The story of the Dewey Decibel FlipOut guitar.

Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.

OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.

A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)

I thought it would be fun to try and track down Dewey Decibel (a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!

After some emails exchanged, here’s the story from the man himself!

Hi Eric,

I’m awfully sorry there was a delay on getting back to you.  I honestly have had my hands full this year, and it slipped my mind.  Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point.  And thanks for asking.

I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole.  Just a thing I did – never mentioned it on stage.  Played electric guitar, with synth sequencers for backing, plus voice. 

One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind.  I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars.  I love him because he didn’t even blink, just said “sure, I can do that”.  I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller.  We did good work.  I always played the original FlipOut, which started its life as a Fernandes brand Strat.  I always had the IV drip by my side.

Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!

We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.

Here is what exists online, though there are 3+ albums and an EP somewhere:

https://deweydecibel.bandcamp.com/

Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)

At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band.  In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer.  There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please.  I ordered some prototypes during that year, and tweaked things.  Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived.  That first NAMM show was funny funny stupid funny. 

Art from the Dewey Decibel website.

The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM  launch that I was in breach of their trademarks.  This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.

I was living in a warehouse with boxes of these guitars and my drum set.  It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines.  The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One.  I did care about the feel of the neck and the pickups.  It’s self evident I think when you handle one.

I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely.  Even took orders.  The problem was that the whole business had me working in too many directions, and exhausted.  I’d gone to Europe, and did a bunch of sales, there and in Australia too.  I was overworking, and getting wiped out.  This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy.   But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer.  I was too much of a lone wolf for them.  So I went back to graphic design and animation.  I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.

The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with.  Austin really had cabs colored like the guitar.

I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff.  Just joking – I guess it was inevitable someone would cash in.

Hey thanks for your interest.  Hoping it fills in some detail. 

Thanks

joe

Until now, this is pretty much all that was out there on the FlipOut!

FlipOut models & colors

How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.

The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.

Check out the Facebook fan page if you’re a fan, would like to share photos of yours or you with it in action, have one for sale, or are looking for one: Facebook | Dewey Decibel FlipOut

I would also, of course, love to hear from you in the comments!

If you want to see me and my FlipOut in action, check out the stuff below this list of links.

Also, check out these links if you’re looking for more:

• Dewey Decibel | Reviews
• Dewey Decibel ‘Flip Out’ demonstrated by Paul Brett
• Guitar List | Dewey Decibel
• Stratoblogster | Dewey Decibel FlipOut is a Crazy Guitar!
• Guitarz | Dewey Decibel’s FlipOut guitar
• Guitar Patrol | Dewey Decibel’s FlipOut Invisible
• RigShare | Dewey Decibel FlipOut
• JediStar | FlipOut
• Premier Guitar | Premier Collector #4: Oddballs
• The Other Room | Flip Out Guitar
• Five Cool Things

Ernie and the Berts “Toybox”:

Ernie and the Berts – “Everybody Poops”:

Ernie and the Berts – “Kate Winslett” (A poor cover of The Silver Brazilians):

Ernie and the Berts – “Ikea”:

Me just rocking this one in the basement in 2016:

Degenerated

What’s Johnny doin’ out on a Tuesday night?

The song “Degenerated” from the movie Airheads is one of my all-time favorites.  If you’re a fan of the movie, you no-doubt know the song.  And if you’re a music nerd in general, you probably know that it’s a Reagan Youth cover.  I would love to know more about the song.  I have collected most of the “who,” but I would love to know the “why.”

Check out the two songs and then we’ll get into why I have so many questions & what they are.

OK, here are the players involved from the information that I gathered on Wikipedia, IMDB, Discogs, & wherever else I clicked;

• The song was originally written by Paul Bakija (Paul Cripple) & Dave Rubinstein  (Dave Insurgent) of Reagan Youth.
• Fictional band The Lone Rangers, comprised of Chester “Chazz Darby” Ogilvie (Brendan Fraser), Rex (Steve Buscemi), & Pip (Adam Sandler) play the song in the movie.
• Jay Yuenger and Sean Yseult of White Zombie fame played on the recording of the song, with Brendan Fraser on vocals.  (Seriously, that bass part so damn awesome, & the guitar solo is blistering.  Sean & Jay both really rocked it.)
• Yuenger & Bryan Carlstrom produced the track.  Bryan produced & engineered stuff by White Zombie, Alice in Chains, Anthrax, The Offspring, Social Distortion, & more.
• Carter Burwell is credited for the music in the film.  The movie was written by Rich Wilkes & directed by Michael Lehmann.

