of this one is my wife, Bethany.  Her Birthday is today, and with it approaching while we have many other things going on… I didn’t want it to get lost in the shuffle.  I decided to make note and wish her a happy birthday here.  (Someone might have to tell her about this… I don’t think she reads it much because she hears most of my ranting live without the added benefit of a filter.)

Archery Camp 1997We’ve known each other for many many years and originally there was not even a remote spark of interest.  We have a wide age gap, and I was a counselor when she was a camper at our church camp, Living Waters.  I’m sure we talked, joked, and laughed… I even helped instruct her in Archery.  Sadly for the reader, nothing creepy was going on.

Many years later we went to dinner at Ritter’s as old friends catching up (thanks to AIM of all things), and something sparked there.  We generally don’t have much in common.  We have wildly different personalities.  We go together perfectly.

Beans N' CheeseI’m glad I have found my other half.  We like to laugh, and goof around with each other.  We meet on common ground where things are important.  Neither of us sleeps well when the other isn’t in the bed.  We do enjoy cooking together, entertaining, road trips, Flogging Molly, the RamonesJohnny Cash, & Willie Nelson.  I got her quoting Star Wars, she has me inexplicably interested in Glee.  We both like antiques, have an appreciation for the history of things.

We both have large & close extended families.  We all fit in all around.  That’s important to both of us.  We’re both still actively involved with camp, it’s a very special place to us on many levels any more.  We learn more about each other & ourselves with each passing year.

Bethany has brought out my sensitive side and I have given her a healthy dose of geekery & anarchy.  I’m proud of her for going to school and advancing her career.  I’m in awe of how she works with her special needs campers during recreation camp in the summer.  It takes incredible amounts of patience and mental strength.

She supports my crazy punk rock band, guitar acquisition habit, Batman & Star Wars obsessions, and puts up with lots of the History Channel and Discovery Channel.  She looks out for me with my crazy shellfish allergy, and takes care of me whenever I’m not feeling well or even if I’m just having a bad day.  She has gotten over rolling her eyes at my skull coffee mug.

So to Bethany, my wife & best friend, I want to say Happy Birthday!  I also want to tell you how much I love you and how glad I am that we are who we are.  I am a better man for for knowing & marrying you.  You are my favorite, and I’m glad we found each other.

♥

¿ɹoɟ ןnɟʞuɐɥʇ noʎ ǝɹɐ ʇɐɥʍ ‘os


Cover of "Cloak & Dagger"

Cover of Cloak & Dagger

OK, the last post was serious.  This one can be goofy …ridiculous even.  Help me out in the comments.

  • I’m thankful for my Dewey Decibel FlipOut because it hurts people’s heads.
  • I’m thankful that I can tell my wife to get in the kitchen and make me a sandwich, and she laughs & knows I’m not sexist.  It’s even better when I do something like this in the grocery store in front of elderly people.
  • I’m thankful that I don’t live any closer to the ocean.
  • I’m thankful that people read this blog, and pretend to find it entertaining.
  • I’m thankful that I’ve never purchased a Clarks album.
  • I’m thankful that I’m old enough to be like “back in my day” to you younglings.
  • I’m thankful that Al Gore invented the internet.
  • I’m thankful that I got to see Guns N’ Roses live before they imploded, and the Ramones before they quit & died.
  • I’m glad that I can remember the cold war.  Russians were much more fun than terrorists.  Cloak & Dagger or The Experts anyone?
  • I’m thankful that posting photos of food on Facebook is a ridiculously friend polarizing action.
  • I’m thankful that Boston Market is funny.
  • I’m thankful that I’m not these people or McDonald’s.
  • I’m thankful for kitten calendars.
  • I’m thankful that I’m not the person who bags giblets at the turkey factory, then shoves them in the turkey’s nether-regions.  (My apologies to those who are that person.)
  • I’m thankful for your eventual comments.

Imaginary Misfits/Ramones Cover Band Set List


So, a while ago… I stated in “print” on Facebook that I’d like to start a band that covered Misfits and Ramones songs… as well as some from the various related bands.  If this were something that I actually had the time to do, these are the songs I’d want to play:

Ramones vs. Misfits

Ramones vs. Misfits

I’d obviously like to play guitar, probably like to sing some.  Maybe it can be a project that plays once or twice a year around Halloween or something.  Maybe it’ll never happen.  I’m sure there are some glaring omissions in my list.  What songs do you like?  What would you add to the list?  What would you skip?  Would you come see this?  Would you want to be in the band?

If you’re crazy, check this out:

If you’re awesome, check this out:

The Satanic Bat – Satanic Brats EP


There’s lots of free music out there on the internet.  I decided to start pointing to some of it.

Sadly, bands disband.  For whatever reason, a lot of ridiculously awesome bands just peter out or implode or flat-out fall apart.  One such band is old time local rockers, The Satanic Bat.  I guess they’d be classified as stoner metal in the most generic sense of trying to pin them down.

My old band (Gasoline Dion) shared a practice space and a band member with these dudes.  (Regular readers will know I mention Dave all the time. If you have a band, check to see… Dave’s probably in it.) They even helped us record our album, but probably wouldn’t want their name attached to it.  (Maybe I’ll put that up for free in a later installment.)

These cats could (and individually still can) rock, and they had a sense of humor.  They were asked to play a Ramones tribute show… and they recorded an EP.  The resulting songs sound like Black Sabbath covering the Ramones.  Seriously.  Since I’m a big fan of both, this is one of my absolute favorites.

Mead Rock 2000 | Satanic Brat EP

Satanic Bat - Satanic Brats EP

Satanic Bat - Satanic Brats EP

Click the link or image above to go through to the old Bat blog post for details and the link to download.

TRACKLIST:

  1. Loudmouth
  2. Commando
  3. Beat on the Brat
  4. R.A.M.O.N.E.S.  (Motörhead)

For a weird anecdote… the show was played at Rugger’s with the Atomic Drops, of which Erin “Ernie” Payne was a member.  Now, Dave & Erin are my current partners in crime with Ernie and the Berts.

Other live Satanic Bat stuff is available in their old blog, I urge you to check it out if you dig this EP.  You can also buy their CD: Tales From the Southland, Tales From the Sea.

Steve & Josh went on to form Rogue Vessel.  Dave is in Dethlehem and Ernie and the Berts. Jon ended up quitting music for a while, but I hear he’s back?  Anyone have any info on that band?

At any rate, enjoy the EP… I’d love to hear what you thought of it.