The Pedal Itch.


So, we all know I have a thing for guitars. I like ’em weird and I like ’em cheap. Anyone who plays & reads about guitars on the internet knows about the reality of G.A.S. and all its warning signs.

The Falcondrive guitar pedal from Rude Tech & Eaglebones Falconhawk (Ian Fowles) of The Aquabats!
Rude Tech Falcondrive

I only have a few pedals. I mean, I could always use more. Right? I think the Falcondrive sparked this most recent attack. Eaglebones Falconhawk is the renowned stringman and Fender aficionado of the insanely fun band, The Aquabats!

It’s overdrive and distortion all in one… and I like all kinds of noise. I like high gain, overdrive, distortion, chorus, fuzz… all of it.

Eaglebones sounds great, and he’s a killer player… this takes two of his older beloved modified pedals and combines them all into one package. What’s not to dig about it?

Yeah. That got my interest piqued. Then between AliExpress and Amazon, I ended up in a cheap-ass pedal deep dive. I love cheap gear. But not garbage. We’ll say inexpensive gear.

Mooer E7 | Mooer Pitch Box
RudeTech Falcondrive | Flamma FC01 Drum Loop

How do the algorithms know? They’re listening. They’re reading. They’re watching. They’re pressuring.

I have sort of always been looking at an EHX B9 or the Earthquaker Organizer (or the EHX C9, Bass9, Key9. or Synth9 really). Honestly though, let’s face it; Most of my guitars cost as much as or less than these inarguably awesome quality pedals.

I found a super cheap and entirely crappy sounding sort of competitor online, then I found a slightly less crappy but seemingly more useful competitor online… still also pretty damn cheap.

Obi Wan, doing the thing.  👋
“You want to buy the pedals.”

Behold the Aural Dream Organ Synthesis B & Organ Synthesis A. They sound like hot buttered ass.

That though, somehow led me to this, which does not sound super terrible: The Mooer E7 Synth. It is not quite as expensive as the big boys, but also doesn’t sound like a dying sound card from a Commodore 64. (Arguably, even that could be a valid fun sound to chase… but if you’re not going for that, then you probably don’t want it by accident.)

Why do I want a synth pedal? Because, for years when playing out in bands, one of the songs I always dug covering was “Cool Kids” by Screeching Weasel. It has two super short keyboard parts that I always just played on the guitar. I would be immensely amused by the 3½ seconds of satisfaction that would provide.

That’s how G.A.S. works, right?

That led me to the Mooer Pitch Box. I don’t even need a pitch box, but is sure sounds cool. And it’s cheap. Damnit. That just led me to the even cheaper VSN Harmonizer. And a drummer pedal! The struggle is real. The pedals have gained sentience and are conspiring.

Then, I found the Flamma FS01 Drum Loop, which looks like ridiculous amounts of fun.

Then there are the other pedals that I can’t forget. I love my Orange Micro Terror. Apparently they make it as a pedal now, The Terror Stamp. I use an A/B/Y sometimes to play through both the Micro Terror and the Fender Blues Jr. at once. It would be fun to Orange-up the Blues Jr., or to play the Terror Stamp into the Micro Terror to make the Orange even more Orange.

Gorilla TC-35 Tube Crunch guitar amplifier.

That got me to seeing about the recent Acorn Amps Solid State pedal made to emulate an old Peavy Decade amp made famous by Josh Homme. That made me nostalgic for my first amp, the Gorilla TC-35. It had a “Tube Crunch” knob, but no tubes. After I got a larger amp to be in a band setting… we used to use it as a PA at AiXeLsyD practice, and I think even at some living room and basement shows.

Gorilla Amps Logo

Is it possible to make into a pedal? I don’t have the skills. I have a soldering iron, but I am no good with it. I used to do drafting in high school, but I am lost on the schematics for electronics. It looks like at least two people have made the combo into a head (…OK, one was for bass). A schematic exists online. Someone even has a circuit board which emulates the circuits for the amp, but is small enough to fit in a pedal. Why make a $200 pedal for a $50 amp? Yes. Why? Also, why not?

I wrote all of that, and still don’t know the point. To relieve G.A.S.? I would guess it should only serve to exacerbate it.

