This stated as a Twitter post/thread, and is ending up here.
Streaming services like @spotify and @amazonmusic need a feature that adds in related bands. I can tell @alexa99 to play Rancid, but I also wouldn't mind Lars Frederikson and the Bastards being in there, or Transplants, or Tim's solo stuff. Or even Rancid covers.
Streaming services like Spotify and Amazon Music need a feature that adds in related bands. I can tell Alexa to play Rancid, but I also wouldn’t mind Lars Frederiksen and the Bastards being in there, or Transplants, or Tim’s solo stuff. Or even Rancid covers.
Streaming needs to get smarter already. The Spotify “super grouper” feature picks the absolute worst songs from each selected artist.
Of course, I could just make a playlist. But, with a band like Blink-182 in the news, I wanted to dig into Angels & Airwaves, Boxcar Racer, & +44. I don’t know which songs to add to a playlist.
Also, if I want to listen to ALL, I could want to listen to the Descendents too. What about Guns N’ Roses, Velvet Revolver, Izzy Stradlin and the Ju Ju Hounds, Loaded, Neurotic Boy Outsiders, Slash, Slash’s Snakepit, Miles Kennedy & The Conspirators, all of it.
Snuff, Duncan Redmonds, Dogpiss, Guns ‘n’ Wankers would be another example. As would Misfits, Danzig, Samhain, Son of Sam, etc.
Saying one phrase or typing one into a searchboith to be able to bring them all up.
Is that bandtoband.com still a thing? That could be a reference for connected bands.
Teenage Bottlerocket & the Lillingtons. Screeching Weasel & The Riverdales. Ann Beretta, Foundation, Rob Huddleston, & Sixer. Metallica & Megadeth. Green Day, Foxboro Hot Tubs, The Network, & 300 other bands.
Even unrelated bands. Can I just say “Alexa play songs by Flogging Molly and The Dropkick Murphys” and not confuse the shit out of it?
I have an Ozzy/Black Sabbath playlist on Spotify with a ton of great stuff, including a plethora of killer covers. It took time to curate. I have similar ones for Metallica, Misfits, Guns N’ Roses, & Rancid. I need to transition them all to Amazon Music… we have the family account there since we’re using the firestick. I like Spotify’s suggestions better… but I can listen to Amazon sans commercials. I refuse to subscribe to another service, sorry Spotify. Oddly, most of those transfer services have a paywall once you surpass an unreasonably low amount of songs. I don’t even my remember my Pandora logins.
I would think AI could have probably pretty quickly picked up what I was putting down & fleshed it out.
I wouldn’t expect it to go this deep, but it could link Flogging Molly to Fastway.
With Hip Hop too… say all the solo projects of the members of N.W.A.? All that in one would be awesome.
Does something like this exist and I’m just not aware of it? I miss WinAmp.
I need to rip all kinds of older, local, & obscure stuff and put it on my own damn streaming server. I understand Google Music would let you do that before it collapsed? There is really a lot of stuff out there that you can’t stream, and some of my favorites don’t have their entire catalogs available to stream.
Help me out, audiofiles, music nerds, and techno geeks!
If you don’t know about Pat Finnerty, you should. He has a YouTube channel and he does a series of videos titled What Makes This Song Stink? among others (Now there’s a podcast too!). He has some witty observations, harsh truths, and is just lampooning guitar guy videos on YouTube. The pedal mobile is a thing of genius and pure hilarious delight. He says what a lot of us are thinking. He catches some wild connections or callbacks. He takes a joke way too far, which has always been something I am a fan of. It’s defiant. It’s hilarious.
As someone who has made art for it to mostly serve as a creative outlet that happens to have a very small circle of people who may have enjoyed it to varying degrees… It’s nice to see this guy get traction.
Writing, recording, and performing your own stuff lends itself to a certain level of judgement of others’ art. There’s probably some narcissism in there, but not at an unhealthy level. It’s not necessarily mean spirited, but it can be. I remain humble and understand that my creative output is not for the masses. I cater to a very small crowd with very similar tastes and no hang-ups about production quality. You have to wonder though… on some stuff… Why is this objectively certifiable crap popular? It’s hard to pin. It’s hard to point out.
I have played with some awesome musicians that “get it.” I have encountered many who do not. We are not on the same page. You’re not wrong in your opinions, but then again… you are. Pat gets it. Pat & I would probably disagree on a lot of things…. but we’d both have arguments to back it up. I appreciate his overall music nerdiness.
So, we all know I have a thing for guitars. I like ’em weird and I like ’em cheap. Anyone who plays & reads about guitars on the internet knows about the reality of G.A.S. and all its warning signs.
Rude Tech Falcondrive
I only have a few pedals. I mean, I could always use more. Right? I think the Falcondrive sparked this most recent attack. Eaglebones Falconhawk is the renowned stringman and Fender aficionado of the insanely fun band, The Aquabats!
It’s overdrive and distortion all in one… and I like all kinds of noise. I like high gain, overdrive, distortion, chorus, fuzz… all of it.
Eaglebones sounds great, and he’s a killer player… this takes two of his older beloved modified pedals and combines them all into one package. What’s not to dig about it?
Yeah. That got my interest piqued. Then between AliExpress and Amazon, I ended up in a cheap-ass pedal deep dive. I love cheap gear. But not garbage. We’ll say inexpensive gear.
How do the algorithms know? They’re listening.They’re reading.They’re watching.They’re pressuring.
I have sort of always been looking at an EHX B9 or the Earthquaker Organizer(or the EHX C9, Bass9, Key9. or Synth9 really). Honestly though, let’s face it; Most of my guitars cost as much as or less than these inarguably awesome quality pedals.
I found a super cheap and entirely crappy sounding sort of competitor online, then I found a slightly less crappy but seemingly more useful competitor online… still also pretty damn cheap.
That though, somehow led me to this, which does not sound super terrible: The Mooer E7 Synth. It is not quite as expensive as the big boys, but also doesn’t sound like a dying sound card from a Commodore 64. (Arguably, even that could be a valid fun sound to chase… but if you’re not going for that, then you probably don’t want it by accident.)
Why do I want a synth pedal? Because, for years when playing out in bands, one of the songs I always dug covering was “Cool Kids” by Screeching Weasel. It has two super short keyboard parts that I always just played on the guitar. I would be immensely amused by the 3½ seconds of satisfaction that would provide.
That’s how G.A.S. works, right?
That led me to the Mooer Pitch Box. I don’t even need a pitch box, but is sure sounds cool. And it’s cheap. Damnit. That just led me to the even cheaper VSN Harmonizer. And a drummer pedal! The struggle is real. The pedals have gained sentience and are conspiring.
Then, I found the Flamma FS01 Drum Loop, which looks like ridiculous amounts of fun.
Then there are the other pedals that I can’t forget. I love my Orange Micro Terror. Apparently they make it as a pedal now, The Terror Stamp. I use an A/B/Y sometimes to play through both the Micro Terror and the Fender Blues Jr. at once. It would be fun to Orange-up the Blues Jr., or to play the Terror Stamp into the Micro Terror to make the Orange even more Orange.
That got me to seeing about the recent Acorn Amps Solid State pedal made to emulate an old Peavy Decade amp made famous by Josh Homme. That made me nostalgic for my first amp, the Gorilla TC-35. It had a “Tube Crunch” knob, but no tubes. After I got a larger amp to be in a band setting… we used to use it as a PA at AiXeLsyD practice, and I think even at some living room and basement shows.
Is it possible to make into a pedal? I don’t have the skills. I have a soldering iron, but I am no good with it. I used to do drafting in high school, but I am lost on the schematics for electronics. It looks like at least two people have made the combo into a head(…OK, one was for bass). A schematic exists online. Someone even has a circuit board which emulates the circuits for the amp, but is small enough to fit in a pedal. Why make a $200 pedal for a $50 amp? Yes. Why? Also, why not?
I wrote all of that, and still don’t know the point. To relieve G.A.S.? I would guess it should only serve to exacerbate it.
YesFX
I mean, I do have a few pedals. They’re not even on a board. I had them on the cut-off bottom of a milk crate, but then I wanted to remove one. They are fun, and they do indeed do things.
This, hive mind, is where I need your help. Do I want more pedals? Yes. Do I need more pedals? Also, yes. They are sure to spark creativity. Use your wisdom to teach me. Can anyone build me a TC-35 pedal? I can get my wife to Cricut the logo in vinyl! Ha ha. Which pedals should I go for? What would you go for? I’m looking for those people experienced with these cheap pedals all over the internet. Send me your thoughts, reviews, & opinions!
Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.
OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.
A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)
I thought it would be fun to try and track down Dewey Decibel(a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!
After some emails exchanged, here’s the story from the man himself!
Hi Eric,
I’m awfully sorry there was a delay on getting back to you. I honestly have had my hands full this year, and it slipped my mind. Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point. And thanks for asking.
I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole. Just a thing I did – never mentioned it on stage. Played electric guitar, with synth sequencers for backing, plus voice.
One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind. I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars. I love him because he didn’t even blink, just said “sure, I can do that”. I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller. We did good work. I always played the original FlipOut, which started its life as a Fernandes brand Strat. I always had the IV drip by my side.
Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!
We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.
Here is what exists online, though there are 3+ albums and an EP somewhere:
Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)
At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band. In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer. There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please. I ordered some prototypes during that year, and tweaked things. Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived. That first NAMM show was funny funny stupid funny.
Art from the Dewey Decibel website.
The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM launch that I was in breach of their trademarks. This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.
I was living in a warehouse with boxes of these guitars and my drum set. It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines. The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One. I did care about the feel of the neck and the pickups. It’s self evident I think when you handle one.
I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely. Even took orders. The problem was that the whole business had me working in too many directions, and exhausted. I’d gone to Europe, and did a bunch of sales, there and in Australia too. I was overworking, and getting wiped out. This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy. But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer. I was too much of a lone wolf for them. So I went back to graphic design and animation. I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.
The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with. Austin really had cabs colored like the guitar.
I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff. Just joking – I guess it was inevitable someone would cash in.
Hey thanks for your interest. Hoping it fills in some detail.
Until now, this is pretty much all that was out there on the FlipOut!
FlipOut models & colors
How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.
The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.
Back in the day, I used to go to websites, message boards, chat rooms, or forums, & blogs. Now it’s mostly Facebook groups.
I’m a simple man. When not enjoying real-life things like family time, noodling poorly on the guitar, drawing mazes, or watching some funny or sci-fi-ish stuff on the TV, I enjoy reading things on the internet. This would include subjects like guitars, gear, guitars, music, Star Wars, guitars, guitars, and surprisingly enough …Guitars.
Picking up a theme? I’m in some guitar groups of varying purpose, from celebrating the instrument in general, to celebrating ugly ones, celebrating cheap ones, celebrating unique ones, alternating between building camaraderie or trolling between fellow guitarists, and making fun off bass players & drummers. I may have G.A.S. – It’s gotta be a real thing.
After a while, you start to notice a repetitive pattern of seemingly-canned responses.
At first, I thought of a drinking game. But, I’m too old for that, and I’m currently on antibiotics. Ha ha.
It may seem light a slight, but it’s not. I’m in there. I have said the thigs. I have typed the things. I have read the things. I have heard the things. We all have a common interest. This is a celebration of you, & us. 🍻
How quickly could you get a line, or even fill up the card?
What responses have I missed?
Please, elaborate in the comments.
GUITAR BINGO!
What would go on your Bingo card or cause you to take a drink?
What do I need to add to my pin boards?
I would love to hear what you have to add.
What are your favorite places to discuss and ogle guitars on Facebook or online in general? You can even share some of your favorite guitar photos or memes in the comments.
You may want to take a look at the Guitars & My Guitars categories here at the blog.
I finally got a permanent place set up to rock. All my guitars, ukes, amps, pedals, and even an electric kazoo are easy to quickly access and just start rocking when inspiration hits.
Axetopia? CBGB’s (Carroll’s Big Guitar Bunker)? The Guitarmory?
It still needs a name. I haven’t officially decided. I have been calling it “the music room” or “the guitar room.” Both of those seem boring. Maybe this? I find it amusing but clunky.
I may make some videos of guitar shenanigans as a creative outlet. Not sure what direction they’ll take. I’m not a particularly good or technical player, but I can demo some gear or do some fun silly stuff. I do already have a YouTube playlist started for my guitar-related videos.
The Postitive Grid Spark amp & app have really made jamming quick and fun… they have a cool in-app video feature, but it’s not much different than recording straight-up with the phone’s camera.
More setup inspires more setup. I need a way to store my physical media (mostly CD’s) so it’s easily accessible. I have a lot. Too many probably. I need to build some shelves and the stuff I’m finding online seems painfully expensive and not quite a fit. And I’d like to dump that all on a personal media server. I have a lot of stuff not available on Amazon or Spotify.
The next itch I can already feel will need scratching is some kind of recording setup. I’d like to layer stuff I can hear in my head, without the aid of a looper. I miss the days of a Tascam 4-track with a cassette tape. Maybe I’ll delve into a nice simple digital version of that.
The kids have guitars, ukes, and a keyboard too… and now we almost need drums and a bass or too, right?
At any rate… it’s important to have a creative outlet. Live isn’t conducive to me jamming regularly with a band right now. I only seem to do mazes when the inspiration hits, and I blog pretty randomly. Music is one more option for expression, creativity, and constant learning/exploring. I hope to foster the kids’ musical expression and drive home how important it is to remain creative themselves and appreciative of art in general.
Keep watching the blog, social media, and YouTube if you’re interested in the musical stuff.
Wow. Did you see the Michale Graves Instagram post before it went down? I wonder if it was pulled out of regret or cowardice. It’s disappointing to say the least to see an artist you admire make such a disgusting reference to white supremacy. I can only hope he doesn’t fully understand the message that he was putting out there.
@officialmichalegraves | deleted Instagram post.
I don’t want to spend too much time on it, or harp on it. Michale’s former bandmates have been coming out to disavow his point of view. You can find that stuff if you’re in the know. Obviously Info Wars is crazy shit, and the Proud Boys are even crazier. I’m not gonna link to or even Google it to give it any sort of credence. Even this hand symbol has been co-opted.
I just want to express that it sucks. Does disagreeing with the artist so much ruin the art? Has he always felt this way? Does a chip on his shoulder allow him to be easily indoctrinated into what amounts to a cult?
Obviously Misfits™ is not The Misfits. They were two different bands. I really enjoyed Michale’s contribution to vocals, and the energy at those Misfits ’95 era shows. Michale hits some great notes, and never tried to be be Danzig. Chud & Jerry sounded great behind Michale. His harmonies worked well with Jerry’s coaching.
I appreciated his songwriting. I think he came up with “Dig Up Her Bones” among others, which is probably my favorite Graves-era song. I enjoyed his demos after the departure from the Misfits. I really enjoyed the Graves album Web of Dharma & the song “Casket.”
When AiXeLsyDopened for Graves in 2001 at the American Music Café, it had to be one of my all-time favorite shows to play.
I have only ever had a few conversations with Michale and they were always very cordial.
I dug the Gotham Road album and the song “Creo Burn.” Everything after that was hit-or miss with me. I feel like Michale does his best work when amplified by & reeled-in by a band.
Like everyone, I’m sure he has struggles. I’m sure he has his own demons to battle. I’m sure he has said things he wishes he had never said. I can only hope this is one of them.
I just wonder… do you let the artist taint the art? Can I listen to these songs and remember the good times without thinking that he is a terrible human being?
Not that they must answer for each other, but it’s not like the rest of the Misfits set an extremely high bar for behavior or loyalty. They are all human beings. They’re flawed human beings who happened to make some great music together.
I hope the man apologizes, but more importantly I hope he finds the peace that he needs to get himself to that point. Anyone falling victim to these lines of thought is filled with misguided hate or aggression.
Have you ever let an artist ruin the art? Can the music stand on its own?
I may be missing some. Not sure? I have seen so many local shows, I don’t know if I ever actually played some oft-frequented venues. It’s amazing how many places I have played that are gone.
I know I am missing a bar in Kitanning, and the names of a few places. Maybe even a private show or two? If you know of some, help me out!
Narrator: “Up next on Guitar Hoarders; Jim, 48, a self-professed ‘Blues Lawyer’ from Oaklahoma is going through a divorce due to his recent failure to remove 27 partscasters from his bathroom, leaving his soon-to-be-ex-wife to do her business in the rose bushes out back.”
Narrator: “Jim’s wife, Tonya, thought the rented apartment two towns over was for another woman, but it was way worse than she could have imagined. It was full of Chibsons and falsely advertised ‘Lawsuit Era’ LP copies that were actually nothing of the sort.”
Tonya: “I wish his browser history had said PornHub or RedTube, but no… it was all Reverb, eBay, ShopGoodwill, Craigslist, and the lowest of the low… local & national guitar forums on Facebook!
Don’t even get me started on LetGo and OfferUp. I wish I had found Tinder or even Grinder. That, I could deal with.”
Narrator: “Tonya did at least see a bright side to all of the madness.”
Tonya: “I mean, I guess at least it wasn’t Reddit.”
Jim: “I guess I don’t need that many guitars. I mean, I don’t get to play as often as I like. Most of my time is spent online explaining to n00bz how tone wood makes a huge difference, why I think Gibson is overrated and how they have gone downhill, the best types of wood for a fretboard, you know… the important stuff. There are some real idiots out there. How can you have fun if you’re not getting the best possible tone from your fingers?”
Narrator: “Jim is seemingly unaware that he has a problem.”
Jim: “GAS? No, never heard of it. Wait, is that the psychobilly jam-band that plays every open stage night at Free Beer Tomorrow over in Tulsa? No?
Anyway, did you know that Slash’s Les Paul that he used on Appetite for Destructionwasn’t even a Gibson? And now they endorse him? I mean. If you don’t know that, you shouldn’t even be allowed to play Guitar Hero.”
Tonya: “I’m currently living with my sister. Her husband plays the bass, so he can’t afford to have a hoarding problem.”
Jim: “That guy? He doesn’t even know the difference between active and passive pickups. Heh.”
Narrator: “At this time, Jim refuses counseling. He thinks they can work it out.”
Jim: “I was teaching her how to play, but Mel Bay is so dumb. We re-started with a ‘Top 50 riffs of all time’article form an old guitar magazine out of my pile. I mean, there are only 8 notes, right? Or is it 12?
I was trying to tell these guys at the county fair that they were playing the riff for ‘Lay Down Sally’ wrong, but you just can’t tell some people things. I have a tabographic memory. That’s where you can instantly remember every guitar tab that you have ever seen.”
🎸
TLC, I have another TV show for you. This is a comment from a guitar group gone awry because I amuse myself way too much. Who wants to do a YouTube sketch comedy show for a very specific audience?
The song “Degenerated” from the movie Airheads is one of my all-time favorites. If you’re a fan of the movie, you no-doubt know the song. And if you’re a music nerd in general, you probably know that it’s a Reagan Youth cover. I would love to know more about the song. I have collected most of the “who,” but I would love to know the “why.”
Check out the two songs and then we’ll get into why I have so many questions & what they are.
OK, here are the players involved from the information that I gathered on Wikipedia, IMDB, Discogs, & wherever else I clicked;
Jay Yuenger and Sean Yseult of White Zombie fame played on the recording of the song, with Brendan Fraser on vocals. (Seriously, that bass part so damn awesome, & the guitar solo is blistering. Sean & Jay both really rocked it.)
Yuenger & Bryan Carlstrom produced the track. Bryan produced & engineered stuff by White Zombie, Alice in Chains, Anthrax, The Offspring, Social Distortion, & more.
Who decided to use the song? The director, the music guy, the writer, the musicians?
Why that song? The running joke about Chazz writing the song for his girlfriend or before he met her makes it even funnier because I wouldn’t remotely call it a love song. Did someone just really like the song? Was licensing cheap all around? Did they ask Paul Cripple for permission? What does he think of the song? Did Dave Insurgent ever get to hear it?
Why metal up a punk rock song? They seemed like an 80’s holdover kind of band. Was it a statement on Grunge being a punk n’ metal hybrid?
Why are there different chord changes? The chord progression is different, but the melody (and I use the term loosely) is the same. The cover may be tuned below standard if I remember correctly? Someone more musically versed may be able to explain the difference I just know when playing by ear on guitar they’re totally different progressions.
Why the lyric change?( I assume to keep the movie rated PG-13?) Most notably a removal of the F-word and references to constipation (Lone Rangers Lyrics/Reagan Youth Lyrics). Who made the changes?
Who played drums? Jay, Sean, Bryan, or were there other uncredited musicians?
“The Lone Rangers? That’s original. How can you pluralize ‘Lone Ranger?'”
I’m sure I have more questions that I haven’t thought of here. Does anyone out there know the explanation?
It is 2017. I may have to reach out via Facebook , Twitter, or email to all of the players involved to see if I can get an answer. (If they even remember.)
Sadly, Dave Insurgent passed away in 1993 & Bryan Carlstrom passed away in 2013.
I just really dig both versions of the song, the movie, and that it led me to checking out more Reagan Youth. Is it weird to be a fan of a song by a fictional band? Hey, I dig “Three Small Words” too, and that was produced by Babyface.
Do you like either version of this song? Do you have a song by a fictional band that you really dig? Do you know any of the relevant information here? Let me know in the comments!
Now I’m off to look at naked pictures of Bea Arthur and eat cottage cheese out of a football helmet.
World (and Lunar) Domination 