Tag Archives: pickups

The story of the Dewey Decibel FlipOut guitar.

Posted on by Standard 2

Bert - a.k.a. ERiC AiXeLsyD - rocking the Dewey Decibel FlipOut Lit Cigarette model.
Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.

OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.

A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)

I thought it would be fun to try and track down Dewey Decibel (a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!

After some emails exchanged, here’s the story from the man himself!

Line of FlipOut guitars & BottomOut basses from the Dewey Decibel website.

Hi Eric,

I’m awfully sorry there was a delay on getting back to you.  I honestly have had my hands full this year, and it slipped my mind.  Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point.  And thanks for asking.

I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole.  Just a thing I did – never mentioned it on stage.  Played electric guitar, with synth sequencers for backing, plus voice. 

One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind.  I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars.  I love him because he didn’t even blink, just said “sure, I can do that”.  I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller.  We did good work.  I always played the original FlipOut, which started its life as a Fernandes brand Strat.  I always had the IV drip by my side.

Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!
Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!

We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.

Here is what exists online, though there are 3+ albums and an EP somewhere:

https://deweydecibel.bandcamp.com/

Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Guitar & Vocals) ● John Howard (Bass)
Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)

At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band.  In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer.  There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please.  I ordered some prototypes during that year, and tweaked things.  Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived.  That first NAMM show was funny funny stupid funny. 

Dewey Decibel - FlipOut & BottomOut
Art from the Dewey Decibel website.

The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM  launch that I was in breach of their trademarks.  This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.

I was living in a warehouse with boxes of these guitars and my drum set.  It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines.  The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One.  I did care about the feel of the neck and the pickups.  It’s self evident I think when you handle one.

I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely.  Even took orders.  The problem was that the whole business had me working in too many directions, and exhausted.  I’d gone to Europe, and did a bunch of sales, there and in Australia too.  I was overworking, and getting wiped out.  This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy.   But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer.  I was too much of a lone wolf for them.  So I went back to graphic design and animation.  I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.

The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with.  Austin really had cabs colored like the guitar.

I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff.  Just joking – I guess it was inevitable someone would cash in.

Hey thanks for your interest.  Hoping it fills in some detail. 

Thanks

joe

For the Raging Guitar Houdini in you! (ddB)™ What led Dewey Decibel, Brooklyn's recording enigma, to do what he did to his guitar that night? Frustration. His friends had snubbed him, his car had been totaled, but worst of all, his reading comprehension was way down, and he could feel the stares when he entered a room. That fateful night, Dewey did grab for his guitar, slamming his bedroom door, not to emerge for countless weeks (though he did leave once to go to a class on "Appalachian Fingertip Dancing"). It was during these weeks, through a period of painstaking research, made even more difficult by an ill-fitting lab coat, Dewey did travel to the edge of insanity. But once there, decided he'd rather be at the brink of madness, so he quickly switched when no one was looking. And when at last he did emerge, witnesses reported he held in his hand something resembling a guitar on muscle relaxant. Dewey Decibel's FlipOut™ was in their midst. And now, it is in yours. www.flipoutguitar.com Write to us at flipout@deweydecibel.com The guitar design configuration of Dewey Decbel's Flip Out™ is a trademark owned by Joe Gerardi of Dewey Decibel Inc. Any replication of this trademark is prohibited by law. Dewey Decibel
Until now, this is pretty much all that was out there on the FlipOut!
Dewy Decibel FlipOut models | Invisible, Lit Cigarette, Barry Levelthal, Austin City Cab, Scandalicious, Shameless.
FlipOut models & colors

How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.

The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.

Check out the Facebook fan page if you’re a fan, would like to share photos of yours or you with it in action, have one for sale, or are looking for one: Facebook | Dewey Decibel FlipOut

I would also, of course, love to hear from you in the comments!

If you want to see me and my FlipOut in action, check out the stuff below this list of links.

Also, check out these links if you’re looking for more:

Ernie and the Berts “Toybox”:

Ernie and the Berts – “Everybody Poops”:

Ernie and the Berts – “Kate Winslett” (A poor cover of The Silver Brazilians):

Ernie and the Berts – “Ikea”:

Me just rocking this one in the basement in 2016:

New pickups for the Annihilator!

Posted on by Standard 1

This is a copy of the Annihilator guitar developed by Doyle Wolfgang Von Frankenstein and his brother Jerry Only of the legendary horror punk band, the Misfits.

Annihilator copy from AliExpress - A copy of the infamous guitars of Doyle Wolfgang Von Frankenstein.

I ordered it from AliExpress. It seems to be a copy of the Oktober version. I think Jerry & Doyle originally worked with Rand to build the guitars… then Oktober made a run but Doyle has publicly and often decried their quality. Word on the street is that Dean will be making a production model. Doyle’s have been made from wood, graphite, and metal… with bolt-on sides since he can be a bit rough on them.

I had my go-to guitar guru (the inimitable Aaron Hutzel of Empire Music) recently do a setup and drop-in some Dragonfire Crusaders humbuckers. It sounds glorious through my Orange Micro Terror & a Laney 2×12 cab.

Here is a video of me playing it:

Here’s a short version of the video with annoying filters and stickers on TikTok:

@aixelsyd13

Whoa oh oh! #Misfits #FiendClub @aliexpressus #Annihilator copy! #DragonfirePickups Crusaders. super fun.

♬ original sound – Eric Carroll

I love it. I know its not “real.” I know it’s ridiculous. It’s fun. I’m too punk rock and too old to care what anyone thinks of the look, legitimacy, or irony of it all. Ha ha.

You can read about my first impressions here: My Guitars | The Annihilator Guitar

You can get one here if you have mad patience and expectations that match the sub-$200 price point: $189.0 US | Factory custom unusual shape Bat body Electric Guitar with Rosewood Fretboard, Bat inlay, Black Hardware, offer customized

Check out Empire Music if you want to see some really nice high-end Fender, Gibson, Martin, Taylor, & more guitars. Check out some of Aaron’s work on his Instagram, he gets to see some beautiful axes! If you’re in or around Pittsburgh, I highly recommend him for all your guitar repair, revision, and setup needs.

Check out a bunch of my weird guitars here on the blog and here on my playlist:

I may eventually set up a website just to catalog/showcase my collection. I have it, I just need to populate it. Would anyone be interested in that, or just me?

“Tone wood is so important in guitars.” 🎸

Posted on by Standard 5

“Tone wood is so important in guitars.” Except when it’s not.

I get, it makes a difference. It even makes an audible difference (to some people). It doesn’t make that big of a difference with gain cranked and balls to the wall.

<sarcasm> This guy does some science crap and he’s really condescending too, so you know he’s good:</sarcasm>

Messing around with some of my guitars 🎸

Posted on by Standard 4

Guitars Demoed this time around

Guitars Demoed this time around

The other night I broke out some of my toys for some fun.  Some cats demo their stuff online, so I decided to make a video of my jam…

Here are the guitars used:

Here was my setup:

Ran it into a Planet Waves tuner pedal, out to a Y-splitter cable. One end went into an Ernie Ball wah pedal then into a Fender Blues Jr. The other end went straight into an Orange Micro Terror rockin’ a Laney 2×12 cab.

Here are some photos if you’re into that kind of stuff:

I’d be interested to know what you think, if you own a guitar like one of these, or if you have something even wackier to share.  Please, comment up.

Changing Pickups – How-to’s I found interesting and helpful:

Posted on by Standard 2

Tone Fiend (Joe Gore) rules.

I need to get back to work on my NY Pro.

Related Articles

So, now what? (Customizing my New York Pro, finally.)

Posted on by Standard 3

So, this past weekend, I finally got a chance to work on customizing my New York Pro, I thought I’d get a bunch of it done all at one time.  Well, I hit a roadblock or two as I was taking it all apart.  (Of course.)

I already got some great advice via Facebook, but thought I’d try & chronicle everything here.

It doesn't fit...

It doesn’t fit…

Once I got my work bench set up on the basement, taking everything apart was quite easy.  I just took out all the hardware, and when I went to line up the new pickguard, it didn’t fit. It’s really close, but it doesn’t fit.  I’m going to have to file or cut or sand or Dremel or some combination of all of the above.

It's not the same...

It’s not the same…

The holes in the pickguard aren’t going to lineup with the screws, either.  I’m going to have to maybe 2-sided tape it in place to mark all the holes once I get it cut right.  I have no experience taking apart guitars, but it’s odd that the neck doesn’t fit “perfectly” into the body.  There’s a weird gap there.  It’s also easy to tell (now) that the old pickguard has been cut.  There are some other spots where it doesn’t quite line up.  I hope I don’t have to route anything out where the pickups go.  I got them all from the same place, so I hope not.

Also, I thought I was taking the neck plate off… but it wasn’t having it:

That's supposed to come off when you take the screws out...

That’s supposed to come off when you take the screws out…

Help?

Help?

It’s stuck.  I feel like it’s glued on or was put on before the stain dried?  I bought all black hardware, including a neck plate.  Should I try to get this one off, or just let it go?  I even tried to pop it off using  a screwdriver through the 5th larger hole… all to no avail.

Any advice on that one?

If you’re interested in checking out my progress, take a look at the Photobucket album that’s my attempt to chronicle the whole thing.  (Or, sit through this slideshow…)

Related Articles

Have any soldering or guitar wiring advice?

Posted on by Standard 8

I still haven’t done anything with my box of goodies from Guitar Fetish to beat up that New York Pro Strat clone.  It’s not that I’m nervous, I just haven’t had time to sit down & get it done yet.   I’m also still open to any tips/tricks/advice.

I wrote to Joe Gore of the Tone Fiend blog (if it’s not in your reader, it should be) and he gave me a cool link to videos (besides the ones on his killer DIY page)…  Installing Pickups.

I also recently came across these cool blog posts from Guitar WTF (another good follow!):

I did buy one of these from Harbor Freight…

Jumbo Helping Hands with LED Lights (item#65779 )

Think it will help?  Everyone seems to say it will. I might need a sponge too?

I’ve gotten some decent tips from Facebook, SMG, and Misfits Central.  What else do I need to consider as far as pots & capacitors?

How would you connect the dots here?  What pots & capacitors would you use?

How would you wire this?

How would you wire this?

Should I do the 7-sound thing?  What if I want the neck & the bridge both on at once?

Should I replace the pots while I’m in there?  How do I tell if they’re 250k or 500k?

I’m guessing a wiring diagram with my proposed setup doesn’t already exist out there, not even at Stew-Mac.  Looks like these cats will make one for $30, but I think I can do that myself.  (Although a very rough one.)

I need a crash course in guitar wiring, I guess.  Ha ha.

I also might try to setup a work bench/space in the basement so I don’t ruin the dining room table.

What about a push-pull pot with a poor man’s Black Ice circuit?

Should I get a book?

I know I’m over-thinking this.  There’s too many options.  Ha ha.

Related articles

I’m going to need to learn how to solder.

Posted on by Standard 9

I’ve soldered stuff before, but it’s been a long time, I’m going to need to learn again.  I just got a box full ‘o neat stuff that I’m going to slap on to that New York Pro that I picked up at Hoke·E·Geez.  I have this urge to do as much of it as I can myself.  (I’ll still have it set up when I’m done by Aaron at Lawrence Music.)

Guitar Pimpin'

Guitar Pimpin'

I’m sure I can do it.  I might make a mess, and it might take me longer than someone who actually knows what they’re doing, but I can do it.

GFS | Lil Killer Black Humbucker Rail Pickup for Strats

GFS | Lil Killer Black Humbucker Rail Pickup for Strats

I went with a goofy pickup configuration, because I have the luxury of not knowing what I’m doing & no one to tell me “that’s not the way you do that”.

GFS | Pro-Tube Lipstick Tube Pickup- GLOSS BLACK

GFS | Pro-Tube Lipstick Tube Pickup - GLOSS BLACK

I got 2 Lil Killer humbucker rail pickups, one 15K for the neck, & one 10K for the middle.  I have no idea what the K means.  I got a Pro-Tube lipstick tube pickup for the neck position, because I thought it looked neat… and because I never use the neck position, so I thought this might be neat to try out.  I opted for the 6K version, because that’s what the pickup in the calibrated rail set comes as…  even though the GFS page suggests you use the 4.9K one at the neck position.  Will it make that big of a difference?

Galaxy Guitars | New York Pro | Star Gazer

It's gonna look (& sound) a little different by the time I'm done with it.

So, I have these pickups, & the 5-way switch that came with the guitar.  What kind of wiring do you suggest I do?  Do I need to worry about shielding tape or paint?  Do I need flux, or no flux?  Can anyone show me a diagram for a normal setup?  What about something “hot-rodded” using these components?

I have a soldering iron and some solder.  I might get one of those soldering stands with the alligator clips.

Any tips, tricks, or advice?

Related articles