My current guitar effects pedals:

Quinnamp Dirt & Ernie
DigiTech Trio
DigiTech FX3X
Planet Waves PW-CT-04
Ammoon Pock Loop
LiveWire Solutions ABY Box
Ernie Ball Wah
YesFX

I mean, I do have a few pedals. They’re not even on a board. I had them on the cut-off bottom of a milk crate, but then I wanted to remove one. They are fun, and they do indeed do things.

This, hive mind, is where I need your help. Do I want more pedals? Yes. Do I need more pedals? Also, yes. They are sure to spark creativity. Use your wisdom to teach me. Can anyone build me a TC-35 pedal? I can get my wife to Cricut the logo in vinyl! Ha ha. Which pedals should I go for? What would you go for? I’m looking for those people experienced with these cheap pedals all over the internet. Send me your thoughts, reviews, & opinions!

The story of the Dewey Decibel FlipOut guitar.


Bert - a.k.a. ERiC AiXeLsyD - rocking the Dewey Decibel FlipOut Lit Cigarette model.
Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.

OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.

A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)

I thought it would be fun to try and track down Dewey Decibel (a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!

After some emails exchanged, here’s the story from the man himself!

Line of FlipOut guitars & BottomOut basses from the Dewey Decibel website.

Hi Eric,

I’m awfully sorry there was a delay on getting back to you.  I honestly have had my hands full this year, and it slipped my mind.  Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point.  And thanks for asking.

I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole.  Just a thing I did – never mentioned it on stage.  Played electric guitar, with synth sequencers for backing, plus voice. 

One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind.  I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars.  I love him because he didn’t even blink, just said “sure, I can do that”.  I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller.  We did good work.  I always played the original FlipOut, which started its life as a Fernandes brand Strat.  I always had the IV drip by my side.

Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!
Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!

We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.

Here is what exists online, though there are 3+ albums and an EP somewhere:

https://deweydecibel.bandcamp.com/

Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Guitar & Vocals) ● John Howard (Bass)
Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)

At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band.  In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer.  There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please.  I ordered some prototypes during that year, and tweaked things.  Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived.  That first NAMM show was funny funny stupid funny. 

Dewey Decibel - FlipOut & BottomOut
Art from the Dewey Decibel website.

The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM  launch that I was in breach of their trademarks.  This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.

I was living in a warehouse with boxes of these guitars and my drum set.  It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines.  The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One.  I did care about the feel of the neck and the pickups.  It’s self evident I think when you handle one.

I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely.  Even took orders.  The problem was that the whole business had me working in too many directions, and exhausted.  I’d gone to Europe, and did a bunch of sales, there and in Australia too.  I was overworking, and getting wiped out.  This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy.   But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer.  I was too much of a lone wolf for them.  So I went back to graphic design and animation.  I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.

The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with.  Austin really had cabs colored like the guitar.

I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff.  Just joking – I guess it was inevitable someone would cash in.

Hey thanks for your interest.  Hoping it fills in some detail. 

Thanks

joe

For the Raging Guitar Houdini in you!

(ddB)™

What led Dewey Decibel, Brooklyn's recording enigma, to do what he did to his guitar that night? Frustration. His friends had snubbed him, his car had been totaled, but worst of all, his reading comprehension was way down, and he could feel the stares when he entered a room. That fateful night, Dewey did grab for his guitar, slamming his bedroom door, not to emerge for countless weeks (though he did leave once to go to a class on "Appalachian Fingertip Dancing"). It was during these weeks, through a period of painstaking research, made even more difficult by an ill-fitting lab coat, Dewey did travel to the edge of insanity. But once there, decided he'd rather be at the brink of madness, so he quickly switched when no one was looking. And when at last he did emerge, witnesses reported he held in his hand something resembling a guitar on muscle relaxant. Dewey Decibel's FlipOut™ was in their midst. And now, it is in yours.

www.flipoutguitar.com Write to us at flipout@deweydecibel.com

The guitar design configuration of Dewey Decbel's Flip Out™ is a trademark owned by Joe Gerardi of Dewey Decibel Inc. Any replication of this trademark is prohibited by law.

Dewey Decibel
Until now, this is pretty much all that was out there on the FlipOut!
Dewy Decibel FlipOut models | Invisible, Lit Cigarette, Barry Levelthal, Austin City Cab, Scandalicious, Shameless.
FlipOut models & colors

How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.

The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.

Check out the Facebook fan page if you’re a fan, would like to share photos of yours or you with it in action, have one for sale, or are looking for one: Facebook | Dewey Decibel FlipOut

I would also, of course, love to hear from you in the comments!

If you want to see me and my FlipOut in action, check out the stuff below this list of links.

Also, check out these links if you’re looking for more:

Ernie and the Berts “Toybox”:

Ernie and the Berts – “Everybody Poops”:

Ernie and the Berts – “Kate Winslett” (A poor cover of The Silver Brazilians):

Ernie and the Berts – “Ikea”:

Me just rocking this one in the basement in 2016:

Guitar-Related Facebook Forum Bingo!


Back in the day, I used to go to websites, message boards, chat rooms, or forums, & blogs. Now it’s mostly Facebook groups.

I’m a simple man. When not enjoying real-life things like family time, noodling poorly on the guitar, drawing mazes, or watching some funny or sci-fi-ish stuff on the TV, I enjoy reading things on the internet. This would include subjects like guitars, gear, guitars, music, Star Wars, guitars, guitars, and surprisingly enough …Guitars.

Picking up a theme? I’m in some guitar groups of varying purpose, from celebrating the instrument in general, to celebrating ugly ones, celebrating cheap ones, celebrating unique ones, alternating between building camaraderie or trolling between fellow guitarists, and making fun off bass players & drummers. I may have G.A.S. – It’s gotta be a real thing.

After a while, you start to notice a repetitive pattern of seemingly-canned responses.

At first, I thought of a drinking game. But, I’m too old for that, and I’m currently on antibiotics. Ha ha.

Bingo then? I made two crude BINGO cards with some free online help from My Free Bingo Cards and Bingo Baker,

It may seem light a slight, but it’s not. I’m in there. I have said the thigs. I have typed the things. I have read the things. I have heard the things. We all have a common interest. This is a celebration of you, & us. 🍻

How quickly could you get a line, or even fill up the card?

What responses have I missed?

Please, elaborate in the comments.

What would go on your Bingo card or cause you to take a drink?

What do I need to add to my pin boards?

I would love to hear what you have to add.

What are your favorite places to discuss and ogle guitars on Facebook or online in general? You can even share some of your favorite guitar photos or memes in the comments.

You may want to take a look at the Guitars & My Guitars categories here at the blog.

Finally set up a place to rock.


I finally got a permanent place set up to rock. All my guitars, ukes, amps, pedals, and even an electric kazoo are easy to quickly access and just start rocking when inspiration hits.

AiXeLsyD13's Guitar Room
Axetopia? CBGB’s (Carroll’s Big Guitar Bunker)? The Guitarmory?

I have talked about it, or even blogged about it for years.

It still needs a name. I haven’t officially decided. I have been calling it “the music room” or “the guitar room.” Both of those seem boring. Maybe this? I find it amusing but clunky.

I may make some videos of guitar shenanigans as a creative outlet. Not sure what direction they’ll take. I’m not a particularly good or technical player, but I can demo some gear or do some fun silly stuff. I do already have a YouTube playlist started for my guitar-related videos.

The Postitive Grid Spark amp & app have really made jamming quick and fun… they have a cool in-app video feature, but it’s not much different than recording straight-up with the phone’s camera.

I have been having a blast playing along to stuff on YouTube… from stuff from my old bands, to Black Sabbath, to Snuff, to the Ramones, and my new favorite song to play along to; “Bigger than Kiss” by Teenage Bottlerocket.

More setup inspires more setup. I need a way to store my physical media (mostly CD’s) so it’s easily accessible. I have a lot. Too many probably. I need to build some shelves and the stuff I’m finding online seems painfully expensive and not quite a fit. And I’d like to dump that all on a personal media server. I have a lot of stuff not available on Amazon or Spotify.

The next itch I can already feel will need scratching is some kind of recording setup. I’d like to layer stuff I can hear in my head, without the aid of a looper. I miss the days of a Tascam 4-track with a cassette tape. Maybe I’ll delve into a nice simple digital version of that.

The kids have guitars, ukes, and a keyboard too… and now we almost need drums and a bass or too, right?

At any rate… it’s important to have a creative outlet. Live isn’t conducive to me jamming regularly with a band right now. I only seem to do mazes when the inspiration hits, and I blog pretty randomly. Music is one more option for expression, creativity, and constant learning/exploring. I hope to foster the kids’ musical expression and drive home how important it is to remain creative themselves and appreciative of art in general.

Keep watching the blog, social media, and YouTube if you’re interested in the musical stuff.

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Train your miscreants young.

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Making progress.

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Gonna need more walls.

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👽

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Green LED's! #AllMyAxes

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'MURICA. 🇺🇸🎸🤘 #SparkAmp

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So, I’ll take your suggestions in the comments!

  • What should I officially call the axe-cave?
  • Where can I get cheap media shelves for over 1500 CD’s & other assorted media?
  • What do you want to see in guitar videos?
  • What’s a good cheap recording solution?

Share your space to create in the comments too!

Artistic Disappointment. ☠️


Wow. Did you see the Michale Graves Instagram post before it went down? I wonder if it was pulled out of regret or cowardice. It’s disappointing to say the least to see an artist you admire make such a disgusting reference to white supremacy. I can only hope he doesn’t fully understand the message that he was putting out there.

@officialmichalegraves | Instagram post- proud western chauvinist?
@officialmichalegraves | deleted Instagram post.

I don’t want to spend too much time on it, or harp on it. Michale’s former bandmates have been coming out to disavow his point of view. You can find that stuff if you’re in the know. Obviously Info Wars is crazy shit, and the Proud Boys are even crazier. I’m not gonna link to or even Google it to give it any sort of credence. Even this hand symbol has been co-opted.

I just want to express that it sucks. Does disagreeing with the artist so much ruin the art? Has he always felt this way? Does a chip on his shoulder allow him to be easily indoctrinated into what amounts to a cult?

Obviously Misfits™ is not The Misfits. They were two different bands. I really enjoyed Michale’s contribution to vocals, and the energy at those Misfits ’95 era shows. Michale hits some great notes, and never tried to be be Danzig. Chud & Jerry sounded great behind Michale. His harmonies worked well with Jerry’s coaching.

I appreciated his songwriting. I think he came up with “Dig Up Her Bones” among others, which is probably my favorite Graves-era song. I enjoyed his demos after the departure from the Misfits. I really enjoyed the Graves album Web of Dharma & the song “Casket.”

When AiXeLsyD opened for Graves in 2001 at the American Music Café, it had to be one of my all-time favorite shows to play.

I have only ever had a few conversations with Michale and they were always very cordial.

I dug the Gotham Road album and the song “Creo Burn.” Everything after that was hit-or miss with me. I feel like Michale does his best work when amplified by & reeled-in by a band.

Like everyone, I’m sure he has struggles. I’m sure he has his own demons to battle. I’m sure he has said things he wishes he had never said. I can only hope this is one of them.

I just wonder… do you let the artist taint the art? Can I listen to these songs and remember the good times without thinking that he is a terrible human being?

Not that they must answer for each other, but it’s not like the rest of the Misfits set an extremely high bar for behavior or loyalty. They are all human beings. They’re flawed human beings who happened to make some great music together.

I hope the man apologizes, but more importantly I hope he finds the peace that he needs to get himself to that point. Anyone falling victim to these lines of thought is filled with misguided hate or aggression.

Have you ever let an artist ruin the art? Can the music stand on its own?

Places where I have played.


Just having fun a while ago, making a map of venues where I have played. For no reason other than fun.

I may be missing some.  Not sure?  I have seen so many local shows, I don’t know if I ever actually played some oft-frequented venues. It’s amazing how many places I have played that are gone.

I know I am missing a bar in Kitanning, and the names of a few places.  Maybe even a private show or two?  If you know of some, help me out!

I have blogged about my old bands, my guitars, & guitar-o-batics. This was just a trip down memory lane.

Have you mapped shows that you have played or attended?  A touring map would be impressive!

Did you attend any of these shows?  Share some memories below!

Should you be featured on #GuitarHoarders? 🎸


Narrator: “Up next on Guitar Hoarders; Jim, 48, a self-professed ‘Blues Lawyer’ from Oaklahoma is going through a divorce due to his recent failure to remove 27 partscasters from his bathroom, leaving his soon-to-be-ex-wife to do her business in the rose bushes out back.”

Narrator: “Jim’s wife, Tonya, thought the rented apartment two towns over was for another woman, but it was way worse than she could have imagined. It was full of Chibsons and falsely advertised ‘Lawsuit Era’ LP copies that were actually nothing of the sort.”

Tonya: “I wish his browser history had said PornHub or RedTube, but no… it was all Reverb, eBay, ShopGoodwill, Craigslist, and the lowest of the low… local & national guitar forums on Facebook!

Don’t even get me started on LetGo and OfferUp. I wish I had found Tinder or even Grinder. That, I could deal with.”

Narrator: “Tonya did at least see a bright side to all of the madness.”

Tonya: “I mean, I guess at least it wasn’t Reddit.”

Jim: “I guess I don’t need that many guitars. I mean, I don’t get to play as often as I like. Most of my time is spent online explaining to n00bz how tone wood makes a huge difference, why I think Gibson is overrated and how they have gone downhill, the best types of wood for a fretboard, you know… the important stuff. There are some real idiots out there. How can you have fun if you’re not getting the best possible tone from your fingers?”

Narrator: “Jim is seemingly unaware that he has a problem.”

Jim: “GAS? No, never heard of it. Wait, is that the psychobilly jam-band that plays every open stage night at Free Beer Tomorrow over in Tulsa? No?

Anyway, did you know that Slash’s Les Paul that he used on Appetite for Destruction wasn’t even a Gibson?  And now they endorse him?  I mean.  If you don’t know that, you shouldn’t even be allowed to play Guitar Hero.”

Tonya: “I’m currently living with my sister.  Her husband plays the bass, so he can’t afford to have a hoarding problem.”

Jim: “That guy?  He doesn’t even know the difference between active and passive pickups.  Heh.”

Narrator: “At this time, Jim refuses counseling.  He thinks they can work it out.”

Jim: “I was teaching her how to play, but Mel Bay is so dumb.  We re-started with a ‘Top 50 riffs of all time’article form an old guitar magazine out of my pile.  I mean, there are only 8 notes, right?  Or is it 12?

I was trying to tell these guys at the county fair that they were playing the riff for ‘Lay Down Sally’ wrong, but you just can’t tell some people things.  I have a tabographic memory.  That’s where you can instantly remember every guitar tab that you have ever seen.”

🎸

TLC, I have another TV show for you.  This is a comment from a guitar group gone awry because I amuse myself way too much.  Who wants to do a YouTube sketch comedy show for a very specific audience?

Guitar Collection 2017

Degenerated


What’s Johnny doin’ out on a Tuesday night?

The song “Degenerated” from the movie Airheads is one of my all-time favorites.  If you’re a fan of the movie, you no-doubt know the song.  And if you’re a music nerd in general, you probably know that it’s a Reagan Youth cover.  I would love to know more about the song.  I have collected most of the “who,” but I would love to know the “why.”

Check out the two songs and then we’ll get into why I have so many questions & what they are.

OK, here are the players involved from the information that I gathered on Wikipedia, IMDB, Discogs, & wherever else I clicked;

Here’s what I want to know;

  • Who decided to use the song?  The director, the music guy, the writer, the musicians?
  • Why that song?  The running joke about Chazz writing the song for his girlfriend or before he met her makes it even funnier because I wouldn’t remotely call it a love song.  Did someone just really like the song?  Was licensing cheap all around?  Did they ask Paul Cripple for permission?  What does he think of the song?  Did Dave Insurgent ever get to hear it?
  • Why metal up a punk rock song?  They seemed like an 80’s holdover kind of band.  Was it a statement on Grunge being a punk n’ metal hybrid?
  • Why are there different chord changes?  The chord progression is different, but the melody (and I use the term loosely) is the same.  The cover may be tuned below standard if I remember correctly?  Someone more musically versed may be able to explain the difference I just know when playing by ear on guitar they’re totally different progressions.
  • Why the lyric change?  ( I assume to keep the movie rated PG-13?)  Most notably a removal of the F-word and references to constipation (Lone Rangers Lyrics/Reagan Youth Lyrics).  Who made the changes?
  • Who played drums?  Jay, Sean, Bryan, or were there other uncredited musicians?

“The Lone Rangers? That’s original. How can you pluralize ‘Lone Ranger?'”

I’m sure I have more questions that I haven’t thought of here.  Does anyone out there know the explanation?

It is 2017.  I may have to reach out via Facebook , Twitter, or email to all of the players involved to see if I can get an answer.  (If they even remember.)

Sadly, Dave Insurgent passed away in 1993 & Bryan Carlstrom passed away in 2013.

I just really dig both versions of the song, the movie, and that it led me to checking out more Reagan Youth.  Is it weird to be a fan of a song by a fictional band?  Hey, I dig “Three Small Words” too, and that was produced by Babyface.

Do you like either version of this song?  Do you have a song by a fictional band that you really dig?  Do you know any of the relevant information here?  Let me know in the comments!

Now I’m off to look at naked pictures of Bea Arthur and eat cottage cheese out of a football helmet.

Reflective Retrospective Recollective


AiXeLsyD 🎸 Gasoline Dion 🎸 Ernie and the BertsSo, recently turning 40 has me reflecting on life in general (which is pretty damn great) & on my accomplishments as a “musician” even though I’m not actively gigging right now.

I’m pretty self-deprecating of my musical talents, but I am proud of the major part of the aural art that I helped create.  I compiled and uploaded a few of my favorites after using Audacity to clip out some silence and mp3Gain to try to get all the volume levels somewhat similar.

If you’ll indulge me I’d like to give my thoughts & memories on each of these songs that I was proud to be a part of with AiXeLsyD, Gasoline Dion, & Ernie and the Berts.  If I have any of the stories, names, etc. wrong, please correct me in the comments.  Being that these are punk rock(ish) bands, you may find the content explicit and/or objectionable.  Don’t say I didn’t warn you.

🎸

  1. Gasoline Dion – “Shameless Plug”

    [SoundCloud/YouTube] | Tommy came up with this cool shuffling progression and I played a super easy solo over it.  I believe we kept the first take of the solo even though at the time I thought I could do better.  It’s not perfect, but it’s fun.  It was cool to open shows with this then rip into something completely different. It was called “Tommy’s Jam” until an inside joke on a local message board inspired the new name.

  2. AiXeLsyD – “Wait”

    [SoundCloud/YouTube] | Probably the first song that I wrote that I liked, and probably the first original that we worked on in the band.  We dug on this & recorded it a million times.  It morphed a bit, but was basically the same simple jam.  Ben doubling the vocals an octave lower and the guitar part at the end really fills it out.

  3. Gasoline Dion – “Pickle Farm”

    [SoundCloud/YouTube] | Tommy had recorded this song solo, and it contributed to the itch that I needed to scratch when we formed Gasoline Dion.  I really liked the melody.  I think he stole the lyrics from Space Ghost or Brak.  This song to me is about not being a square peg that’s forced into a round hole.  I liked singing background vocals & playing guitar.

  4. Ernie and the Berts – “Toybox”

    [SoundCloud/YouTube] | Erin wanted to start a band to play rocked-out Willy Wonka covers.  That never happened.  This did.  It was the first original that stuck, and an early recording became the soundtrack to a friend’s video project.  Dave learned to play drums in/for this band.  This is a nice simple driving groove and is the perfect vehicle for the introduction of Erin’s gnarly gravelly voice.

  5. AiXeLsyD – “Hopeless & Heartless”

    [SoundCloud/YouTube] | I wrote this on the outside of seeing someone with a broken heart.  I thought it was pretty catchy.  The “whoa-oh’s” are overkill but oddly necessary in my humble opinion. I think An-Die, Ben, & I are all singing on multiple tracks here.

  6. Gasoline Dion – “Cold”

    [SoundCloud/YouTube] | This riff was a leftover AiXeLsyD riff that almost became part of two songs but never really went anywhere.  Mike had some leftover Who’s.Keeping.Score? lyrics that Dave & I re-arranged.  Dave & I work really well on arranging musical parts & lyrics. I really really dig Tommy & I singing together on this one.

  7. Ernie and the Berts – “Fred Rogers”

    [SoundCloud/YouTube] | Erin supposed that a local hero may not really be a hero on this one.  Maybe he read that weird urban legend.  I really like the guitar part here, although it’s missing some kind of effect in my head.  Wah?  Phaser?  Not sure.  Erin let me just go goofy with background vocals here.  I felt like Danzig or that Not-Danzig guy in the Cult.  I love how this song builds into chaos.