Here’s what I want to know;

• Who decided to use the song?  The director, the music guy, the writer, the musicians?
• Why that song?  The running joke about Chazz writing the song for his girlfriend or before he met her makes it even funnier because I wouldn’t remotely call it a love song.  Did someone just really like the song?  Was licensing cheap all around?  Did they ask Paul Cripple for permission?  What does he think of the song?  Did Dave Insurgent ever get to hear it?
• Why metal up a punk rock song?  They seemed like an 80’s holdover kind of band.  Was it a statement on Grunge being a punk n’ metal hybrid?
• Why are there different chord changes?  The chord progression is different, but the melody (and I use the term loosely) is the same.  The cover may be tuned below standard if I remember correctly?  Someone more musically versed may be able to explain the difference I just know when playing by ear on guitar they’re totally different progressions.
• Why the lyric change?  ( I assume to keep the movie rated PG-13?)  Most notably a removal of the F-word and references to constipation (Lone Rangers Lyrics/Reagan Youth Lyrics).  Who made the changes?
• Who played drums?  Jay, Sean, Bryan, or were there other uncredited musicians?

“The Lone Rangers? That’s original. How can you pluralize ‘Lone Ranger?'”

I’m sure I have more questions that I haven’t thought of here.  Does anyone out there know the explanation?

It is 2017.  I may have to reach out via Facebook , Twitter, or email to all of the players involved to see if I can get an answer.  (If they even remember.)

Sadly, Dave Insurgent passed away in 1993 & Bryan Carlstrom passed away in 2013.

I just really dig both versions of the song, the movie, and that it led me to checking out more Reagan Youth.  Is it weird to be a fan of a song by a fictional band?  Hey, I dig “Three Small Words” too, and that was produced by Babyface.

Do you like either version of this song?  Do you have a song by a fictional band that you really dig?  Do you know any of the relevant information here?  Let me know in the comments!

Now I’m off to look at naked pictures of Bea Arthur and eat cottage cheese out of a football helmet.

Locksley is a class act.

Last night Ernie and the Berts had the opportunity to share the stage with D.I.Y. wizards, Locksley.  First off, these cats exude cool.  They look like they just walked out of the studio at Sun Records, or belonged on the Chess Records roster in the late 50’s.  In full confidence of all my manhood, I can say that if I were a woman, and into dudes, my panties would have been thrown onto the stage last night.  The best part is that they lack the pretentiousness sometimes associated with such a look.

Locksley is self-described as “doo-wop punk”, but it sure sounds like straight-up super poppy rock n’ roll to me.  Part 50’s ballads, part garage rock, part “Beatles just slashed the speakers” kind of vibe…. I even picked up a little Who and maybe even Pinhead Gunpowder.

These dudes explode on stage.  After their roadies got them all set up, drummer Sam Bair took nonchalantly to the stage, sat down, and started pounding like a madman.  As everyone in the room was spinning their head to see what was going on… the rest of the guys hopped up on stage, picked up their instruments, and joined in with a catchy number.  Bass player Jordan Laz called us all to action, Eastwood Airline bass slung to the side; No feet were to be still, no hands were to be left idle.

They actually implored us to go downstairs during the second song, and try to bring up Smiling Moose bar patrons from downstairs.  Not even the incredible fans that drove in from Ohio donning homemade letter jackets and poodle skirts emblazoned with Locksley logos went downstairs as we was requested.  No one wanted to miss whatever happened next!

Hooky melodies with a beat meant to keep your feet tapping is Locksley’s thing, and they do it well.  Their self-titled record comes across as a little softer, more polite, and gentle than the live show… but make no mistakes, these guys are mean on stage.

Guitarist Kai Kennedy was channeling Johnny Cash in all black with his well-worn cream colored Stratocaster wailing crazy poppy licks, and sweating bullets from the get-go.  Lead vocalist Jesse Laz let bass player & brother Jordan handle most of the inter-song banter, then would step in to croon and make jangly chord changes with his Epiphone Wilshire… A commanding presence that reminded me of Morris Day in Purple Rain.

These guys have crazy stage presence.  Any inter-song banter was backed by soft rocking that ramped up just in time to jump into the next tune.  Moves that had to be choreographed but looked like they may have had an organic origin peppered the set.  Microphone sharing with killer vocal harmonies was all over the place.  Everyone who wasn’t tied to a drum kit was in the audience at one point, dancing, rocking, and singing away.  Kai and Jesse locked into this weird grappling maneuver where they played each others’ guitars while spinning around looking like someone trying to get out of a straightjacket.

After the set, handlebar-moustached drummer Sam wouldn’t let me purchase a CD.  Instead, he gave me a stack to pass along.  We gave some out to those who had attended the show, but I still have 2 unclaimed.  Let me know if you’re interested.  The 1st 2 to claim the disc in the comments below, it’s all yours.

Erin “Ernie” Payne & Dave “Bert” (or “the other Bert”) Warren went to a Fountains of Wayne show in Philly a while back, and Locksley was the opener.  Erin really dug what they were all about, and set out on a personal mission to bring them to the ‘Burgh.  I’m glad he did.  I had a great time last night, and I know the whole shebang was a big deal to Erin.  From what I can tell, all of the guys in Locksley and their friends/crew are all-around nice guys who have a genuine love for the music, the stage-show, and the adventure of being a rock n’ roll band.

Stay tuned to Ernie and the Berts’ Facebook page to see photos of the show!

http://twitter.com/#!/LocksleyMusic/status/136883071373942785

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• Tomorrow night! Show over early, so get there early! – Also, win some free tickets! (ernieandtheberts.wordpress.com)
• Tue. Nov. 15th @ the Smiling Moose with LOCKSLEY! (ernieandtheberts.wordpress.com)
• It would be beyond super-awesome… (aixelsyd13.wordpress.com)
• I’ll take Locksley for $10, Alex! (ernieandtheberts.wordpress.com)
• Locksley: Locksley (Review) (popmatters.com)
• This Week’s Interesting Music Releases – July 26th, 2011 (largeheartedboy.com)
• LIVE REVIEW: Locksley at Vinyl (latestdisgrace.com)
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• Live Review/Preview: Locksley at Club Congress TONIGHT! ALL AGES 6PM (tucsonscene.com)

EatB in the Pgh CP

I found this rather amusing:

We're famous!

Ernie and the Berts – November Shows

We have some shows coming up.  You ought to attend.  We’re a good time.  I promise.

The Punk Rock Sock Hop Invades Pittsburgh! Sat.11/05/2011

This is going to be one crazy show… bands, magic, a DJ spinning 50’s tunes, zombies, contests, prizes, and probably even drunk chicks.  You can get free admission and some other goodies from Pittsburgh Punk Rock with very minimal effort (if he extends the contest).  This benefits Free Ride Pittsburgh, and is a Pittsburgh City Paper Critic’s Pick for this weekend!  Click the flyer for details, links to all the other bands & entertainment!

Locksley, Ernie and the Berts, & The Mondze! 11/15/2011 @ The Smiling Moose!

Click the flyer for details, to see videos from all 3 bands, the link to buy tickets, and check the comments for the link to a free EP called Ghosts from Locksley with a fun Halloween theme!  Erin saw these guys in concert, and wanted to bring ’em here to the ‘Burgh.  You’ve heard the song “The Whip”.  Lets show them some love!  Help spread the word.

Related articles

• The Punk Rock Sock Hop Invades Pittsburgh! Sat.11/05/2011 (ernieandtheberts.wordpress.com)
• Tue. Nov. 15th @ the Smiling Moose with LOCKSLEY! (ernieandtheberts.wordpress.com)
• I’ll take Locksley for $10, Alex! (ernieandtheberts.wordpress.com)
• Ikea! Ikea! They’ve got a ball room… (ernieandtheberts.wordpress.com)
• Get your new Ernie and the Berts T-Shirts! (via Ernie and the Berts) (aixelsyd13.wordpress.com)
• Sat. Nov. 5th, 2011 – The Punk Rock Sock Hop! (ernieandtheberts.wordpress.com)

Your attendance is required.

Sun. 08/14 @ The Fallout Shelter:

☢ Ernie and the Berts
☢ Hopeless Otis
☢ The Awful Waffles

$5 / 21+ / 9:00pm

Click the link for details & links to the venue & other bands.

Beat the heat, not your meat!  Hang out in the cool relaxing not-humid soothing basement of Sheffield Lanes… a little place we like to call the Fallout Shelter.  Well, they called it that, so that’s why we call it that.  We didn’t name it.  Although, it is a pretty good name.  For some reason, they like us there, and keep letting us come back.  Randy just may be a little insane.  That’s OK, I think we are too.  At any rate, they have good drink … Read More

via Ernie and the Berts

Tickets still available for Thu. March 17th w/ the Blasters! (via Ernie and the Berts)

So, we still need you to buy some tickets for the St. Patrick’s Day gig at the Altar Bar with the Blasters. We have tickets available for $15 each & no TicketBastard processing fees.  Leave a message here, hit us up on Facebook as a band or individually and we’ll hook you up, or email ernie@ernieandtheberts.c … Read More

via Ernie and the Berts

The Blasters - Thu. March 17th, 2001 @ The Altar Bar!

Ernie and the Berts | Reverb Nation & Facebook

Just a little shameless self-promotion: