Let’s start some #AxlRumors:


So, Axl is everywhere in the rock media world again and 15 year old me reads every stupid article like those it’s those goofy gossip columns in Rip or Metal Edge that used to be one sentence stories with bold rock star names jammed into one long nonsensical paragraph.  I’m actually excited to maybe try & see whatever version of Guns N’ Roses eventually ends up in Pittsburgh (if it makes it that long).

#AxlRumors

#AxlRumors

I even made a parody news article with my last post that fell super flat with no reads or comments.  Oh well, my bad.

I know I broke the one rule of blogging by never having regular steady content any more, but work with me here.  I want some interaction.  Maybe no one cares.  I guess we’ll see.

Let’s start some Axl Rose rumors.  Use the hashtag #AxlRumors on Twitter, Facebook, Instagram, or newer cooler social media platforms that I am wholly unaware of but still use hashtags.

You can post the url to your rumor(s) here in the comments, and we’ll see if it gets beyond this little corner of the internet, and if anyone finds their way back here.

Kapish?

I’ll start:

Now you.

⚠ Go! ⚠

(Don’t forget the #AxlRumors hashtag!)

Axl ‘Leaks’ Possible New GN’R Tunes


Recent reports have surfaced that Guns N’ Roses’ sole founding member and self-proclaimed demigod Axl Rose may have literally leaked tunes to the upcoming GN’R “reunion” album. TMZ has posted but since redacted an audio clip of Axl Rose passing gas taken via iPhone by a fan in an adjacent restroom stall at a roadside rest stop in Tennessee. Lucky listeners may note that the flatulence has a powerful sound that when transcribed as musical notes or tablature would make an incredible guitar riff hearkening back to the Appetite era, and sounds light years heavier anything on Chinese Democracy.

Axl squeezing one out on stage.

Axl squeezing one out on stage.

The fan asked Rose to autograph a sanitary toilet seat cover, but Rose declined stating that his new boss, Angus, wouldn’t allow it. Further investigation showed that someone had ripped the dispenser off the wall and urinated all over it anyway.

When Ultimate-Guitar.com reached out to Dave Mustaine for comment, Dave enlightened the all of rock and metal fandom…

“Axl and I had the same voice coach right around the time that I was kicked out of Metallica for writing better riffs than Jaymz and being a bigger douche than Lars. I’m great friends with Slash since we used to do heroin together, but I have to say that Axl’s farts make better riffs than the too-low-in-the-mix guitars the last Velvet Revolver album, whatever it was called.”

Dave went on to tell everyone that he wrote all of the essential building blocks for Metallica’s albums up until the black one, and that he could play all of the Metallica Metallica riffs and solos in his sleep with his balls on a Hello Kitty ukulele.

Izzy Stradlin recently came out of his hole, saw his shadow, and asked Blabbermouth.net to get off of his lawn.

Sebastian Bach tweeted about the news, adding that Axl’s farts not only sound great, but that they smell like fresh roses and have since 1997. He wishes he could maximize his own lower orifice potential and maybe that would finally convince the other guys in Skid Row to take him back.

Slash and Duff McKagan could not be reached for comment. Dizzy Reed and Gilby Clarke tried to comment, but no one would listen. Steven Alder has an upcoming exclusive interview with the every-other-week best-sale-ever flyer from Guitar Center, keep reading with us for updates when we steal that story before doing any fact-checking.

Matt Sorum still wants to punch Axl in the face, but would take the gig with Axl/DC if the current drummer tries to kill anyone.  He has been asking Rush if he can join their band.

Axl has also been rumored to be singing for Queen (to be billed as Rocket Queen), and for Jimmy Page, John Paul Jones, & Jason Bonham in a project billed as Red Zeppelin since Robert Plant won’t return any of their calls.  Rose’s trash collector’s brother denies rumors of Axl fronting a Dio-era Black Sabbath/Heaven & Hell tribute tour which may or may not include Bill Ward.

In related news, a special episode of ABC’s Celebrity Wife Swap will have Joe Perry and Slash trade places for a week to see how the other guy deals with each other’s wives & bands for two weeks on tour.

A reply to an anti-band rant from a venue…


They sadly had a lot of good points overshadowed by ignorance and arrogance:

I sort of blogged on Facebook itself.  First you have to read the original rant, I’d guess. Here’s what I said:

At first I found this amusing, but the more I read, the more the author seemed like an arrogant prick. Sadly, I agree with a bunch of the points on bad band behavior and have had similar rants as the person trying to organize a show or simply having to put up with the antics of another band.

#21. It shouldn’t hurt to ask.

#22. I think you meant “you’re.”

#23. You’re too cool to have a conversation with someone who may just be bored that they’re there with their kid’s band and they’ve heard all the songs 8004 times?

#35. If you use the R-word, you’re an A-hole. If you use the R-word twice, you’re a double A-hole, and you must shit in stereo.

#36. “Load-In Time.” If it’s a local band and they have a 6:30 load-in time, chances are they’re not going to get there on time. Unfortunately a lot of local musicians have day jobs that have a quitting time of 5:00 or later. Getting to the gig by then may be impossible.

To reply to an overall arc of the list… In general I understand clubs need to have people come to shows or they don’t make money or can’t pay the bands. I understand that a band needs to promote its ass off via word of mouth, flyers, classified and event pages in local rags, social media, and any other way it can… but clubs can do some of that too. I can’t get my head around being a draw. I’ve been in a handful of bands over the years that are generally and sometimes wildly well-received when put in front of a crowd… but have found it difficult to predict a draw or to become a steady one. Sometimes I have brought a crowd, sometimes I couldn’t draw if I had a bucket full of crayons and a stack of paper. How does one gain a steady and loyal following, oh great bringers of so much musical knowledge?

I have played many shows with no pay. I have been paid more than what came in the door at shows. I have bought T-shirts and CD’s from bands who were on tour knowing that was probably the only way they’d eat before they get to the next stop.

Things you missed:

  • Setup/Breakdown – Set your drums up before you get on stage. Take them off, then break them down. Don’t take longer to set up your amp and pedal board than it takes to play your terrible set.
  • Tune silently.
  • Watch the other bands, asshat. Also, don’t play first then take your crowd with you. Hang out, buy drinks, catch another act. Don’t hang out in the parking lot while the other bands are playing then swoop in like a rock star when it’s time for you to play.
  • Don’t complain about the monitor mix after every song, or blame equipment for your epic lack of awesome.

Also:

I should have blogged this, but didn’t think I’d rant that long. Ha ha.

Related reading:

Guest Post: How to book your band.


I’ve posted advice for existing and aspiring bands before, and I thought this email from a pro would be useful.  It was sparked when I saw his Facebook status the other day: “Great way to start the day: my favorite venue in the country complimented my email skills in contacting them to booking a date. It’s the highest praise I could hope for.”

The status went on to some comments & basically the author said he’d share the knowledge with those who cared to learn.  I asked if I could post it in a blog, and here we have it.  If you’re in a band on any level, pay heed to the advice below.

As far as background on Bengt, he’s in a band (& been in many), he records bands, he’s booked bands, and he’s generally been in every part of the scene.  He knows what he’s talking about.

Action Camp

Action Camp

On to the advice & the guest part of this guest post:

♪♫♩♬♩♫♪

Alright, so here is what we usually send like 99% of the time. There always a bit of customization but this is the basic format:

1. Greeting, name the booker if you know it (usually listed on indieonthemove.com or their website)

2. Band name (with a link to the website), genre, location.

3. Date(s) requested in bold. They love that, it makes it easier read. If you can swing 3-5 dates that’s best, it gives them room. Do them a favor and check the website for those dates first, they appreciate that a ton. Also make sure to follow their booking procedure to the T. A lot of places have a specific way they like to work (Facebook message, Sonicbids, email format, etc). If you do it right it shows you listened so you’re already at the top of the pile.

Also, if another band that’s played there before suggested it, tell them so. It’s like introducing yourself to anyone else and starting with saying you have a mutual friend. It’s a job reference.

4. Links to music, video, press – let them decide if they want to book you. The more you talk about how awesome you are and why you should be booked, the more they think you probably suck and are trying to gloss over it. It’s like handing someone your demo and saying it’s not your best work.

5. If you played there or in the city before tell them. If you know what you drew and stuff be honest, they love that.

6. Offer to help build the bill, and specifically name bands you know or have contacted already.

7. Thanks in advance, Thanks for your time, etc.

8. ALL of your contact info including phone numbers. It shows you are easy to reach and you have your shit together.

One final thing: DON’T say someone famous produced your record, quote random blog reviews, list facebook or twitter numbers, anything like that. No one cares about that if they know what their doing in the working touring circuit. Steve Albini producing your record won’t make 100 people come out in Dayton on a Monday night, and facebook and twitter followers are ostensibly your imaginary friends that only you can see. Plus, even you have 4,000 people odds are only 10 of them are near the venue you are trying to book.

Here is exactly what I sent to Southgate House:

Hello Morrella,

We are Action Camp, an art rock duo from Pittsburgh, PA.

We’re looking to see if you have Friday February 15th or Saturday the 16th available to book in the Revival Room – both look open on your calendar but I wasn’t sure if you would do a full house those nights. Our music is pretty different from what’s going on those nights so I’m not concerned about audience bleed over. This would be our 4th time to Southgate, 7th time in 3 years in the Cininnati/Newport scene. We know plenty of bands so we’d throw a bill together with 2 or 3 locals to help support.

– You can hear our music at actioncamp.bandcamp.com or at our website below.
– Here is a recent video from our 2012 summer tour
– And some press from our Winter tour just a couple weeks ago.

If these are unavailable I’d love to work something out in the future. Southgate was/is by far our favorite venue on tour, I can only assume the new house is great. Sincerely, I (Bengt) booked a venue in Pittsburgh, and based many of my practices on the way SGH was run by Rick and his crew.

Previous dates:

Parlour 10/1/2010 (Gallery Opening, free show, 100+ attending)
Parlour 1/2/2010 (w/ Duppy a Jamba, 97 paid)
Parlour Summer 2009 (Flux Capacitors last show, well attended, don’t have stats)

Our most recent dates in the area were both in Cincinnati:

12/8/2012 The Comet Cincinnati, OH (100+, free show)
7/5/2012 Sitwells Coffeehouse Cincinnati, OH (smaller acoustic show, last minute add on tour)

Thanks in advance, can’t wait to see the new place,

– Maura + Bengt (Action Camp)
http://www.action-camp.com
actioncamp@gmail.com
###.###.####

So that’s it, pretty simple. Just be honest and to the point. I also should point out that this was 1 of 10 venues we emailed on Christmas, and he got back just a day later with this response:

“Thanks for writing. Those dates aren’t announced yet, but they are spoken for. How about Wed Feb 13, or Sun Feb 17?

“PS – very well done email, especially listing previous show turnouts. You’re way ahead of the curve on that one, and it did persuade me to jump on this, and get you in!”

I always email every venue that would work for us in a city, it’s better to have choices than no show at all.

Hope this all helps,

– Maura + Bengt (Action Camp)
http://www.action-camp.com
actioncamp@gmail.com
###.###.####

♪♫♩♬♩♫♪

So, there you have it.  Got it?  Good.  Doing research in advance before you ask for dates seems like a no-brainer, but apparently it needs to be said.  I guess some bands naturally put more thought into stuff.

I’m not sure how you’d approach this if you had no previous gigs in an area… perhaps we can get Bengt to comment further for new bands, first time tours, etc.?

Check out the Action Camp video here:

☘ Flogging Molly, fights, fiddles, friends, family, folk, & fools… ☘


Had a great time last night at Stage AE for the Flogging Molly show!  It was a nice evening out, much closer to home than the last Flogging Molly show that we had to drive to Cleveland for, and we didn’t wait too long to buy tickets this time.  (Last time, we waited too long & it sold out!)  After arriving home from work, Bethany & I headed to Dormont Dogs for a nice quick meal.  (I had the Connecticut Ave. dog minus the onions, it was fantastic!)  We then battled and easily defeated the tunnel monster on the way to the north shore.

We got there early, because I’m generally OCD about getting to shows early.  We lined up outside behind the mob of green & black T-shirts peppered with the occasional tartan patterned kilt or someone who didn’t get the memo about wearing green to a Celtic punk rock show.  There were more people than I had expected.  It was windy, but not unbearable.  We were entertained by the 3 or 4 scalpers passing by asking for extra tickets.  One guy had his leg in some sort of brace or cast, and one guy was on a bike.  They mustn’t have scored any, because I didn’t see anyone selling them.

This was sadly the first time I’ve seen a show with the big room opened up.  I need to get to more shows down there.  (The 1st time I was there was to see Dethlehem and they were on the smaller bar stage.)  It’s a fantastic venue.  You have a nice view all around.  The only thing I’d change is having the floor slightly sloped… but then again I’m just short.  After getting a superficial pat-down at the door, we stopped & said hi to Jeff who was working & not setting any fires.  Then we made our way to the bar where I got a Killian’s Irish Red because I can’t really take too much Guinness.  The wife opted for water.  At a Flogging Molly show?  Water?  She must be the more responsible half.

We joined the pack of Yinzers crowding the merch table as we tried to get a look and get up front.  It was easy to see that the dude wasn’t taking orders from any other dudes… so my wife ordered our shirts and a patch once we squeezed our way to the front.  As I was getting a dollar out of my wallet to pop into the tip bucket, it fell into my beer.  So, dude got a soggy dollar & a dry dollar.  Sorry.  Not that sorry though.  You can still spend it.  I picked up a Devil Makes Three CD too.  I saw them online & liked what I heard.  I asked the merch guy which one he suggested.  He showed me the 1st album & the live one.  He seemed to indicate that the live one was a nice cross-section, so I went with that.

To the floor!  It was still relatively easy to make our way to the center & almost front of the floor.  Things were starting to pack in as we got there, it was pretty good timing & placement. We thought.  Bethany thought she smelled a skunk, and we were too far away from the obligatory dreadlock kid for it to be Patchouli & BO, so it was most likely the extremely pungent weed that we were smelling burning much later. (I bet area Taco Bell locations had a surge of customers after the show.) Our friend Laurel made a last-minute decision to come to the show, so she joined us right as the lights went down…

Brothers of Brazil | Stage AE (Pittsburgh, PA) 05/10/2012

Brothers of Brazil | Stage AE (Pittsburgh, PA) 05/10/2012

The Brothers of Brazil were up first.  Imagine a young Fred Schneider (or Michale Ian Black) on guitar and Billy Idol (or maybe even Johnny Rotten) on drums.  These dudes were quite interesting.  The guitar-work was amazing, & the drummer was quite the showman & very entertaining.  They had this weird samba punk rock vibe… it was odd.  I’d see them again.  I dunno if I’d buy an album.  It was fantastic that they opened & closed with a theme song.  I believe these dudes will do well for themselves.  I don’t think Bethany & Laurel were as amused as I was.

The Devil Makes Three | Stage AE (Pittsburgh, PA) 05/10/2012

The Devil Makes Three | Stage AE (Pittsburgh, PA) 05/10/2012

Up next was The Devil Makes Three.  The crowd stated getting a little more packed in, and a drunken kid beside me ruined the first 2 songs by slurredly “singing” loudly & off-key directly into my ear, until he decided that the crowd wasn’t as into it as he was, and muttered something about us being lame & pushing forward.  These dudes rocked quietly, but they play really well.  They have great melodies & harmonies… even though they were minus their regular bass player.  I have no idea what to call it. Is it folk? Alt country? Blues? Punk? It’s close-to-but-not bluegrass or rockabilly.  All I know is that I like it.  I’m gonna say if you like punk rock, Johnny Cash, Willie Nelson, or old folk or blues stuff… you ought to check these cats out.  They win the award for coolest guitars too.  Cooper McBean played a mean-looking old archtop with what I think was a P-90 mounted in it.  it looked like it had been left out in a sandstorm after someone dumped some paint-thinner on it.  I wanted it.  He mainly rocked the banjo & a tenor banjo.  The lyrics are great.  Check out this comic set to the lyrics of the song “The Bullet”.  I will see this band next time they’re in town!  Bethany really dug them too, being a country fan and all.  I think Laurel was trying to figure them out.

Well, we enjoyed the part of the set that wasn’t ruined by belligerent drunken meat-heads.  Starting at about the same time as The Devil Makes Three, the crowd directly behind us was swaying & getting rowdy.  Oh well, it’s a concert. We’re in the middle of the floor. That’s what happens. Until these testoster-tools behind us start arguing about something.  I heard something about touching or talking to a sister. I’m not sure. Maybe they were bumping into each other, maybe someone was trying to bump uglies. I was trying to pay attention to the blisteringly talented  band on stage. There was arguing, shoving, and a guy getting in the middle. Somebody’s “bro” got in the middle and then calmed things down.  Security was eying them and pointing flashlights from the ramps on the side, but apparently not responding.  Then everything was “cool” and it remained calm, for a song or two anyway.  All of a sudden I hear “oh my god!” and my wife is on the floor on her ass.  I pulled her up and swung around and yelled something to the effect of “Who the [expletive] knocked my wife on to the [expletive] floor?”  Two dudes larger than me in height and girth (one in a kilt as well as a drunken stupor) looked at me with an expression that can only be descried as “oh shit”.  I turned around to ask Bethany if she was OK.  She nodded.  I swung back around to the now large gap in the crowd surrounding the two sweaty ass-clowns and demanded that they apologize to Bethany. They did, looking like a dog that just took a dump on the living room floor, as security arrived to further scold them and ask me if Bethany was OK. Next time how about responding before a bystander gets knocked over?  I guess she saw one dingleberry trying to choke the other dingleberry as she got knocked down.  I would expect this kind of crap at a metal show, but for folk punk?  Way to uphold drunken Irish fighting stereotypes, McPotatoheads.  I don’t know if I would have punched those guys, or what… but apparently my tone of voice or the look on my face told them not to mess with me.  I thought security was going to drag me into it too as he was asking if Bethany was OK.  Later Laurel laughed as she said she thought I was going to swing & she’d end up jumping on the fat guy & throwing punches too.  Maybe we’re all a little too violent?

Finally, it was time for Flogging Molly!  Despite all of the drunken violence, the smell of burning leaves in the non-smoking venue, the guy in front of me repeatedly backing himself into my junk, getting sweat on me from the shirtless guy, and paying $12 for parking, we were having one hell of a great time!

Flogging Molly | Stage AE (Pittsburgh, PA) 05/10/2012

Flogging Molly | Stage AE (Pittsburgh, PA) 05/10/2012

If you’ve never seen Flogging Molly in action, I’m not sure how to describe it.  Seven people come on to the stage and sound like 70.  The crowd really started moving so I pushed Bethany & myself forward & off to the side as we lost Laurel with the first wave.  She found us not too long after that.  Dave King & company ripped through a bunch of hits & some stuff that they don’t regularly do live.  I remember it being a long set & how I liked every selection.  I could have watched them go for many more songs, even after the encore.  I can’t pick a favorite track, I like so many of them.  I really enjoyed “What’s Left of the Flag”, “If I Ever Leave This World Alive”, “Float”, & “The Son Never Shines (on Closed Doors)”, & of course “7 Deadly Sins”.  The inter-song banter keeps things light with songs that can have such heavy lyrical matter all the while to a happy beat.  You get the feeling that they’re all playing right from the heart.  You have this killer group of musicians that can probably between them master any instrument you might have lying around.  Dennis Casey has his hands full trying to compete with & leave room for all of the other instruments.  I was glad he got a spot for a guitar solo of sorts, in with the Guinness chug.  Every time I see a Celtic punk band, I get the urge to buy a Telecaster.  At any rate, Flogging Molly did not disappoint.  We’ll see them next time they’re in the ‘Burgh, Cleveland, or anywhere else nearby.  I know Bethany loved it, I think Laurel did too.  After the show, we ran into my cousin Patience.  Taste in awesome Irish music must run in the family.

☘☘☘☘☘☘

Dethlehem needs your help.


This is a commercial begging for your help.  It doesn’t involve a Sarah McLaughlin song, a puppy with one eye, Sally Struthers, or a starving child.  Without the usual ingredients, I’m not sure it will work.  So, I’m helping by spreading the word.

Help Fund Dethlehem 2012 Tour

Glorious Treasures shall be showered upon you!

It does involve a band stuck venturing out into a world that they don’t understand.  The warriors of Dethlehem have traveled in & out of Ghorusalem defeating all manner of orcs, ogres, trolls, & wizards; taming flying dragons; losing & gaining comrades along the way.  They are ready to conquer the evil plaguing your land, but they need gold in order to complete their quest.

Their magical horse needs new shoes, and fuel… and a chariot to carry all of their necessary battle gear.  In exchange for your allegiance and gold, you will be rewarded with protection from all manner of evil and special unique treasures.

Please watch their message below:

…and read their decree:

Help Fund Dethlehem 2012 Tour

They’re already part of the way to their goal, but they still need more help, my friends!  Kickstarter has worked for Ernie and the Berts in funding a forthcoming album.  I’ve written about Dethlehem many times before and consider them great friends… Please seriously consider helping these dudes rock the faces off the collective masses.

Help Dethlehem bring this sort of shenanigans to your town!

Overlord Brom commands you!

OVERLORD BROM

"Hmmwp Dwmwhmwm gmwn mwnwn Twrwr!"

✠ Dear Mr. Iommi, ✠


You’ve no doubt heard that Black Sabbath just announced that they were going to record an album of new material & tour with the original lineup…

You’ve probably also heard the news about Tony Iommi being recently diagnosed with lymphoma.  The band told us not long ago via their website that you could send get well wishes to Tony via email at getwelltony@black-sabbath.com.

I did that.

From: me@myemail.addre.ss
To: “getwelltony@black-sabbath.com” <getwelltony@black-sabbath.com>
Sent: Friday, January 13, 2012
Subject: – ✠ \m/ ✠ –

Dear Mr. Iommi,

I’m sure you have a grasp of your influence in the musical world, and on guitar players everywhere.  We look to you for not only inspiration as far as the most devastating guitar riffs on the planet, but also as a musician who’s resolve soldiered his band triumphantly through many decades.  I have read countless stories of your humility & friendliness.  I have several members of my family & great friends who have triumphed over the odds with various forms of cancer.  I have no doubt that the prayers, thoughts, and general good vibes of millions of fans, friends, family, and your brothers from Black Sabbath will only serve to strengthen your own personal iron will to defeat this disease and come out a stronger man.

Your music helped me learn to play the guitar, and whenever any people get together to jam for the first time, inevitably someone starts playing a Sabbath song, then another, then another…  I owe you a great many good times, sir.  I will pray for your health, pray for strength for your family & friends, & pray for guidance to the medical team entrusted with your care so that you may continue to have many more good times yourself.

Sincerely,
-Eric
.seitilibasid gninrael fo nuf ekam ot ynnuf ton yllaer s’tI

This is the auto reply:

From: Tony Iommi
To: me@myemail.addre.ss
Sent: Friday, January 13, 2012
Subject: Thanks for the Get Well Email! Re: – ✠ \m/ ✠ –

A short automated note to let you know that your email for Tony Iommi has been received.

Due to the overwheming crush of outpouring for Tony since his announcement on Jan 9th, please note that your email cannot be individually replied to.

It will however be read, and both Tony, and those who represent him are grateful for your prayers and thoughts at this time.

— Joe Siegler
www.black-sabbath.com

Rock on, Mr. Iommi.  Rock on.

English: Tony Iommi of Heaven and Hell perform...

IRON MAN

It would be beyond super-awesome…


Cover of "Don't Make Me Wait"

Don't Make Me Wait

It would be beyond super-awesome if you could come out to this show. Why? Ernie worked hard to bring Locksley to town.  They just got back from Japan, and they’re rocking selected cities around the U.S. You can’t deny their incredibly poppy sound & we can tell you that they put on one hell of a show.  Go to their site, check out the free EP, look ’em up on YouTube, hear ’em on TV, then come see ’em live next week with us at the Smiling Moose.

Original post here: I’ll take Locksley for $10, Alex!

Reposting below:

➳➳➳

You’ve heard their songs. You know Locksley even if you don’t know it. They’re the next big thing, and you have the chance to see them now! Ernie and one of the Berts saw them open for Fountains of Wayne in Philadelphia, and they dug it so much that Ernie decided to set up a show to bring these guys to the ‘Burgh!

Locksley

From Wikipedia:

Television, Press and Placements

Locksley performed “Don’t Make Me Wait”, “Let Me Know” and “She Does” on Jimmy Kimmel Live! March 2, 2007. They performed “Let Me Know” on Late Night With Conan O’Brien on August 13, 2007. MTV made Locksley their “Featured Artist of the Week” for two weeks straight on September 8–22, 2008.

After the release of Don’t Make Me Wait, Locksley were featured in multiple magazine spreads, notably SPIN Magazine’s “Breaking Out”, Rolling Stone‘s “6 Breakout Bands to Watch”, Alternative Press‘s “100 Bands You Need To Know” and in ELLE Magazine with an 8 page fashion spread in their March 2007 issue.

Many of the songs off of Don’t Make Me Wait were licensed for TV, commercials and movies, notably: “She Does” as the theme to HLN‘s Morning Express with Robin Meade, placement in the Friday the 13th remake, “Don’t Make Me Wait” as the trailer music to the Paul Rudd and Eva Longoria movie Over Her Dead Body and “My Kind of Lover” in the J.J. Abrams-produced Cloverfield.

On August 24, 2008, “All Over Again,” “Don’t Make Me Wait,” and “She Does” were made available as downloadable content for the popular Xbox 360 and PlayStation 3 game series Rock Band. The songs have been downloaded over 60,000 times to date. Locksley credits licenses with keeping the band going.[3]

Locksley wrote the song “Slink (A Hymn)” for use as the theme song to FOX’s TV show The Good Guys.

The ECHL hockey team the Toledo Walleye plays the chorus of “The Whip” whenever the team scores a goal at home.

Owens Community College uses “The Whip” in a number of radio and TV commercials. “The Whip” is also used in an American Family Insurance commercial, and has been used by the Columbus Blue Jackets, Detroit Red Wings, Vancouver Canucks, Toronto Maple Leafs, and Dallas Stars as their goal song since 2011-12.

➳➳➳

You can buy your tickets now to make sure you get them in your music-loving hands in time for the show. You can also buy at the door. Really though… It’s 2011. Try buying something online. It’s quick. Convenient. Easy.

❧ LOCKSLEY w/ Ernie and the Berts & The Mondaze - Tue. Nov. 15th 2011 @ The Smiling Moose (Pittsburgh, PA - South Side)

❧ LOCKSLEY w/ Ernie and the Berts & The Mondaze - Tue. Nov. 15th 2011 @ The Smiling Moose (Pittsburgh, PA - South Side)

Here are the show details, stay tuned for videos after the details:

➳➳➳

The Bands:

The Venue:

The Details:

➳➳➳

➳➳➳

http://twitter.com/#!/LocksleyMusic/status/128484733981179904

http://twitter.com/#!/LocksleyMusic/status/131161295209775104

http://twitter.com/#!/LocksleyMusic/status/131144967140814849

➳➳➳

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Ernie and the Berts – November Shows


We have some shows coming up.  You ought to attend.  We’re a good time.  I promise.

The Punk Rock Sock Hop Invades Pittsburgh! Sat.11/05/2011

The Punk Rock Sock Hop Invades Pittsburgh! Sat.11/05/2011

This is going to be one crazy show… bands, magic, a DJ spinning 50’s tunes, zombies, contests, prizes, and probably even drunk chicks.  You can get free admission and some other goodies from Pittsburgh Punk Rock with very minimal effort (if he extends the contest).  This benefits Free Ride Pittsburgh, and is a Pittsburgh City Paper Critic’s Pick for this weekend!  Click the flyer for details, links to all the other bands & entertainment!

Locksley, Ernie and the Berts, & The Mondze! 11/15/2011 @ The Smiling Moose!

Locksley, Ernie and the Berts, & The Mondze! 11/15/2011 @ The Smiling Moose!

Click the flyer for details, to see videos from all 3 bands, the link to buy tickets, and check the comments for the link to a free EP called Ghosts from Locksley with a fun Halloween theme!  Erin saw these guys in concert, and wanted to bring ’em here to the ‘Burgh.  You’ve heard the song “The Whip”.  Lets show them some love!  Help spread the word.

Concert Stereotypes


Rock Concert!

Rock Concert!

This topic was by my friend Laurel the other night at the Dropkick Murphys Shamrock-N-Roll tour.  I know I’ve had this conversation before with others.  I decided to take it & digitally run with it.  Stereotypes are generally a bad idea, but they sure are funny.  A punk rock show, or really any show… is full of them.  I’ll start a list.  You’ll contribute in the comments.

  • That” guy.  Formerly known as “the guy that wears the shirt of the band he’s going to see”, but shortened to “that guy” because that’s a mouthful.  I’ve been that guy.  I bet you’ve been that guy.  Somehow it’s sometimes seen as cool… and sometimes not.  This is probably more acceptable/expected at a Misfits or ICP show than anywhere else.
  • The “Windmill” Guy.  Generally, he’s in a college hoodie, maybe even with his Greek letters on it.  He’s visibly drunk, and probably double-fisting when not in the pit, flailing his arms around in an effort to be cool and badass by totally missing the point of slam-dancing or moshing by trying to hurt people… and take as much punishment as they can get.  You can also spot them by the off-kilter fitted cap, thank Fred Durst for these toolbags.
  • Old Creepy Guy.  I’m rapidly becoming this guy.  I’m cool with that.  The recent Shamrock-N-Roll show saw a really diverse group of concert-goers.  There were grandmas & grandkids all over the place!  Generally though, at smaller shows… there’s a lone dude just hangin’ out that doesn’t seem like he’d be into whatever’s going on at all.
  • Your new best friend.  Cat comes up & starts talking like you’re old buds.  No big deal right?  You’re obviously both fans of the same band, you’re both there.  What’s the harm?  The conversation turns way too intimate or inappropriate quite soon.  You have no escape.  This guy’s probably drunk.  Hopefully, anyway.  He has no concept of personal space, and is telling you all about the band/joke/logo on your T-shirt.
  • The “Stuffed Sausage”.  Generally a petite-in-height but not in girth young lady with self-esteem issues.  Most likely she started as quite an attractive curvy woman, but donned about 3 lbs. of makeup, pushed up and bared most of her boobies, hung some butt cheeks out of a tiny skirt or shorts… and all of her clothing is about 2 sizes too small.  I’m not hatin’, I’m just sayin’.
  • The nearly blind-drunk guy.  There’s always a stumbler ambling through the crowd that’s just there for beer.  At $30-$50 for a concert ticket without TicketBastard fees, and $7-$9 per tiny draft beer… the whole concept is pretty ridiculous.  This guy generally looks like he doesn’t belong anyway.  He squints to see, walks sideways while looking straight ahead, and smells like the floor of a brewery.
  • The militant lesbian.  I’m not going to say much here, for fear of getting beat up.  The partially shaved head and camo pants are a sexy sexy combo that’s always in style.
  • Lookatmytats. This dude or dudette has spent thousands of dollars & hours under the needle, so they wear as little clothing as possible in order to bare their epidermal canvass.  I would too were I all inked up, I think.  Generally this is accompanied by gauges or other “non-traditional” piercings.  Not to be confused with Lookatmytatas, who needs no explanation.
  • Wikipedia Guy.  This one is always directly behind or in front of me at concerts where you have an actual seat… also prevalent at Pens games.  Wikipedia guy isn’t here to be entertained, he’s here to wow the people with him & anyone in earshot with his knowledge of the band’s formation, various lineups, demo material, and complete discography including various pressings and formats.  I’m in danger of being this guy, and it’s so annoying.  I love my music & trivia… but try to only spout when asked, & not broadcast it.

That’s my starter list.

I know I’m missing more than a few that I see regularly, but I’m hoping someone else will think of them too… so I’m not all alone here.  What about the kid with headphones?  The super-fan?  The crying girl?  The PDA couple?

Please, leave the name of your concert-going stereotype in the comments section below.  If you’re feeling creative, how about a description too?  If you have landed here via Facebook or Twitter & you’re still logged in there… you can comment below with no hassles.  You can also just comment w/o logging in.  WordPress just asks for a name & an email address to go along with your comments, with the option of a URL.

What stereotype are you?  Which one do you love?  Which one do you hate?  Which one are you?  Which one am I?  Have any comments/additions/corrections to the ones I’ve already listed?

Perhaps I’ll compile another blog with all the results, perhaps they’ll just live in the comments section… but I need your help making the list!