  8. AiXeLsyD – “Stand Up”

    [SoundCloud/YouTube] | This is where it all pulled together, and it was the last proper thing we recorded.  Ha ha. An-Die wrote the riff & lyrics, I arranged them.  Ben came up with the guitar noodling& octaves riff. I think I came up with the stupid  guitar part for the verse. I really dig my guitar solo here,even though I went too long.  (Oddly, this sounds a lot like “Anything, Anything (I’ll Give You)” by Dramarama as played by Buckcherry.)

  9. Gasoline Dion – “Political Songs (With Deep Meaning)”

    [SoundCloud/YouTube] | I was listening to a lot of the Unseen, I think.  I don’t really write political stuff that often.  This was taking the piss out of that genre.  Dave sounded better on it with vocals.  I scream “feet” in the background and give the creepy laugh at the end.  We lost the original lyrics, so Dave used what he remembered and made the rest up on the fly.  I don’t really think any one ever tried to intemperate a deeper meaning. If they did, they didn’t tell us.

  10. Ernie and the Berts – “Don’t Fuck With Ernie”

    [SoundCloud/YouTube] | It was hard to tell if Erin was serious or joking a lot of the time. He had a deadpan delivery, and it was hilarious. To deliver this ridiculousness so seriously is hilarious to me.  I think I sort of came up with this riff over top of his bass line.

  11. AiXeLsyD – “Dave Ugly’s Girlfriend”

    [SoundCloud/YouTube] | It’s “Dave Ugly’s Girlfriend”, not “Dave’s Ugly Girlfriend.”  People always seemed to get that wrong.  Dave Ugly played bass & sang for one of our favorite local bands, Useless Torment.  I don’t tell the story as well as An-Die, but Dave was apparently saying he loved him, and An-Die was playing the “even if…” game, and arrived at this.  I remember being “mad” when Sum 41 came out as a punk band rapping.  I think Boner played guitar on this one and Ben played Drums?

  12. Gasoline Dion – “Bitch Pants Opera”

    [SoundCloud/YouTube] | I don’t know if we could do this one today.  People seem so easily offended.  It’s just a joke.  We don’t really care if you wear girl pants.  We’re not insinuating or implying anything.  We look ridiculous too.  Another Dave vocals song, I am screaming the high parts.  All of us are in the beginning. I think the breakdown was inspired by hardcore /screamo kids in skinny jeans doing the windmill and Peelander-Z’s “S.T.E.A.K.”

  13. Ernie and the Berts – “Ikea”

    [SoundCloud/YouTube] | Dave suggested I try a little more dynamics with space and clean.  Dave is usually right.  You can do a lot with the same 3 chords over & over. This was a slice of Erin’s life, full of his observations.  We almost got permission to go in & shoot a video there.  Somebody must have really listened to the lyrics.  He had “nicer” ones prepared just in case we needed to sell out.

  14. AiXeLsyD – “Love, Hopes, Dreams, & Smiles”

    [SoundCloud/YouTube] |I think An-Die hated this one.  I liked the noodling& the melody.  The lyrics are super dumb & trite.  The song was made infinitely cooler when Ben put in that volume swell in the final mix.  That was never there, then we started doing it live after he did that to the recording.  This could probably be punched-up a little bit more.

  15. Gasoline Dion – “Two of a Kind”

    [SoundCloud/YouTube] | Tommy sings like an angel.  I have no idea what in the hell he’s talking about here.  I think Dave & Mike made this honky-tonk-ish.  I played a little solo under Tommy’s vocals at the end because nobody ever told me not to.  The end sounds like the Misfits’ “NY Ranger.”

  16. Ernie and the Berts – “I Don’t Wanna”

    [SoundCloud/YouTube] | Erin stole this one from a band called Suck-Your-Brains-A-Go-Go.  I don’t know if they ever recorded it.  I should ask the man who wrote it some time.  We made it ours. I think Bengt punched-up some of the guitar & added a bit of harmonies during the recording process.

  17. Gasoline Dion – “Shameless Plug (Reprise)”

    [SoundCloud/YouTube] | Same thing as the first track, second solo take by me with a wah pedal this time. Dave is also on guitar making crazy noises and soloing in between all of my notes.  Ha ha.  If you don’t “get” the speaking part, watch the Josie and the Pussycats movie some time.

I’d love to know what you think, or to read/see/hear your own memories about these bands or in any bands or projects in which you have participated.   Did I miss a song or two that you may have remembered or liked?  Comments (or likes or whatever is deemed social-media-appropriate) on the songs on SoundCloud or YouTube would be awesome and greatly appreciated, too.

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Check out the playlist on SoundCloud:

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Check out the playlist on YouTube:

Can you Dig it?

I think you should be able to download a zip of the collection on Google Drive or SendSpace if you’re so inclined.  If you can’t get it there, let me know and I can email it to you.

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The AiXeLsyD stuff:

The Gasoline Dion stuff:

The Ernie and the Berts Stuff:

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Check out some related posts:

NOTE:  Edited to correct links to YouTube videos, made new ones for some slideshows that were too short.  Also, check the comments!

Guitarobatics 🎸


I’m on a few super gear-nerdy and G.A.S.-educing groups on Facebook.  To the Awesome Cheap Guitars group, I recently posed this question:

So,what awesome cheap guitar moves have you pulled on stage? I’m a horrible guitar player, but I can wow a crowd with some flash, flair, and goofy-looking guitars. I’m guilty of the checked following…

Dancing E.

Dancing E.

☑ Playing behind the head.
☑ Playing while squatting with guitar in between knees, reaching arm through legs from behind.
☑ Playing while falling/laying down.
☑ Dropping-trou and continuing to play.
☑ Playing on knees bending back until head almost touches the ground.
Sad 80’s dance move with shuffling feet while playing.
☑ Playing on chairs.
☑ Playing on tables.
☐ Playing on the bar.
☑ Walking outside & in another door if possible with a wireless.
☑ Sitting in a seat with a wireless.
☑ Stage-diving.
☑ The Chuck Berry/Angus Young walk.
☑ Switching instruments mid song.
☐ Using a beer bottle as a slide.
☑ Using a mic stand as a slide.
☐ Blowing bubblegum bubbles. (Like Doyle.)
☑ Drinking mid song.
☑ Injuring a band mate by accident. (I chipped the lead-singer/bass player’s tooth.)
☐ Injuring a band mate on purpose.
☑ Improvising a mic stand out of duct tape, a hockey stick, & gatorade bottles. (Hey, we were playing at a dek-hockey rink.)
☐ Playing on someone’s shoulders.
☐ Playing while someone is on your shoulders.
☑ Playing from behind a wooden bear statue with the guitar on the front of the bear.
☐ Putting a lit cigarette under the strings in the headstock.
☐ The amp-hump. (Like Jimi.)
☑ The guitar-as-a-phallic-symbol air-hump. (Like Rex from the Lone Rangers  in Airheads.) 
☐ The guitar toss – Badass edition. (Like Prince – also, check out the falling into the crowd move!!!)
☐ The guitar toss – Oops edition. (Like Prince with the borrowed Epiphone or Krist Novoselic on MTV.)
☐ The guitar toss – Someone else catches & starts playing.
☐ Smoke-bombs. (Like Ace Frehley.)
☐ Set Fire to the guitar. (Like Jimi.)
☐ The windmill. (Like Pete.)
☑ The powerslide.
☑ The failed powerslide.
☐ Swinging from the rafters. (Hard to do while actually playing? This dude did it.)
☐ The “‘round the world” spin.
☐ The failed “round the world” spin.
☑ Yelling out a second story window mid-set for people to come into the bar.
☐ The “nyah-nyah you can’t see me” EVH turn-around.
☐ The flying karate kick.
☑ On the knees.
☐ On top of a piano. (Like Slash.)
☑ Dancing with the crowd.
☑ Duel of the Fates – using another musician’s fretboard as a slide.
 The salute – All in the air.
☑ The Poison-ish choreographed lean.
☑ Lean on a bandmate.
☑ Lean into a bandmate.

I know there are more.  I know photos & videos exist of some of these with me.   I know this post can get goofy. Please, I implore you to share your moves, including videos, animated gifs, and photos in the comments!  This kind of stuff is hilariously entertaining to me.

What’s your favorite to do?  What’s your favorite to watch?  What have you copied?  What have you invented?  What did I miss on this list?  Share your stories and images and favorite stuff from your favorite performers!

Now, for the self-indulgence: